Moderator’s note: This marvelous FAR site has been running for 10 years and has had more than 3,600 posts in that time. There are so many treasures that have been posted in this decade that they tend to get lost in the archives. We have created this column so that we can all revisit some of these gems. Today’s blogpost was originally posted March 6, 2019. It is paired with a new guest post abut Margaret Fell which will be posted tomorrow. You can visit the original post here to see the comments.
This linoprint of Margaret Fell can be orderedhere.
Pendle Hill will forever be associated to the Pendle Witches of 1612 who live on in the undying soul of the landscape and its folklore and who inspired my 2010 novel, Daughters of the Witching Hill. Pendle Hill also gave birth to the Quaker movement.
In 1652, George Fox, a simple weaver’s son and cobbler’s apprentice turned dissenting preacher, wandered across England on a spiritual quest. When he climbed Pendle Hill, his revelation came to him—an event that would change both Fox and the world forever. He envisioned a “great multitude waiting to be gathered.”
We are hard-wired to frame our experience in stories. Almost anything we endure, no matter how painful, can take on a deeper meaning if we see it as one chapter in an overarching narrative. Stories give coherence and meaning to our often fragmented and chaotic lives.
Georgia O’Keeffe lived way beyond Act One!
We live in a youth-obsessed culture. The cosmetic industry pushes wrinkle creams and hair dye on us while celebrities resort to fillers and surgery to preserve an illusion of eternal girlhood. Advancing age, once a mark of honour, has become a source of shame. Popular fiction, literary classics, television, and movies celebrate young heroines, from Elizabeth Bennett to Katniss Everdeen. But where are the stories about older women and why do we all need to hear them?
We live longer than ever before. Women’s lives don’t play out in one act, even though our culture programs us to think that way. It almost seems a travesty to imagine an older Elizabeth Bennett grown bored of Darcy and yearning to reinvent herself and embrace some new adventure.
Old-school male authors were really big on killing off their young heroines so they couldn’t even dream about maturing into women with agency. Shakespeare merrily committed femicide on Juliet, Ophelia, and Desdemona, to name just a few of his hapless heroines.
Ophelia drowning. Don’t try this at home.
Why have so many authors, past and present, refused to let their heroines age? Why this reluctance to write about seasoned female protagonists who have been around the block more than once? Perhaps because too many people, even today, consider experienced women threatening. Since the time of witch burnings and scold’s bridles, male-dominated culture has been petrified of older woman who seize their power. That’s why stories about young women with a certain cut-off date are much cosier and less threatening.
But coming-of-age stories can only take us so far. We need to imagine lives beyond Act One, beyond a vague glimmering on the horizon. We need signposts to help us navigate our long and unavoidably complicated modern lives. We live in an age of divorce, blended families, and many of us pursue several careers and many paths of discovery over the course of a single lifetime. Contrary to cultural expectations, women do have exciting, juicy lives after forty and beyond. Contemporary fiction should explore and celebrate this.
Yes, there have been break-out books about older women—Elizabeth Strout’s Olive Kitteridge, and even literary classics, such as Virginia Woolf’s Mrs. Dalloway—but these are the exceptions that prove the rule. In the publishing marketplace, stories about older women remain a hard sell. Which is bitterly ironic, considering that most fiction is purchased by women over the age of forty.
Yet it’s not just an older audience that needs to read about older heroines. I would argue that girls and young women are in even greater need of literary role models to guide them way beyond a self-limiting Act One.
As a teenager, I was hungry for such stories. Some proof that I had something to look forward to beyond the awfulness of high school (not the best years of my life). Like Holden Caulfield, I was caught in a web of angsty adolescent nihilism which cast everyone from the cheerleaders to the teachers as a chorus of fakes and phonies. I needed a gutsy female role model to pull me out of this miasma.
Eventually I found my heroine, not in the pages of a novel, but in Blackberry Winter, Margaret Mead’s memoir. I was electrified by this strong woman who didn’t give a fuck about preening for the male gaze and yet still had an amazing love life. Born in 1901, in an era when women were programmed for domesticity, she became a pioneering anthropologist and feminist icon. Her memoir, subtitled “My Earlier Years,” is not cut off at Act One, but only ends when she becomes a grandmother. Well into old age, Mead remained a mesmerizing and magnetic presence for being authentically herself.
