
It’s no secret that the holidays are often a difficult time for queer people. Disproportionately estranged from family, we often must create our own family. While these chosen families can be tremendously life-giving, it’s tough not to long for our families of origin during Christmas time. Many still in relationship with family are forced to retreat to the closet for fear of safety or exclusion this season.
Queer folk who have affirming families of origin still experience the twang of heteronormativity in holiday commercials, family events, and church services throughout December. There’s a reason why many refer to it as “Blue Christmas,” because, well, the holidays can leave us feeling pretty blue when our identities are invalidated, excluded, questioned, or marginalized.
In every nativity scene, we see images of a so-called “holy family” that likely doesn’t look very much like the family’s most queer folk create: a straight, cisgender couple, and a baby. This family is lauded by the Church as the quintessential iteration of what family should look like. When our families don’t look anything like this, it’s easy to see how celebrating the birth of Jesus is fraught with emotional and spiritual hardship.

There is good news, though. We can subvert this narrative of traditional family by queering the story. So, I’d like to talk a bit about the revolutionary power of queering Mary. Abolitionist and Women’s Rights Activist, Sojourner Truth, said it best at the 1851 Ohio Women’s Convention. Once a slave, Truth questioned the whitewashing done to women of color by white women working only for white women’s right to vote by asking the famed question, “Ain’t I a woman?” In that same speech, she notes that male clergy claim that women “can’t have as much rights as men ‘cause Christ was a man.”
This adage is familiar, not only to women, but also to LGBTQs who have been told that our iterations of family aren’t real or true or right because they don’t reflect the so-called holy family of Joseph, Mary, and Jesus. In an act of theological brilliance and subversion, Sojourner Truth poses this question to the male clergy gathered at the convention: “Where did your Christ come from? Where did your Christ come from? From God and a woman. Man had nothing to do with him!” Continue reading “Painting Mary(s), Queering Mary(s) by Angela Yarber”

I always felt curiously distant from the figure of Mary. I always sensed that there is so much there and yet, I could never connect to it emotionally.
Since beginning her posts for FAR four years ago, Elizabeth has featured an excerpt from my
The most recent
She appeared on a hill on December 9, 1531. She spoke to Juan Diego in his native tongue of Nahuatl; the language of the Aztecas. She asked for a church to be built at that very site in honor of her, the Virgin Mary. Juan Diego took the request to the local priest, but his story was not believed. On December 12, following further instructions from La Virgen, Juan Diego was able to find and pick roses not native to Mexico. He rolled them up in his tilma and returned to the priest. When he unrolled his tilma to present the roses, there on the tilma was the image of La Virgen de Guadalupe; she was as dark as the natives themselves.
La Virgen de Guadalupe
A friend of mine once commented that my feminism is evident from the moment you step into my house. In reference to all the female images around my house, she noted that my space reflected a different way of being in the world. I had never thought of it actually, it was not a specifically conscious choice I made to be woman-centered in the books and artwork I displayed, I simply put up what I loved. But once she pointed that out to me, I appreciated the point it raised about what we surround ourselves with and what it reflects about the world we want to live in and help create. What do our spaces evoke for us? for others? Do they help spark the imagination, and if so, what toward?
Of the many things I have read recently, one thing stands out in my mind in high relief. It is the opening of Lucretius’ masterwork on Epicurean philosophy, De Rerum Natura (On the Nature of Things). Here Lucretius invokes Venus to help him craft this work, identifying her as the governor of all nature and the one through whose light all else comes into being. With her help, Lucretius trusts that he can write his truths with confidence and ability in defiance of dominant philosophical norms.
