Tag: Elise Edwards

The Original Art by Elise M. Edwards

Storytelling is the original art as the desire to communicate is a common thread of all the other arts. I started reflecting on the stories – through various mediums–that have shaped me, and I wanted to use my post today to honor the herstories, the narratives of the women that have been meaningful to me.

On Tuesday night, I attended a gathering of storytellers.  I sat with two of my friends and listened to professionals and amateurs alike share stories.  The stories they told presented a range of narratives from Danish folktales to improvised children’s stories.  I was both horrified and enchanted by the content of their works.  While one story was a particularly violent tale of retribution and “justice,” another seemed to offer lessons about cooperation.

I thought about sharing a story of my own, but I didn’t feel prepared.  By the end of the evening, I was aware of the irony of my reluctance to share.  I was afraid I was not a good enough storyteller, yet I’d spent a good part of the previous two weeks traveling and catching up with old and new friends, which certainly involved animated retellings of the events going on in my life. Continue reading “The Original Art by Elise M. Edwards”

My Feminist Perspective of Authority – Part 1 by Elise M. Edwards

I make a distinction between power and authority.  Authority is a personal characteristic based on a relationship of trust between me and a text, a person, or their work.  Power, on the other hand, is operative with or without trust.

This past weekend, I had the honor of participating in a workshop on Living Texts: Celebrating Feminist Perspective and Theo/alogy, Authority, and the Sacred in the Academy.  The workshop was organized for the Women’s Caucus of WECSOR, a regional association of national organizations who study religion.  I was delighted to connect with new friends, mentors and sisters interested in feminism and religion, including some of my co-contributors on this site –Theresa Yugar, Sara Frykenberg, and Corinna Guerrero .  There were two panels that shared our reflections about authority from either student perspectives or diverse professional perspectives.  I shared my experiences as a student.  This workshop was a gathering where women scholars in religion could discuss the challenges and promises of our voices in the academy.  Because our dialogue was so inspiring to me, I thought I’d continue the discussion here. Continue reading “My Feminist Perspective of Authority – Part 1 by Elise M. Edwards”

Get Your Laws off my Body! by Elise Edwards

After considering Virginia’s Transvaginal Utrasound Bill in light of the womanist critique, I wonder if religiously-motivated lawmakers considered that they alone do not have access to God’s intentions, but that the divine spirit is operative in a pregnant woman as well, would they be so willing to negate her moral agency?

On Tuesday, the senate in Virginia approved a law that would require women to get an external ultrasound before an abortion.  This is a scaled-back version of an original bill that mandated transvaginal ultrasounds prior to abortions. According to this Washington Post article, opponents like Sen. Janet D. Howell describe the measure as “state rape,” since it is the state, not the woman and her doctor who decides that she must undergo this procedure  requiring the insertion of a probe into the vagina.  Although proponents of the bill say that it is designed to give women more information about a fetus’ gestational age and development, most would agree that it is ultimately intended to discourage the women from having an abortion.  This is why bloggers like Kendra Hamilton believe that religion is the moti­va­tion behind this and the other 5 abortion-related bills introduced in the Virginia General Assembly connected to issues of women’s sovereignty over their bodies.  Yet, as I heard about these bills, another religious response came to mind – one that expresses horror and condemnation of coercive practices regarding women’s childbearing. Continue reading “Get Your Laws off my Body! by Elise Edwards”

Why I Hated “Jumping the Broom”: Disappointing Depictions of African-American Women’s Agency By Elise Edwards

Elise M. Edwards is a Ph.D. candidate in Theology, Ethics, and Culture at Claremont Graduate University and registered architect in the State of Florida.  She does interdisciplinary work in the fields of theology, ethics, and aesthetics, examining how they inform and shape each other and express the commitments of their communities.

This past spring, I thought it would be fun to spend a leisurely afternoon with a good friend, seeing the movie Jumping the Broom (now available for home viewing).  The film features some of my favorite actresses, Angela Bassett and Loretta Devine, and I like going to movies that show African-American romances, families and friendships if they aren’t too stereotypical or offensive.  My trusted  Entertainment Weekly assured me that this would meet my criteria: “Yes, there really is a way to make a boisterous, dramatic comedy about African-American life better than Tyler Perry does….You’ll laugh — a lot — but you’ll also shed tears of recognition at this funny, salty, strife-torn look at the agony and ecstasy of family,” said critic Owen Gleiberman.

But after the opening scene, I knew it was not going to be a pleasant afternoon. Continue reading “Why I Hated “Jumping the Broom”: Disappointing Depictions of African-American Women’s Agency By Elise Edwards”

A Spirit of Competition By Elise M. Edwards

Elise M. Edwards is a Ph.D. candidate in Theology, Ethics, and Culture at Claremont Graduate University and registered architect in the State of Florida.  She does interdisciplinary work in the fields of theology, ethics, and aesthetics, examining how they inform and shape each other and express the commitments of their communities.

“You should watch this.  It’s inspiring,” my sister said to me about Born to Dance: Laurieann Gibson, the dance competition show on BET.  So I watched. And I loved it.  I can’t remember watching any other reality show–especially a competition-based one- that left me with such a sense of the spirituality of its star.

Laurieann Gibson fulfills many roles on Born to Dance: host, mentor, judge, and executive producer.  Laurieann is a respected dancer and choreographer.  TV viewers may remember her from MTV’s Making the Band franchise, in which she trained members of Dannity Kane in dance and sometimes clashed with P. Diddy, the star and producer of that show.  In this show that features her name, we learn more about her approach to dance and to life.  On Born to Dance, we see the same drive and demanding ethic that she displayed in other shows, but we also see her spirituality.  She says grace before eating dinner with the contestants.  She speaks of God and gifts.  And most surprisingly, she prays in Jesus’ name before very elimination.   These prayers are for the contestants that will be eliminated, that they may continue to grow in confidence and belief in their dreams to become dancers, and that they may have many opportunities and paths in the future to do so.     Continue reading “A Spirit of Competition By Elise M. Edwards”