Author: Max Dashu

Max Dashu founded the Suppressed Histories Archives in 1970 to research and document global women's history, reflecting the full spectrum of the world's peoples. She amassed a collection of 15,000 slides and 20,000 digital images, and has created 130 slideshows on female cultural heritages. For over 40 years, Max Dashu has presented visual talks in North America, Europe, and Australia (as well as via webcast and online courses). She teaches with images, scanning the cultural record: archaeology, history, art, spiritual philosophies, and orature. She has keynoted at various conferences and published in journals and anthologies such as Goddesses in World Mythology (Praeger 2010). She is also a well-known artist whose work has been featured in many feminist publications from Judy Grahn’s She Who (1976) to Manushi, a journal in India and Foremothers of Women’s Spirituality (2014). Her daily posts on the Suppressed Histories Facebook page are followed by 150,000 people. She has created two dvds: Women's Power in Global Perspective (2008) and Woman Shaman: the Ancients (2013). Her book Witches and Pagans: Women in European Folk Religion, 700-1000 has just been published by Veleda Press.

From the Archives: That Which Is Sacred by Max Dashu

Moderator’s note: This marvelous FAR site has been running for 10 years and has had more than 3,600 posts in that time. There are so many treasures that have been posted in this decade that they tend to get lost in the archives. We are beginning this column so that we can all revisit some of these gems. Today’s blogpost was originally posted June 30, 2012. You can visit it here to see the original comments.

We are going through a huge cultural shift toward restoring the female to her full radiance. However you want to define that, it is rising now, through us.

That which is Sacred, what should we call it? We’ve been told to name it he, him, his. That it was blasphemy to do otherwise, to say she, even as they desecrated the Divine with comparisons to mortal overlords, those cruel masters, despoliators, persecutors. No. Reconsider. That fearful address to an authoritarian punisher takes us far from true reverence. Rather revere the roots of Being, manifesting in all Nature around us, within us. The profound silence, and the Deep calling to the Deep.

Deeply I go down into myself. My god is Dark and like a webbing made of a hundred roots that drink in silence. ― Rainer Maria Rilke

The Swan-Bone Flute by Rachel O’Leary: Reviewed by Max Dashu

A girl leaps out of her tree perch to warn a pregnant doe that a hunter is drawing his bow against her. For this act of defending the mother deer, who should never be hunted, her uncle beats her. And so this novel drops us into the world of East Anglia in the year 598, in the wake of the Saxon invasions and enslavement of some of the British population. In this world, the old folkmoot councils are threatened by the rising power of the thanes, a hierarchy of lords under the new Saxon kings. And these lords are eroding women’s power at a rapid pace. Continue reading “The Swan-Bone Flute by Rachel O’Leary: Reviewed by Max Dashu”

In Search of Ancestral Wisdom by Max Dashu

Max 2011

What is the preserving shrine? Níansa (not hard).
The preserving shrine is memory and what is preserved in it.
What is the preserving shrine? Níansa.
The preserving shrine is Nature and what is preserved in it.
—Senchas Mór, Ireland

In a world in extremity, we are searching for the wellspring, the inexhaustible Source known to all our ancient kindreds. Many of us have been cut off from our deep roots, and especially from the ancient wisdom of women, and female spiritual leadership.

My long quest has been to discover the lost strands of my own roots, the old ethnic cultures of Europe, and to reweave those ripped webs. I have spent decades searching for authentic cultural testimony about women’s spiritual ways before Christianity, before the Roman empire, before men commandeered all positions of religious leadership. My book, Witches and Pagans: Women in European Folk Religion, brings together these ripped strands of the cultural web. Continue reading “In Search of Ancestral Wisdom by Max Dashu”

That Which Is Sacred by Max Dashu

We are going through a huge cultural shift toward restoring the female to her full radiance. However you want to define that, it is rising now, through us.

Deeply I go down into myself. My god is Dark and like a webbing

made of a hundred roots that drink in silence. ― Rainer Maria Rilke

There are myriad emanations of the indescribable Source, but Goddess women call it she, as medicine to what they have forbidden in us, to us. That Shakti, the effulgence that pours through all living beings, including the rocks. The Shekhinah, the ever-flowing waters of Nummo, of Anahid. The Tao that is “the mother of whatever exists under the sky, upon whom myriads of beings depend for their birth and existence,” as the Dao De Jing says.

“The Universe is the Goddess. She is not separate from it, She did not create it and then let it be. She is what is, what was, and what will be.”¹ So the Kemetic people praised Neith, Mother of the Neteru, on her great temple at Sa in the Nile Delta. Inscribed magnificats exalt her in some of the greatest spiritual literature of the world:

Greater is her name than of all gods and goddesses

The primordial One, eldest of the primeval gods

She who made that which is

She who created that which exists…

Who gave birth to Ra,

Who brought forth in primeval time herself,

Never having been created.

But not all wisdom is written. Continue reading “That Which Is Sacred by Max Dashu”