
I am drawn to the sea not for its grandeur, but for what it returns: small, broken things that once had sharpness. As a child, I remember walking along the shore searching for glimmers, glass fragments dulled into misty greens, smoky ambers, pale blues. I wanted to gather the pieces of what had once been whole and what had once been contained. I collected the way a child collects secrets, each piece a contradiction. Maybe I thought I could make something from these fragments; after all, I was the kind of child who looked for meanings and signs in everything. It is in part what drew me to literature and writing.
There is a piece of sea glass I remember more than the others: an opalescent shard, a piece of moon. That piece became a metaphor for the self I hadn’t yet become. Like those fragments, I too had sharp edges once. Pain teaches that: the need to defend, to protect oneself from further breakage, carves us into angular shapes. I learned early how to brace for fracture, and there was a comfort I found in control, a fierce desire for wholeness that was often mistaken for strength. But there is a brittleness to that kind of armor, and eventually, it begins to break. It took years of undoing for my edges to soften.
Continue reading “Sea Glass by Elanur Williams”


In my genealogy research, I traced my father’s grandmother, Catherine, to her roots on the Iloff farm in Cherry Ridge, Honesdale, Pennsylvania, about two hours north of New York City. Catherine’s parents were Henry Iloff, who emigrated in 1841 from St. Nicholas, Saarland, and Catherina Lattauer who emigrated in 1845 or 1846 from Ober-Floerscheim, Hesse-Darmstadt. They were married February 2, 1846 at St. Matthew’s Church in “Little Germany” on the Lower East Side of Manhattan.



