
The legend of La Llorona has been a part of Hispanic culture in the Southwest since the days of the conquistadores. Though the tales vary from source to source, the one common thread is that La Llorona is a woman named Maria who is always dressed in a white gown, the spirit of a young Mexican mother who drowned her children in the river in a moment of rage or abandonment by her lover and then took her own life in her deep shame and sorrow. La Llorona’s disembodied spirit is said to haunt the rivers at night – especially the Rio Grande – where she can be heard weeping in remorse for her dead children. Children are cautioned not to go out after dark because La Llorona might murder or drown them too. Because the tale of the Weeping Woman originated with the Patriarchal Spanish conquest I have always been suspicious of the various versions of this story believing that its meaning has been distorted.
Immediately what comes to mind is the Mater Dolorosa, Our Lady of Sorrows, or Mother of Sorrows. All refer to the Virgin Mary, the only goddess left in Christianity. Our Lady of the Seven Sorrows is another name used to refer to this goddess. The Mater Dolorosa is also a key subject for Marian art in the Catholic Church.


The past few weeks, I’ve been sitting with the many layers held by the concept, and the manifest reality, of mother, mothering, and motherhood. Mother is seen in the divine feminine, in the cosmos, and in the sea and the glow of the moon. She is held in our genes and our histories and the eyes of our children. She is found in archetypes of healing, nurturing, and comfort, as well as in stories of criticism, coldness, and abuse. She is the soft one who tends grief and holds hands and braids hair, and she is the unbreakable one whose labor and caregiving is taken for granted in most areas of her life. We carry our mothers with us in our DNA, in our stories, and in the way we navigate the impacts of intergenerational trauma.
In light of the recent attacks on Jewish cemeteries —the desecration of
In March of 2011, at a symposium on trauma, healing, and spirituality in Belfast, Ireland, I spoke about shame in the context of war, addressing the experiences of women survivors of rape during the Rwandan genocide, US soldiers returning from war with PTSD symptoms, and cultures, such as those in Belfast and Bosnia, steeped in war and violence. While discussing how theology has a responsibility to examine how the church talks about shame, guilt, and sin to help survivors of war trauma heal, I recognized A. Denise Starkey in the audience, a woman whose work was instrumental in the crafting of my own. Her book,