Painting Mary(s), Queering Mary(s) by Angela Yarber

Mary 1
Mary

It’s no secret that the holidays are often a difficult time for queer people. Disproportionately estranged from family, we often must create our own family. While these chosen families can be tremendously life-giving, it’s tough not to long for our families of origin during Christmas time. Many still in relationship with family are forced to retreat to the closet for fear of safety or exclusion this season.

Queer folk who have affirming families of origin still experience the twang of heteronormativity in holiday commercials, family events, and church services throughout December. There’s a reason why many refer to it as “Blue Christmas,” because, well, the holidays can leave us feeling pretty blue when our identities are invalidated, excluded, questioned, or marginalized.

In every nativity scene, we see images of a so-called “holy family” that likely doesn’t look very much like the family’s most queer folk create: a straight, cisgender couple, and a baby. This family is lauded by the Church as the quintessential iteration of what family should look like. When our families don’t look anything like this, it’s easy to see how celebrating the birth of Jesus is fraught with emotional and spiritual hardship.

Mary 5
Virgin de la Regla

There is good news, though. We can subvert this narrative of traditional family by queering the story. So, I’d like to talk a bit about the revolutionary power of queering Mary. Abolitionist and Women’s Rights Activist, Sojourner Truth, said it best at the 1851 Ohio Women’s Convention. Once a slave, Truth questioned the whitewashing done to women of color by white women working only for white women’s right to vote by asking the famed question, “Ain’t I a woman?” In that same speech, she notes that male clergy claim that women “can’t have as much rights as men ‘cause Christ was a man.”

This adage is familiar, not only to women, but also to LGBTQs who have been told that our iterations of family aren’t real or true or right because they don’t reflect the so-called holy family of Joseph, Mary, and Jesus. In an act of theological brilliance and subversion, Sojourner Truth poses this question to the male clergy gathered at the convention: “Where did your Christ come from? Where did your Christ come from? From God and a woman. Man had nothing to do with him!” Continue reading “Painting Mary(s), Queering Mary(s) by Angela Yarber”

“Tricolor Mary: Encountering Three Faces of the Divine Feminine” by Simone Grace Seol

simone-graceI always felt curiously distant from the figure of Mary. I always sensed that there is so much there and yet, I could never connect to it emotionally.

The foil to Eve, vessel of Love, suffering mother. I wanted to love her, I wanted to feel her, I wanted to feel drawn to the mystery of Marian devotion. But I felt alienated by the vision of the feminine that she seemed to project: the pure, immaculate, virginal, submissive, obedient, quietly suffering.

Most days, I feel like the opposite of every single one of those qualities.

It’s exactly the kind of feminine archetype I don’t really relate to — the kind of person about whom people say, “oh, she’s really nice” as if yielding compliance and non-offensiveness are her primary attributes. The kind of woman who fades into the background, whose worth lies only in her utility to the patriarchal narrative. Continue reading ““Tricolor Mary: Encountering Three Faces of the Divine Feminine” by Simone Grace Seol”

Nobody’s Disciple by Maeve Rhuad aka the Celtic Magdalen via Elizabeth Cunningham

Elizabeth Cunningham headshot jpegSince beginning her posts for FAR four years ago, Elizabeth has featured an excerpt from my chronicles each July in honor of my feast day on the 22nd.  At least I thought it was my Feast day. It has been brought to our attention that Pope Francis only recently elevated the 22nd to the status of a Feast. Before that, it was merely a Memorial of me as a saint, whether optional or obligatory I am not sure.  The only thing more elevated than a Feast day is a Solemnity.  (Needless to say my mother-in-law, aka the Blessed Virgin Mary, has one of those.)

