Omen by Sara Wright

I was driving down the road when I noticed a dead owl. Sun glare blinded me, but I stopped to identify the bird.

It has been many years since I picked up dead owls on the road – thirty five years in all. I began this practice of bringing home the bodies of these creatures when I first moved to the mountains. Finding so many dead owls in a brief span of five years was frightening, but someone in me knew that I needed to honor these Harbingers of Night. Yet the last thing I wanted was to be identified or aligned with an owl, so my behavior rose out a body that never lies. Visions of my mother’s love of owls clouded my mind. Within months of this mountain move a Navajo Medicine woman informed me that I had Owl as a Familiar. Horrified, I resisted mightily. Yet despite what seemed like a curse, I was still compelled to sculpt owl pots out of clay for five years. The losses I endured during this time changed the course of my life.

 I taught myself how to dismember owls. I burned owl remains in my woodstove as a symbol of deep respect and out of fear. I always kept feathers and wings in honor of these mysterious night beings not understanding why.

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Return to Sender by Sara Wright

you whistled
my name
four notes
chilled
prickly skin
needling
truth
we are
forever
bound
you
bird
woman
owl
tree
wounding
wounding
wounding
we weep
grief
grief
grief
too deep
half a
million
dead
gunned down
by Explosive Will
I make
no apology
Return
atrocity
to those
whose
behaviors
will one
day
destroy
them
too.
What we do to nature we do to ourselves.

Context for Poem:

Yesterday I wrote an essay about the barred owl killings beginning with a personal story about my relationship with barred owls. I have known about this Federal Fish and Wildlife Organization’s proposal since 2023.

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On Her Birthday by Sara Wright

One of the aspects of feminism that really disturbs me is the SILENCE around aging. Reflections on our personal lives are a critical piece that can help women to deal with this inevitable process. Oh, we write about the “wisdom” of the crone, the powers of the “Old Ones”, but we don’t share the poignant, dark, or terrifying aspects of personal aging leaving women without female empathy and companionship when we need it most. I am committed to breaking this silence. My birthday poem speaks to the pattern that lies behind my life and how it determined to an extent how I have lived. Chosen or not.

We come out of a culture that believes that each person has ‘free will’ and therefore the choices we make are our own. I challenge this concept because my life experience has taught me otherwise. Within the constraints of the patterns we live we do have choices. So this is a “both and” approach. Coming to terms with constraining patterns can be painful, but only then can we make choices that allow us to make peace with our lives.

On her birthday…

On her birthday

 she surrendered –

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