Mead’s memoir is a rare jewel of female self-confidence in an ocean of women’s self-censorship and self-effacement. In Writing a Woman’s Life, Carolyn G. Heilbrun observes how both biographers and autobiographers have suppressed the truth about lived female experience to force it to conform to society’s script of how a woman’s life should be.
Heilbrun then discusses the Mother of All Female Memoirs, the first to appear in the English language. The Book of Margery Kempe (c. 1436–38) reveals the escapades of a woman mystic who wasn’t enclosed in a cell, but was literally all over the map. Kempe’s call to adventure unfolded amid the bitter disillusionment of midlife. She was forty, a desperate housewife, a failed business woman, a mother of fourteen children, and trapped in an abusive marriage. Marital rape was her lived reality—a fifteenth child might have killed her.
Her story completely exploded my every stereotype of medieval womanhood. Her life choices seem absolutely radical by the standards of our time as well as hers.
Since divorce was not an option, she seized back control by setting off on the perilous pilgrim’s path to Rome, Jerusalem, and Santiago de Compostela. She literally walked away from her unhappy marriage and blazed her trail across Europe and the Near East in an age when very few women traveled, even in the company of their husbands.
Alas, Kempe’s independence and eccentricities drew suspicion. When she returned to England, she found herself on trial for heresy. A guilty verdict would have seen her burned at the stake, yet she kept her spirits high by regaling the Archbishop of York with a parable of a defecating bear and a priest.
Most significantly, the spiritual mentor who stood by Kempe as she made her unorthodox choices was a woman in her seventies, the anchoress Julian of Norwich. Before leaving on her monumental pilgrimage, Kempe sought Julian’s counsel. This was an exceedingly vulnerable time in Kempe’s life. In leaving her husband and children, she had broken all the rules and was filled with self-doubt and uncertainty. Julian’s advice to trust her inner calling and not worry too much about what other people thought seemed to have a profoundly empowering impact on her. While Julian had chosen to wall herself into a cell and live as a religious recluse, she gave Kempe her blessing to wander the wide world.
Kempe’s story would have been lost to history if she hadn’t recorded it in her autobiography, a tremendous act of foresight and courage that made her a literary pioneer. She dictated her story to a priest, who copied it down for her and whose ecclesiastical authority gave gravitas to her narrative.
We are hard-wired to frame our experience in stories. Almost anything we endure, no matter how painful, can take on a deeper meaning if we see it as one chapter in an overarching narrative. Stories give coherence and meaning to our often fragmented and chaotic lives.
Margery Kempe’s story proves that even in the Middle Ages, women had the power to re-invent themselves in midlife and beyond. If Act One disappoints, time to dive feet first into Act Two. We can continually re-vision our own narrative.
Our culture likes to pit women against each other. Divide and conquer. Popular tropes cast young women and older women as rivals or even enemies. In fairy tales a young maiden’s coming of age involves going out into the wild forest to encounter the scary old witch who acts as a foil to the maiden’s youth and innocence.
But if we look past the patriarchal smokescreen, we see that youth and aging are mirrors reflecting one another. The maiden and the witch are not enemies. The true coming of age unfolds when the maiden seeks out the witch who ultimately empowers her. Who teaches her to be fierce and not suffer fools.
As we mature, we are gifted with the superpower of seeing through the false scripts that consumer society hands us. We can see just how absurd it is to kill ourselves to emulate airbrushed fashion models. We understand that the greatest lover in the world can’t fulfill us until we are at peace with ourselves. And so we can let ourselves go, whatever our age. Paint the pictures we’ve always longed to paint. Learn French and travel the world. Dance under the stars and see visions. Offer our own song to the vast symphony of life.
We need stories that honor the entire sweep of womanhood, not just Act One. What would our literary canon and popular culture look like if it truly reflected the depths and breadth of our authentic, lived experience as women and girls today?
This essay was originally published in Literary Hub.
Mary Sharratt is on a mission to write women back into history. Her acclaimed novel Illuminations, drawn from the dramatic life of Hildegard von Bingen, is published by Mariner.Her new novelRevelations, about the mystical pilgrim Margery Kempe and her friendship with Julian of Norwich, is now available and will be released in paperback in April. Visit her website.
“Rest is resistance,” journalist Cassady Rosenblum wrote in her recent essay in the New York Times , entitled “Work is a False Idol.”
