indecent theology

The Motomami Theology: “Segundo chingarte, lo primero Dios.”* Part II

*“God comes first. Fu*king you, a close second.”

In Part 1 of this post, I described my first encounters with Rosalía’s music and visual arts, which are controversial for many, but I find them wonderful. I mentioned how she integrated God, mainly Catholic references and images, into a story of love and suffering in El Mal Querer. But I finished emphasizing my surprise when I listened to the album Motomami, since she managed to combine reggaeton (sexual-indecent music) and her views of God.

So, here is my attempt to describe Rosalía’s theology in Motomami. (Before I start, let me say: yes, I heard every song multiple times collecting references of God or the Christian tradition, so I hope you enjoy it.) Rosalía understands God as someone who controls our destinies amid grief and joy. In Como un G she says “It’s sad when you want something, but God has different plans for you” (“Qué pena cuando quieres algo pero Dios tiene otros planes pa’ ti”.) In Diablo, she says, “What God gives, God takes back” (Si Dios te lo da, te lo quitará), referring to her fans who first loved her but afterward became haters. God also protects us from an evil former partner when she says in Despecha‘ “May God forbid I go back to you” (“Que Dios me libre de Volver a tu la’o). God also is our help and supports our choices. Rosalía brings this concept talking about her identity as a woman, her freedom and autonomy in Saoko: “I know who I am, and I don’t forget where I’m going. I’m driving while God guides me. I am mine and I transform myself” (“Sé quién soy, y a dónde voy nunca se me olvida. Yo manejo, Dios me guía.)

The Motomami Theology: “Segundo chingarte, lo primero Dios.”* Part I

*“God comes first. Fuc*king you, a close second.”

I went to Rosalía’s promotional concert for the Motomami album in Boston a month ago. I knew some songs from her 2018 album El Mal Querer (Bad Love), a musical masterpiece. That album made Rosalía a visible star in the constellation of musicians and composers in Hispano-American mainstream music. The album has a particular story that Wikipedia explains very well:

The album was written by Rosalía and co-produced with El Guincho on an initial low budget as an independent artist. Presented as experimental and conceptual, revolving around a toxic relationship, the album was inspired by the anonymous 13th-century Occitan novel Flamenca. Therefore, every song on the album is conceived as a chapter of the book. It served as the singer’s baccalaureate project, graduating from Catalonia College of Music with honors. [Read more here]

In El Mal Querer, Rosalía mixed electronics, contemporary dances and rhythms, and traditional flamenco sounds and movements in a beautiful musical and visual collage. Some musically conservative audiences characterized the album as the “profanation” of traditional flamenco music, but there’s no doubt that Rosalía brought the genre back to life and made it mainstream again.

An Indecent Reading of Mary Magdalene by Cynthia Garrity-Bond

cynthia garrity bond Recently I took one of those on-line quizzes that show up on Facebook. Based on my response to particular questions, it promised to tell me what my Biblical name would be. To my joy I received Mary Magdalene. To my disappointment her bio lacked any of the historical tensions we have come to expect.

On July 22 we celebrate the Feast Day of Mary Magdalene, witness to the Resurrection and therefore deemed, “apostle to the apostles.” For as many depictions of Mary there are just as many interpretations. Her status in early Christianity surpassed the Virgin Mother in popularity but by the fourth century her positive image began to decline. In 594 Pope Gregory the Great delivered a sermon in which he conflated the story of the unnamed woman anointing Jesus in the Gospel of Luke with Mary of Magdala as penitent whore, a title she would embody for nearly 1,400 years until in 1969 when the Catholic Church repealed its teaching of Mary as prostitute.

On the other hand, recent feminist theological scholarship, especially by Karen King, offers a depiction of Mary as leader within ecclesial settings, where, “From the second to the twenty-first century, women prophets and preachers have continued to appeal to her to legitimate their own leadership roles,” (King, 153). By casting Mary as prostitute and adulteress, King argues, the church tarnished the image of Mary as a spiritual leader. It is this binary of Mary as repentant whore or “prominent disciple of Jesus, a visionary, and a spiritual teacher” (King, 154) that I wish to explore.

