In the first scene of the Deepa Mehta’s 2005 Indian film Water, a father tells his eight year old daughter, Chuyia, “Child. Do you remember getting married? Your husband is dead. You’re a widow now.” These are some of the last words Chuyia hears from anyone familiar to her, as her condition abandons her in an ashram for Hindu widows to spend the rest of her life in renunciation. Chuyia, failing to realize her condition upon arrival, enters the ashram innocent and naive, as the elderly widows surround her and one proceeds shave her soft head. Watching Chuyia begin to understand her circumstance as she terrifyingly runs for escape screaming for her family, one can only feel a tragic catharsis watching an eight year old being sentenced to life in prison for a “crime” she did not commit. The ideas and criticisms that come to one’s mind are undoubtedly what writer and director, Deepa Mehta, aimed to evoke – injustice, patriarchy, and oppression by way of religion. Continue reading “Deepa Mehta’s “Water” and Homegrown Indian Feminism by Amy Levin”
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