This statement completely undermines our American work ethic that elevates productivity to the highest altar. Rosenblum, a journalist who left a high stress job, wrote lyrically of the happiness she discovered just sitting on her parents’ porch in West Virginia. Some of her readers were up in arms—how dare she hang out on a porch when she could be working? Who does she think she is? Rosenblum received such a bashing in the comments section, you’d think she was Marie Antoinette torturing puppies.
Rest is a four-letter word, as un-American as Communists were in the 1950s. If you want to provoke the rage of strangers on the internet, publicly praise the joys of taking a sabbatical.
Recently the variation of this sentiment that’s making the rounds is, “The hardest thing is showing up.”
While many people I respect have used this phrase at some time or other, I think it’s perhaps bandied about too much. It’s become an all purpose way of blaming ourselves when things aren’t going the right way–we’re told we just need to show up and things will get better. We will succeed. We might even end up running the world!
However, I’ve reached the point in my life where every easy, feel-good cliché needs to be unpacked and re-examined.
Don’t get me wrong.
I’m actually pretty good at showing up. It’s the path of least resistance, thus helping me avoid the guilt of not showing up. When I commit to something, I COMMIT! Without commitment, I wouldn’t have written eight novels. I wouldn’t have been married for 32 happy years and counting.
The move to Portugal all but forced me to heal my relationship with time and productivity, to create a life that was sustainable and nurturing.
Hanging out in Obidos, the closest town to my village. Photo by Erika Mailman.
One year ago, I published my essay, The Grace of Letting Things End, about my bittersweet experience of leaving England in the wake of Brexit for a new life in Portugal.
One year later, my life in Portugal still feels radically new.
Time passes differently in Portugal. I set my intention, from the outset, to embrace this move as an opportunity to slow down and live a more authentic life.
My day-to-day life has irrevocably changed.
I’ve gone from being a livery yard customer in England, with all the drama and conflict this sometimes entailed, to becoming an independent small holder with two horses on my property to care for all by myself. Practically, this has translated into a lot more work, but also a lot more peace.
The ponies decided to help with the lawn mowing
I’ve also been devoting considerable time and energy into learning Portuguese. My husband and I have been taking classes once or twice a week for nearly a year now and are making slow but steady progress.
But the most deep-seated change has been to my whole relationship to work and life. In the UK, I led a very productivity-centered life, existing from deadline to deadline with barely any time to breathe in between. I often felt too busy and wrapped up in my projects to meet friends for lunch.
For years I have struggled to heal my dysfunctional relationship with time management, embracing lifehack after lifehack. I’ve all but abandoned social media. I’ve done my utmost to milk every single hour of the day in order to become more productive. This pattern led to disillusionment and epic burn out, something more and more women are facing, particularly those who balance the demands of their careers with childcare and other care-taking duties.
Even writers and artists can fall down the hole of the Cult of Productivity, taking the creative process, which is at its essence slow and organic, and trying to force it into an industrial process with regular, reliable yields that are judged on how well they can be monetized. Even the refuge of spirituality can be compromised if it’s just another task on a never-ending to-do list.
Thus, despite my official intention to slow down, I found myself trying doggedly to replicate my old hectic, tunnel-vision working schedule in Portugal only to discover that it just didn’t work here. I hit a brick wall. Because I couldn’t sustain the same level of busyness AND care for two horses AND learn a challenging new language AND keep my initial intention of slowing down and enjoying the life I moved here to experience.
Something had to give. The move to Portugal all but forced me to heal my relationship with time and productivity, to create a life that was sustainable and nurturing. No lifehack could help me anymore, because I’d already given up television. I don’t even watch Netflix.
We hear a lot about the Slow Living Movement, but actually slowing down involves so much more than decluttering your closet or posting pictures of photogenic hipsters in hammocks on Instagram.
Moving to Portugal forced me to slow down. Because life is slow here. It’s no accident that the Slow Food Movement had its birth in Italy, another slow country in southern Europe. Food is also big in Portugal. In fact, I like to joke that LUNCH is the national religion. No matter how busy or important you think you are, the whole world stops for lunch. Shops close. People pour out of offices and go to restaurants for beautiful, affordable meals. Proper, cooked meals, mind you. Not a sandwich or salad to be inhaled at speed. To say you are too busy to meet your friends for lunch in Portugal would be sacrilege. Even in the height of the pandemic when all the restaurants were closed, people went home for lunch and ate with their families.
