Lily B and Messages From the Beyond by Sara Wright


The night before last I had a dream that has stayed with me. My dreams rise out of my body to teach and to comfort me so I pay close attention. I had recently written tributes for two men, Lynn Rogers, bear biologist, and Rupert Sheldrake, biologist and plant physicist. Both of these men mentored me like a “father” each encouraged me to believe in myself, celebrated my original thinking and told me to trust my intuition. Writing about these mentors reminded me of my own father with whom I had a most difficult relationship…

I am talking to my mother (she has been dead for 13 years) about having found someone who could help me with math and stuff I can’t do because of dyslexia. In this conversation my mother is not a personal figure (when she appears as herself it usually means that I am going to face some difficulty – As an impersonal ‘great mother’ figure she is very helpful). She replies that my father wanted to teach me all these things but he just couldn’t. So many problems were in the way. I choke up weeping over this knowing (and my tears carry over into waking) because I know that “my mother” is speaking the truth. I feel such heartbreak for both my dad and for me. Neither of us had a chance… as I awaken from this dream in the middle of the night Lily b., my dove, is bellowing. He is reiterating the truth of the dream.

Continue reading “Lily B and Messages From the Beyond by Sara Wright”

High Desert Sojourn by Sara Wright

I longed to re-visit
the desert – my first
journey left me
with a longing for
wide open spaces,
a blue sky dome,
a bowl of stars at night,
so to return 25 years later
was to complete
an unfinished story.
Now I could live among
the stately rock
stark white columns,
conical reptilian hills,
pink and purple sands,
ragged weeds,
Cactus People,
thorns and stickers,
delicate yellow flowers,
under a moon that rarely slept?

Some nights I missed the dark.
I always missed the Bear
I dismissed the longings
in my body,
Things were different here.

Maybe I could escape
the grief of dying trees,
stripped mountains,
a shrinking wilderness
too many gunmen
the loss of dreams?

That first November
I heard a haunting –
Crane calls
as they touched
down at nightfall.
My bones sang.
How I longed
to meet the bird
whose voice
sent lightening chills
through every nerve.

Continue reading “High Desert Sojourn by Sara Wright”

Wings by Sara Wright


Early in January I discovered a chickadee with a broken wing floundering in the snow. I rescued him, providing him with a safe haven in the house, hoping he might recover use of his wing. For the first couple of days we conversed at the edge of the mesh that covered the sides of his cage and he seemed pleased to be with me. I named him Blue.

On the third morning, a solitary chickadee chirped just behind me outside the window. I immediately suspected it was his mate because Blue became almost frantic jumping back and forth on the mesh that faced the window.

After that incident, things changed radically. Blue bit me hard whenever I changed his water. He tried to escape repeatedly. I knew that to let him go was to consign him to death because sub-zero temperatures were the norm for this time of year. I resisted. It took a few more days to face the truth. I could feel and sense it. I had to let him go although I knew he would die. Continue reading “Wings by Sara Wright”

Toadwise: A Tale for a Life Lover – Part II by Sara Wright

Read Part I here

In the Americas I found more recent Indigenous mythology on the Toad as Goddess. Tlaltecuhtli is a Pre–Columbian (1200–1519) goddess belonging to the Mexica. Although Tlaltecuhtli’s name is masculine modern scholars interpret this toad figure as female because she is squatting giving birth. Some see her as crouching under the earth, mouth open waiting to devour the dead. Since the Aztec culture was a warring male dominated Patriarchal one I think it’s perfectly reasonable to assume that the Earth Goddess/Toad was seen as masculine to the Mexica.

In Mesoamerica we find Toad widely represented in art, often with feline or other non-naturalistic attributes, including jaguar claws and fangs. These images can be regarded as versions of Tlaltecuhtli. In contemporary Mexico, as in Guatemala, and throughout South America toads play a role in myth, sorcery, shamanism, and in curing/healing. Continue reading “Toadwise: A Tale for a Life Lover – Part II by Sara Wright”

Toadwise: A Tale for a Life Lover – Part I by Sara Wright


Last night I was thinking about the giant western toad that is living in my garden when I had a peculiar thought: Write a story about the Toad and an Old Woman and call it A Tale for a Life Lover. At this very moment I heard my toad’s rasping guttural cry outside my window. I was so shocked I got up and went out on the porch, hoping to hear the call again, but the toad only spoke once. Afterwards, I wondered if I had imagined it.