You may not know me as Maeve, the Celtic Magdalen. Mary Magdalen, who she was (or is) should or could have been is a highly charged subject. Not very much is known about me, really, which is why  legends, novels, and films abound. I’m a storied woman, to borrow Natalie Weaver’s term. There are fourteen references to me in the Gospels. I am associated with the non-canonical Gospel of Mary (I believe the credit for that should go to Mary of Bethany whom many people conflate with me). Pope Gregory is largely responsible for my lugubrious image as a penitent prostitute. Continue reading “Nobody’s Disciple by Maeve Rhuad aka the Celtic Magdalen via Elizabeth Cunningham”

Painting the Virgen de la Caridad, Doing Intersectionality by Angela Yarber

angelaThe most recent Holy Woman Icon with a folk feminist twist that I’ve painted is the Virgen de la Caridad. Like Mary, Guadalupe, La Negrita, and the Virgin of Regla, she was commissioned by a bold and brilliant friend, a scholar who lives, teaches, and does the work of intersectional feminism on a daily basis. As with my beloved friend who taught me so much about Jane Addams last month, this dear friend has taught me so much about feminist understandings of Marian Spirituality and of the need for many secular scholars to keep a connection to their religious roots.

When we discussed her commission, she wanted to make sure that the Virgin of Caridad was the primary focus of the icon, but since she is also often associated with Oshun, she also wanted elements of this Yoruban goddess to shine through. I was thrilled with the opportunity to learn, research, grow, and paint. Little did I know what kind of important learning was in store. Continue reading “Painting the Virgen de la Caridad, Doing Intersectionality by Angela Yarber”

La Virgen de Guadalupe: New Feminist Portrayals by Jose Duran

Jose DuranShe appeared on a hill on December 9, 1531. She spoke to Juan Diego in his native tongue of Nahuatl; the language of the Aztecas. She asked for a church to be built at that very site in honor of her, the Virgin Mary. Juan Diego took the request to the local priest, but his story was not believed. On December 12, following further instructions from La Virgen, Juan Diego was able to find and pick roses not native to Mexico. He rolled them up in his tilma and returned to the priest. When he unrolled his tilma to present the roses, there on the tilma was the image of La Virgen de Guadalupe; she was as dark as the natives themselves.

Natives across Mexico and throughout the Americas endured the brutal realities of conquest, and experienced the relegation to second class citizens during the colonial period in Mexico. In particular, native women experienced oppression two-fold. This is evident in the fact that native men had privileges and opportunities within the public sphere of society which were denied to women, such as holding particular types of public service positions.

So how is it that millions of natives across the continent converted to Catholicism, the religion used by their oppressors to justify the horrors and atrocities inflicted upon them? The appearance of La Virgen to Juan Diego. She is seen as the blending of the Indigenous and European cultures. A Huffington Post article, Everything You Need to Know About la-virgen-de-guadalupe-tilma-de-juan-diegoLa Virgen de Guadalupe, explains, “Her image has been used throughout Mexican history, not only as a religious icon but also as a sign of patriotism.” Indeed, she has appeared as a symbol even in the most pivotal of moments, such as the fight for Mexican independence and the Mexican Revolution. The authors of the study The Evolving Genre of ‘Our Lady of Guadalupe’: A Feminist Analysis, also note that she has become “. . .the ideal model for womanhood and motherhood.”  Continue reading “La Virgen de Guadalupe: New Feminist Portrayals by Jose Duran”

Painting Our Own Realities in the New Year by Xochitl Alvizo

Incarnation, Goddess spirituality, Xochitl Alvizo, god became fleshA friend of mine once commented that my feminism is evident from the moment you step into my house. In reference to all the female images around my house, she noted that my space reflected a different way of being in the world. I had never thought of it actually, it was not a specifically conscious choice I made to be woman-centered in the books and artwork I displayed, I simply put up what I loved. But once she pointed that out to me, I appreciated the point it raised about what we surround ourselves with and what it reflects about the world we want to live in and help create. What do our spaces evoke for us? for others? Do they help spark the imagination, and if so, what toward?

While I have always been very conscious about how I create my home space, it has not been in the way my friend noted. I am hyper-organized at home. I am one of those people who love the expression “a place for everything and everything in its place.” It can be a difficult characteristic to live with let me tell you, as I tend not to be able to feel at home until things are all “in their place,” which I admit has made for a hard transition in these last few months! I always thought that organization was the most important part of what made a ‘home’ for me – that and having a guest room ready for welcoming visitors. But this last week, as I got a little time to organize my house a bit more, the importance of my artwork came front and center in a new way. Continue reading “Painting Our Own Realities in the New Year by Xochitl Alvizo”

Venus and Mary by Natalie Weaver

Natalie Weaver editedOf the many things I have read recently, one thing stands out in my mind in high relief. It is the opening of Lucretius’ masterwork on Epicurean philosophy, De Rerum Natura (On the Nature of Things). Here Lucretius invokes Venus to help him craft this work, identifying her as the governor of all nature and the one through whose light all else comes into being. With her help, Lucretius trusts that he can write his truths with confidence and ability in defiance of dominant philosophical norms.