Converting my visiting writer friend Erika Mailman to the religion of LUNCH!
Any culture that prioritizes good food also prioritizes human relationships. My social life here is unlike anything I’ve experienced anywhere in the world. I’ve met wonderful Portuguese people, such as our local Priestess, Luiza Frazao, as well as new friends from the U.S., the U.K., Canada, Columbia, the Netherlands, Israel, Russia, Germany, Spain, Poland, Hong Kong, and Belgium. My husband and I have made so many friends in our village. We can walk to each other’s houses and invite each other for dinner or go on long walks together. The other foreigners who move to Portugal have made the conscious decision to make time for friendship, not just shove it into a twenty minute “let’s meet for coffee” slot. I haven’t had this much fun since I was a student.
Other things are slow here, too. The post office can be painfully slow. My New Yorker subscription has gone AWOL and I’ve resigned myself to reading the digital version. Plumbers and technicians come when they come. Just when you think they’ve forsaken you, they manifest at your door. But then again neighbors I’ve never met before also show up unexpectedly with gifts of apples for the horses. One day an old man pulled his tractor up in front of our house and presented me with two sapling banana trees.
What I’ve discovered is if I give up any notion of trying to control the clock or manage time, it becomes more expansive. When I’m with my horses or laughing with friends, time disappears and I’m living in an eternal now. The same is true when I’m deep in my writing flow or trying to speak my best Portuguese to thank my neighbor for the banana trees. In a rich and authentic life, there is time for everything.
Life Balance is a feminist issue, because too many women have been brainwashed by the Cult of Productivity for far too long and this has kept too many of us chained to a patriarchal machine that eats us up and spits us out when we’re too broken to go on doing anymore. Let’s rebel and meet our sisters for lunch!
Mary Sharratt is on a mission to write women back into history. Her acclaimed novel Illuminations, drawn from the dramatic life of Hildegard von Bingen, is published by Mariner.Her new novelRevelations, about the mystical pilgrim Margery Kempe and her friendship with Julian of Norwich, is now available wherever books and ebooks are sold. Visit her website.
My new novel REVELATIONS is drawn from the lives of two medieval mystics who changed history—Julian of Norwich and Margery Kempe, two very different women whose paths converged and who, I believe, have much to teach us today.
Women’s spiritual experience is a theme that keeps coming up in my novels. Perhaps some of you have read my novel ILLUMINATIONS, about the visionary abbess, composer and polymath, Hildegard von Bingen.
As a spiritual person myself, I’ve always found it frustrating how women have been side-lined and marginalized in every established religion in the world. Yet from time out of mind, mystic and visionary women of all faith traditions have offered radical resistance. They have subverted institutional patriarchal religion from within and found their own direct path to the divine by plunging into the deep mysteries of the soul on a path of inner revelation. Julian of Norwich called God Mother and devoted her life to writing about the Motherhood of God. Similarly, Hildegard of Bingen wrote about her visions of the Feminine Divine. This isn’t a modern feminist interpretation. It’s right there in the original texts.
Like us today, Julian of Norwich and Margery Kempe lived in a time of pandemic and social upheaval, yet both women bore witness to the divine promise that ultimately all shall be well.
Those of us in the Northern Hemisphere are coming out of a long pandemic winter and entering a new season of waxing light, hope, and growth. Yet these continue to be turbulent times. Even with the progress of the Covid vaccine, none of us truly knows when life will ever return to “normal.”
Like us today, the medieval mystics Julian of Norwich and Margery Kempe, the heroines of my new novel REVELATIONS, which will be published on April 27, lived in a time of pandemic and social upheaval, yet both women bore witness to the divine promise that ultimately all shall be well.
During a near-death experience, Julian received a series of divine visions and spent the next forty years unpacking them in her luminous theology of an unconditionally loving God who is both Mother and Father. Julian offered radical counsel to Margery Kempe, a failed businesswoman and mother of fourteen, who was haunted by her own visceral mystic experience. With Julian’s blessing, Margery walked away from a soul-destroying marriage and became a globe-trotting pilgrim-preacher and rabble rouser. Though these two women might seem like polar opposites—Julian, the enclosed anchoress, and free-roving Margery experiencing her visions in the full stream of worldly life—they complement each other. Together their lives and work form a Via Feminina, a distinctly female path to the divine.
