Elise M. Edwards

My Feminist Perspective of Authority – Part 1 by Elise M. Edwards

I make a distinction between power and authority. Authority is a personal characteristic based on a relationship of trust between me and a text, a person, or their work. Power, on the other hand, is operative with or without trust.

This past weekend, I had the honor of participating in a workshop on Living Texts: Celebrating Feminist Perspective and Theo/alogy, Authority, and the Sacred in the Academy. The workshop was organized for the Women’s Caucus of WECSOR, a regional association of national organizations who study religion. I was delighted to connect with new friends, mentors and sisters interested in feminism and religion, including some of my co-contributors on this site –Theresa Yugar, Sara Frykenberg, and Corinna Guerrero . There were two panels that shared our reflections about authority from either student perspectives or diverse professional perspectives. I shared my experiences as a student. This workshop was a gathering where women scholars in religion could discuss the challenges and promises of our voices in the academy. Because our dialogue was so inspiring to me, I thought I’d continue the discussion here. Continue reading “My Feminist Perspective of Authority – Part 1 by Elise M. Edwards”

Get Your Laws off my Body! by Elise Edwards

After considering Virginia’s Transvaginal Utrasound Bill in light of the womanist critique, I wonder if religiously-motivated lawmakers considered that they alone do not have access to God’s intentions, but that the divine spirit is operative in a pregnant woman as well, would they be so willing to negate her moral agency?

On Tuesday, the senate in Virginia approved a law that would require women to get an external ultrasound before an abortion. This is a scaled-back version of an original bill that mandated transvaginal ultrasounds prior to abortions. According to this Washington Post article, opponents like Sen. Janet D. Howell describe the measure as “state rape,” since it is the state, not the woman and her doctor who decides that she must undergo this procedure requiring the insertion of a probe into the vagina. Although proponents of the bill say that it is designed to give women more information about a fetus’ gestational age and development, most would agree that it is ultimately intended to discourage the women from having an abortion. This is why bloggers like Kendra Hamilton believe that religion is the motivation behind this and the other 5 abortion-related bills introduced in the Virginia General Assembly connected to issues of women’s sovereignty over their bodies. Yet, as I heard about these bills, another religious response came to mind – one that expresses horror and condemnation of coercive practices regarding women’s childbearing. Continue reading “Get Your Laws off my Body! by Elise Edwards”

The Rhetoric of Freedom of Religion in the Debate about Contraception Coverage By Elise M. Edwards

Does freedom of religion include the right to impose your religious views on your employees? Should freedom of religion exempt you from financially contributing to a medical benefit for your employees that you consider sinful?

According to an Associated Baptist Press article, Richard Land, president of the Southern Baptist Convention Ethics and Religious Liberty Commission, “called a new rule [by the Obama Administration] requiring insurance plans to cover birth control — including those paid for by religious employers that believe artificial birth control is a sin — a ‘horrible decision’ that poses a problem not just for faiths that object to birth control” in the January 28 broadcast of Richard Land Live. Land believes that this policy infringes on religious freedom. (Note that the health care policy does exempt houses of worship and religious organizations that employ primarily those of the same faith, but not organizations like hospitals and colleges that employ and serve people of all faiths, or no faith. An article by Religion News Service, posted here, also on a Baptist media outlet, explains the policy in more depth.) Continue reading “The Rhetoric of Freedom of Religion in the Debate about Contraception Coverage By Elise M. Edwards”

The Reclamation of Culture in Reality TV By Elise Edwards

In my academic life, I spend a lot of time thinking about issues of race, gender, religion and cultural production. In my free time, I watch a lot of tv. At times, the two interests converge, and I’m fortunate to have this community and forum to share the thoughts that come from it. A couple months ago, I started revising a paper I’d written a few years ago about the issue of cultural imperialism and in that process, I recognized that there had been a subtle shift in television programming that features black women. In the wide and ever-expanding reality tv genre, there are many shows that cast a black woman as a villain (the black bitch) or sexual object. But there are other shows that present alternative, positive images of black women as caring, capable, professional, and talented.[i] I’ve also noticed that several shows seemed to be overtly designed to combat the lack of positive images by celebrating the passions, skills, and abilities of women of color. I am encouraged to see black people claiming an active role in their own cultural production. The act of creating is self-affirming, and when used by marginalized peoples, it can be a source of empowerment to counter their mistreatment. In Art on My Mind: Visual Politics, bell hooks states, “It occurred to me then that if one could make a people lose touch with their capacity to create, lose sight of their will and their power to make art, then the work of subjugation, of colonization, is complete. Such work can only be undone by acts of concrete reclamation.”^{^[ii]Continue reading “The Reclamation of Culture in Reality TV By Elise Edwards”}

Why I Hated “Jumping the Broom”: Disappointing Depictions of African-American Women’s Agency By Elise Edwards

Elise M. Edwards is a Ph.D. candidate in Theology, Ethics, and Culture at Claremont Graduate University and registered architect in the State of Florida. She does interdisciplinary work in the fields of theology, ethics, and aesthetics, examining how they inform and shape each other and express the commitments of their communities.

This past spring, I thought it would be fun to spend a leisurely afternoon with a good friend, seeing the movie Jumping the Broom (now available for home viewing). The film features some of my favorite actresses, Angela Bassett and Loretta Devine, and I like going to movies that show African-American romances, families and friendships if they aren’t too stereotypical or offensive. My trusted Entertainment Weekly assured me that this would meet my criteria: “Yes, there really is a way to make a boisterous, dramatic comedy about African-American life better than Tyler Perry does….You’ll laugh — a lot — but you’ll also shed tears of recognition at this funny, salty, strife-torn look at the agony and ecstasy of family,” said critic Owen Gleiberman.

But after the opening scene, I knew it was not going to be a pleasant afternoon. Continue reading “Why I Hated “Jumping the Broom”: Disappointing Depictions of African-American Women’s Agency By Elise Edwards”

A Spirit of Competition By Elise M. Edwards

“You should watch this. It’s inspiring,” my sister said to me about Born to Dance: Laurieann Gibson, the dance competition show on BET. So I watched. And I loved it. I can’t remember watching any other reality show–especially a competition-based one- that left me with such a sense of the spirituality of its star.

Laurieann Gibson fulfills many roles on Born to Dance: host, mentor, judge, and executive producer. Laurieann is a respected dancer and choreographer. TV viewers may remember her from MTV’s Making the Band franchise, in which she trained members of Dannity Kane in dance and sometimes clashed with P. Diddy, the star and producer of that show. In this show that features her name, we learn more about her approach to dance and to life. On Born to Dance, we see the same drive and demanding ethic that she displayed in other shows, but we also see her spirituality. She says grace before eating dinner with the contestants. She speaks of God and gifts. And most surprisingly, she prays in Jesus’ name before very elimination. These prayers are for the contestants that will be eliminated, that they may continue to grow in confidence and belief in their dreams to become dancers, and that they may have many opportunities and paths in the future to do so. Continue reading “A Spirit of Competition By Elise M. Edwards”