Reflections on Researching the Goddess Movement in Britain by Kavita Maya

KavitaMayaI’ve been asked by both academics and Pagans what inspired me to pursue doctoral research on the British Goddess movement: of the many ways that people first click with feminist politics, a story entwined with a ‘spiritual’ impulse might seem unusual, given the slow-to-change secular assumptions of mainstream feminism.

When I reflect on my history, two threads at the core of my early feminist identity leap out: one, the value of thinking and asking questions; the other, ‘feminist spirituality’, which for me describes a profound emotional, intellectual and creative investment in the struggle for a fairer, more inclusive world. Two early ‘click’ moments: as a child, asking persistent questions about the sexist gender roles modeled by those around me (and being told “You’ll understand when you’re older,” which I now recall with a grim irony), and—perhaps unusually—coming across the concepts of patriarchy, feminism and the Goddess by way of 1990s teen fiction about witches. Continue reading “Reflections on Researching the Goddess Movement in Britain by Kavita Maya”

Painting the Virgen de la Caridad, Doing Intersectionality by Angela Yarber

angelaThe most recent Holy Woman Icon with a folk feminist twist that I’ve painted is the Virgen de la Caridad. Like Mary, Guadalupe, La Negrita, and the Virgin of Regla, she was commissioned by a bold and brilliant friend, a scholar who lives, teaches, and does the work of intersectional feminism on a daily basis. As with my beloved friend who taught me so much about Jane Addams last month, this dear friend has taught me so much about feminist understandings of Marian Spirituality and of the need for many secular scholars to keep a connection to their religious roots.

When we discussed her commission, she wanted to make sure that the Virgin of Caridad was the primary focus of the icon, but since she is also often associated with Oshun, she also wanted elements of this Yoruban goddess to shine through. I was thrilled with the opportunity to learn, research, grow, and paint. Little did I know what kind of important learning was in store. Continue reading “Painting the Virgen de la Caridad, Doing Intersectionality by Angela Yarber”