The women mystics have always fascinated me. I identify very powerfully with Hildegard of Bingen, the heroine of my previous novel ILLUMINATIONS, as well as with Margery and Julian as spiritual women facing the roadblock of an institutional, male-dominated religion that side-lined them precisely because they were women. But instead of letting this beat them down, they found within their own hearts a vision of the divine that mirrored their female experience. I believe it’s no mere coincidence that both Hildegard and Julian dared to create a theology of the Feminine Divine, of God the Mother. All three women seized their power and their voice to write about their encounters with the sacred, preserving their revelations to inspire us today.
In our modern world, when many traditional religious institutions are crumbling, we can follow in these women’s footsteps and seek the divine—however we perceive the divine—within the sanctuary of our own hearts. This is the birthright no one can take from us, our eternal refuge. This is the Way of the Mystic.
Learn more about Margery and Julian as I discuss these mystics in a series of free virtual events.
My virtual tour kicks off with a very special Literature Lover’s event, sponsored by Valley Bookseller and Excelsior Bay Books in Minnesota. You can watch the video above. I am in conversation with acclaimed author, Elissa Elliot .
For a deep dive into Julian of Norwich’s spirituality, I am teaming up with Christine Valters Paintner of Abbey of the Arts to offer a Virtual Mini-Retreat on May 13, Julian’s Feast Day. You can learn more and register here.
Mary Sharratt is on a mission to write women back into history. Her acclaimed novel Illuminations, drawn from the dramatic life of Hildegard von Bingen, is published by Mariner.Her new novelRevelations, about the globe-trotting mystic and rabble-rouser, Margery Kempe, will be published on April 27. Visit her website.
I have long struggled with winter. I grew in Minnesota where winters were long and brutally cold. I remember hauling myself through hip-deep snowdrifts on my walk to elementary school and that was in the suburbs! The North of England, where I lived for nearly twenty years, has a much milder climate. But being so far north, I was plunged into infernal darkness from Halloween to Candlemas. It started getting dark at 3:30 in the afternoon and by 4:00 it was pitch dark. Remember those horror movies where it’s dark ALL THE TIME?? That’s Lancashire in midwinter. I felt I was trapped inside some brooding gothic novel.
Now that I’ve moved to the Silver Coast of Portugal, I get a lot more daylight in winter, but also storm winds and torrential rain. My Welsh pony was not impressed and her companion, a Lusitano gelding who came up from Southern Portugal, was so grumpy that he looked like he wanted to jump on the next horse trailer back to the Alentejo!
Yet no matter where I’ve lived geographically, I have always faced the same struggle. I find I just can’t get as much done in winter as I do in the summer. Winter’s short days and long nights seem to drain my energy and drive. While summer is expansive with so many sun-filled hours to fill, in winter everything seems to shrink to the size of a single candleflame. Every year I fought tooth and nail against that contraction. But winter always won.
This winter, curled up by the fireplace on a stormy night, I plunged into Katherine May’s highly recommended book, Wintering: The Power of Rest and Retreat in Difficult Times. In her book, she refers to winter not just as a season in the year, but any fallow or difficult period in our life when we must withdraw, lick our wounds, and replenish ourselves. Our personal winter might be an illness, a relationship break-up, the death of a loved one, a feeling of spiritual dryness, or a time of burnout when we just have to stop and rest.
In Nature, darkness and winter are absolutely necessary for life’s regeneration. May adds that our personal winters, though we would never seek them out, are likewise regenerating and ultimately healing if we can be present with them, as scary and painful as they seem, without seeing them as some personal failure we brought upon ourselves for not being strong enough to resist the natural cycles of death, dissolution, and fallowness.
We live in a culture deep in denial about winter and wintering, where we’re supposed to be “on” all the time, as if we existed in a perpetual summer, full of summer’s buzz, energy, and busy-ness. But if we try to doggedly maintain this level of intense activity during winter when all the elements, as well as our internal rhythms, are telling us to slow down and rest, we get ill, we get burn out, we get depressed.
“Plants and animals don’t fight the winter,” May reminds us. “They don’t pretend it’s not happening and attempt to carry on living the same lives they lived in summer. . . . They adapt.” She adds that once we stop fighting the winter, it can be a most blessed season of reflection and recuperation. In an age when even getting enough sleep and rest feels like a radical act, May teaches us to invite the winter in.