When the giant western toad appeared in my yard last week I had been in a state bordering on despair over baffling health issues and the ravages of Climate Change. Maybe it is no longer possible for me to separate the two? After the visitation I sensed that the toad’s abrupt appearance meant something beyond the amazing fact that I had met a giant toad who apparently had been living here all along. Continue reading “Toadwise: A Tale for a Life Lover – Part I by Sara Wright”

Uncovering What’s Hidden by Sara Wright

Picture of a group of cranes flying in the dusk sky

Shame
is the shadow
of being unloved,
unwanted,
rejected,
strung out on need.

Shame paralyzes;
slamming into reverse
actions that would
create new intentions
including hope
of love.

Shame blots out
Personhood,
snapping the thread
of interdependency.
Plant Consciousness
restores it to life.

Continue reading “Uncovering What’s Hidden by Sara Wright”

Running with Hares, a Personal Reflection by Sara Wright

 

An overturned bowl
of starflakes,
lays down a new
pearl white blanket.
Earthbound
I shovel –
Silvery showers obscure –
and some paths
are slippery
in the dark.
Grooming a circle
round and round
I attend to listening.

When day cares intervene –
naught but Silence
though I try
to feel –  to sense
pure Voices
rising from
frozen ground.
Instead,
monotonous
gray seeps
through me
like a sieve.
Prickling skin
grows taut.

Some days
lonely for
thrumming
I neglect
to stay present
for Silence
as an end
in Herself.
Seeking change
I forget
to breathe
into Now. Continue reading “Running with Hares, a Personal Reflection by Sara Wright”

The Abuser was Someone I Loved by Sara Wright

Dedication: I dedicate this writing to all animals, women, children who have been violated, brutalized or murdered by men.

I will never forget
the look in her eyes
when he kicked her
the ugly brown shoe
smashing the domed
brown skull –
the daze – vacant
uncomprehending
falling to the floor
her eyes glazed
still find mine
“What did I do?”

Is death stalking us both
Will she die?

I scoop her in
my arms
and flee
slamming a door
to get away
from him –
my terror – her fright
a matrix of confusion Continue reading “The Abuser was Someone I Loved by Sara Wright”

First Light: Brigid and the Bear by Sara Wright

Winter light pauses so briefly. Now Chickadees are chirping and wild doves are pairing up. Birds are starting to sing love songs to the earth as she turns towards the light. By early February light is streaming into the house with more warmth and for longer hours. It is no longer dark at 5 PM.

Each morning I stand at the window to glimpse a golden orb rising through the cracks of bare tree branches. Some days the sky is infused with deep rose, bittersweet orange or scarlet. When the sun star appears I watch what the light will do – will it reflect on the still open water of the brook, or turn night frozen branches into star-like crystals? Some days the sun has to climb out of the hooded clouds to rise into blue. Amazingly, this star at the center of our solar system literally transforms parts of its body into light every second, an astonishing thought that speaks more to sun as process than to an actual entity… First Light is upon us. Continue reading “First Light: Brigid and the Bear by Sara Wright”

The Navajo Mountain: A Feminist Perspective Chant by Sarah Wright

Mountain Chant image
Frighten Him On It – Sand painting used in the Mountain Chant, circa 1907″ by E.S. Curtis

Like the Navajo Night Chant celebrated at winter solstice the Navajo Mountain Chant is the last important winter ceremony, one that marks the shift in seasons and the return of the light. The Mountain Chant was once nine days in duration; today it has apparently been shortened to a four – day ceremony. It is celebrated in early February and each night different holy songs are sung.

The Mountain Chant is also a very complex healing series of ceremonies. Elaborate sand paintings are created and then destroyed after each healing. Disease may be diagnosed by either a woman or a man, but a Medicine man always leads the ceremonies. The intention is to cure a person of the disharmony that is creating the illness. The ceremonies are also enacted to pray to the holy people (Yei) for rain, and to receive assistance with the crops, and most importantly they are done to restore balance and harmony between the People and nature. Continue reading “The Navajo Mountain: A Feminist Perspective Chant by Sarah Wright”