Lucretius goes on to extol the great wisdom of that ancient Greek, Epicurus, claiming that the philosopher saved humankind from foully groveling upon the ground by liberating people from religious superstition. Superstition, he goes on to say, is the source of true impiety and criminality, made manifest in Lucretius’ example in the sacrifice of child virgins.

Why do people succumb to religious superstition and such horrible deeds, he queries rhetorically. Because of fear of death, terror at the anticipation of penalties in the afterlife, and the desire to avoid tribulations during life. So great is the fear of suffering that it makes people susceptible to religious exploitation and subordinate to the authority of priests, whose power rests exclusively on superstition. Such a ruinous condition can only be countered by the philosophical examination of nature, including all things celestial and terrestrial, spiritual and material. Having prayerfully introduced his case and the reason for his critique, Lucretius proceeds to explore the basic tenets of Epicurean metaphysics and ethics. Continue reading “Venus and Mary by Natalie Weaver”

Mary Magdalene – A Woman of Power and Vision by Judith Shaw

judith Shaw photoWho was Mary Magdalene? The first thought of many today is that Mary Magdalene was a repentant prostitute. But was she? Until the third century, Mary was considered an “apostle.”

Mary as an apostle posed a threat to the early Church patriarchs who denied women all authority in the Church. In addition, by early in the first century C.E., Mary Magdalene had become associated with Christian thought identified as heretical by the Church. The easiest way to eliminate Mary’s importance was to cast aspersions on her moral character.

Continue reading “Mary Magdalene – A Woman of Power and Vision by Judith Shaw”

The Case of Mary’s Decency by Xochitl Alvizo

Incarnation, Goddess spirituality, Xochitl Alvizo, god became flesh

This post builds on yesterday’s post on Marcella Althaus-Reid’s indecent theology.

In her book, From Feminist Theology to Indecent Theology, Marcella Althaus-Reid states that liberation theology has two dominant characteristics: the familiar ‘preferential option for the poor,’ with its suspicion of class structures and the influence these have on faith and church teachings to perpetuate and preserve its unjust systems of oppression and domination; and  for its praxis of transformation of said unjust systems (FFTIT, 11). Marcella Althaus-Reid credits liberation theology for “systematically and structurally using the concept of ideological formation in order to unveil class economic interests embedded in theology” (FFTIT, 11).

To build on this, Althaus-Reid uses the concepts of ‘decency’ and ‘indecency’ to challenge theology’s obsession to regulate and control “sexual performances, roles and behavioral patterns of people…through a sexually based patriarchal hierarchy based in a particular androcentric understanding of life according to predetermined identities” – in other words, heterosexism. Indecent theology, then, aims to strip away theology’s false claim to sexual neutrality and its obsession to control, and instead aims to develop a theology free from the heterosexism that confines it (FFTIT, 83). One key place in theology she seeks to indecent (she used the word as a verb) is the “legend of Mary” (IT, 40).

Continue reading “The Case of Mary’s Decency by Xochitl Alvizo”

Hail Mary: The Rosary and Why I Keep Praying by Marie Cartier

MarieCartierforKCETa-thumb-300x448-72405My mother-in-law is currently in hospice and expected to cross over any time now. My wife is with her. Those two sentences alone—since I am a woman writing this blog—signify historic/herstoric change. I am a woman and I am writing about my mother in law and I am writing that my wife is with her. We are in a sea change regarding gay marriage. I will be allowed bereavement to go with my wife, when the time comes, for the services.

What has not changed in my life is my dependence on traditional prayer. Although I am a witch/Wiccan, have done all kinds of meditation from Transcendental Meditation, and Buddhist chanting, to visualization, spell work, and New Age affirmation—when push comes to shove as they say, I get out the Rosary.

Why? Continue reading “Hail Mary: The Rosary and Why I Keep Praying by Marie Cartier”