To begin I ask the question what does it mean for Mary’s role as leader for her to have been a prostitute who also functioned, in the words of King, as disciple of Jesus, a visionary and spiritual teacher? Continue reading “An Indecent Reading of Mary Magdalene by Cynthia Garrity-Bond”

The Case of Mary’s Decency by Xochitl Alvizo

Incarnation, Goddess spirituality, Xochitl Alvizo, god became flesh

This post builds on yesterday’s post on Marcella Althaus-Reid’s indecent theology.

In her book, From Feminist Theology to Indecent Theology, Marcella Althaus-Reid states that liberation theology has two dominant characteristics: the familiar ‘preferential option for the poor,’ with its suspicion of class structures and the influence these have on faith and church teachings to perpetuate and preserve its unjust systems of oppression and domination; and for its praxis of transformation of said unjust systems (FFTIT, 11). Marcella Althaus-Reid credits liberation theology for “systematically and structurally using the concept of ideological formation in order to unveil class economic interests embedded in theology” (FFTIT, 11).

To build on this, Althaus-Reid uses the concepts of ‘decency’ and ‘indecency’ to challenge theology’s obsession to regulate and control “sexual performances, roles and behavioral patterns of people…through a sexually based patriarchal hierarchy based in a particular androcentric understanding of life according to predetermined identities” – in other words, heterosexism. Indecent theology, then, aims to strip away theology’s false claim to sexual neutrality and its obsession to control, and instead aims to develop a theology free from the heterosexism that confines it (FFTIT, 83). One key place in theology she seeks to indecent (she used the word as a verb) is the “legend of Mary” (IT, 40).

Continue reading “The Case of Mary’s Decency by Xochitl Alvizo”

A Little Indecency with Marcella Althaus-Reid by Xochitl Alvizo

Incarnation, Goddess spirituality, Xochitl Alvizo, god became flesh Inspired by the conversation following Vanessa Rivera de la Fuente’s post yesterday, I offer here a little synopsis of Marcella Althaus-Reid’s work in Indecent Theology: Theological Perversion in Sex, Gender, and Politics.

Marcella Althaus-Reid opens her book by recalling a question she received from one of her colleagues: “What has sexuality to do with a Feminist Liberation Theology?” To answer she reflected on early liberation theology when it was still in formation and later liberation theology as it gained its place in the academy and the church:

[T]imes change and subversive theology becomes incorporated: church leaders claim that they themselves have always been liberation theologians. They guarantee to the state that there is no danger here…It is acceptable in the academy, entertaining to the wider public and a valuable commodity to publishers. Having reached calm waters, why would I as a feminist liberation theologian risk rocking the boat by introducing such a scandalous theme as sexuality, especially when it is not the theology of sanctified sexuality? (Indecent Theology, 2)

Continue reading “A Little Indecency with Marcella Althaus-Reid by Xochitl Alvizo”

Rosemary Radford Ruether’s Women and Redemption: A Theological History By Gina Messina-Dysert

Women and Redemption : A Theological History. 2nd ed. By Rosemary Radford Ruether.Minneapolis: Fortress Press. 2011.

Having been critically impacted by the work of Rosemary Radford Ruether, I was anxious for the release of the second edition of her crucial book, Women and Redemption: A Theological History. Redesigned with illustrative material, research questions, and suggested reading for further research, as well as the addition of a new chapter exploring recent developments in feminist theology, this text does not disappoint.

With this newest edition, Ruether acknowledges the ongoing journey in the field of feminist theology and emerging issues faced by women in religion and society. Examining the Christian claim of an inclusive and universal redemption in Christ, she traces paradigm shifts in understandings of gender over the last two millennia. Ruether offers an historical exploration of women and redemption in the first five chapters followed by a global survey of contemporary feminist theologies in the final four chapters, which includes a concluding section that gives attention to “Fourth World” feminisms and post-colonialism in an effort to “bring this volume up to date” (xvii). Continue reading “Rosemary Radford Ruether’s Women and Redemption: A Theological History By Gina Messina-Dysert”