Artwork by Jessica Boehman
May’s book taught me the importance of welcoming the most wintery aspects of my own psyche, all the shadowy stuff I like to repress. Winter is a time of welcoming the shadows. No part of myself needs to be left out in the cold. Anger, doubt, sadness, and uncertainty are not flaws that need to be “fixed.” Just stay present with them in compassionate awareness.
Those of us in the Northern Hemisphere finds ourselves nearly at the threshold of the Spring Equinox. Yet we are still deep in the collective winter of the Covid pandemic, a winter that’s dragged on for over a year. All of us are hitting the pandemic wall. How much more of this can we take? It’s not so easy to rest and regenerate if you’re a mother working remotely while simultaneously trying to homeschool your kids. The pandemic has hit women and girls especially hard, as they carry the brunt of domestic tasks. Girls’ schoolwork is suffering as they take on more and more housework during lockdown. Family violence rates are soaring across the world. In this pandemic winter we meet not only our personal shadows, but the horrors that were lurking in the collective that we can no longer afford to ignore.
If we go through a personal or a collective winter, we need a refuge. A mature spirituality that meets us where we are, that’s robust enough to carry us through the Dark Night of the Soul. Spiritual bypassing and trite tropes like “everything happens for a reason” have no place here. A good litmus test for mature spirituality is to see how spiritual spokespeople from this tradition have responded to the pandemic. Unfortunately, I’ve heard several variations of “God/dess is punishing us for climate change.” While climate change is real and undoubtedly the biggest crisis we face today, I don’t think this punitive imagining of the divine is a helpful or enlightening paradigm for anyone. Life under Covid is hard enough without being told we’re being punished for our sins.
Mature spirituality gives us the courage us look deep into the darkness without flinching. Without seeing it as evil or as punishment but as the deep, compelling, beautiful mystery that surrounds the divine. The fertile darkness. May we all find rest and regeneration here.
Mary Sharratt is on a mission to write women back into history. Her acclaimed novel Illuminations, drawn from the dramatic life of Hildegard von Bingen, is published by Mariner.Her new novelRevelations, about the globe-trotting mystic and rabble-rouser, Margery Kempe, will be published in April 2021. Visit her website.
Joseph Campbell’s monomyth, the Hero’s Journey, is outlined in his 1949 book, The Hero with a Thousand Faces. Drawn from his studies of comparative mythology and Jungian psychology, the Hero’s Journey has become a foundation myth of modern culture. The hero, generally young and vigorous, sets off into the unknown to battle antagonistic forces and returns transformed, a hero and guide to his people.
As Campbell writes in The Hero with a Thousand Faces:
A hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons on his fellow man.
The Hero’s Journey has served as the go-to template for Hollywood screenwriters and bestselling novelists. We see this mythic pattern of the conquering male hero played over and over again in popular culture. Think Luke Skywalker in the original 1977 Star Wars—or any protagonist in a George Lucas or Steven Spielberg movie. Creative writing teachers encourage their students to pattern their story arcs on the Hero’s Journey to give a sense of archetypal depth and resonance. But this technique has been overused to the point of becoming a cliché. A deeply sexist cliché. Continue reading “The Via Feminina: Revisioning the Heroine’s Journey by Mary Sharratt”
Kicking back and enjoying life in the Englischer Garten in Munich, Germany.
Between the ages of 24 and 36, I made my home in Munich, Germany where I taught English to professional adults and began my writing career. My first novel, Summit Avenue, was published in May 2000 when I still lived in Grafing, a market town at the end of the light rail line heading east from Munich.
What I remember most fondly about my Munich years was how much time everyone seemed to have. I had time to teach, write novels, enjoy an active social life, and travel the world from French Polynesia to Namibia. We had eight weeks of paid vacation a year plus numerous public holidays.
During this time, inspired by Julia Cameron’s wildly popular self-help book The Artist’s Way, I took weekly “Artist’s Dates.” I took the train to Munich, got off at the Ostbahnhof, and set off on long aimless walks. Whole short stories would be created in my head during these solo jaunts. I became a flaneur and learned to carry a notebook so I could find a park bench, or, in winter, a table inside a café, to write out the story that unfolded organically during these serene, unrushed afternoons. Continue reading “The Time of Your Life by Mary Sharratt”
Feminism and Religion 