fieldwork

KavitaMaya ‘Someone needs to gather the stories, to keep the cauldron,’ said the late Goddess feminist artist Lydia Ruyle during one of the last times we spoke, at the 2014 Glastonbury Goddess Conference. I had hinted at my concerns around conducting doctoral research in the presence of ongoing conflict within the Glastonbury Goddess community (especially when my broadly-stated site of interest is ‘politics’), and in reply she had stressed the need to ‘hold space’ for the different voices and perspectives in the UK Goddess movement, and that conflict would be inevitable. ‘There needs to be a weaver,’ she said.

The following day I recorded an interview with Lydia and some of her friends at Café Galatea on the High Street, which she had been keen to ensure since the previous summer—with poignant foresight, given her death in March 2016. I’m not sure if she was expecting that I should fully take on the role of this ‘weaver’—there are more stories than one PhD thesis can claim to encompass—but the theme is present in my writing. Her words lead me to reflect on the weaving together of politics with memory and storytelling, and on the need to honour the plural histories of the British Goddess movement. Continue reading “Goddess Politics and the Cauldron of Memory by Kavita Maya”

KavitaMaya I’ve been asked by both academics and Pagans what inspired me to pursue doctoral research on the British Goddess movement: of the many ways that people first click with feminist politics, a story entwined with a ‘spiritual’ impulse might seem unusual, given the slow-to-change secular assumptions of mainstream feminism.

When I reflect on my history, two threads at the core of my early feminist identity leap out: one, the value of thinking and asking questions; the other, ‘feminist spirituality’, which for me describes a profound emotional, intellectual and creative investment in the struggle for a fairer, more inclusive world. Two early ‘click’ moments: as a child, asking persistent questions about the sexist gender roles modeled by those around me (and being told “You’ll understand when you’re older,” which I now recall with a grim irony), and—perhaps unusually—coming across the concepts of patriarchy, feminism and the Goddess by way of 1990s teen fiction about witches. Continue reading “Reflections on Researching the Goddess Movement in Britain by Kavita Maya”