Patriarchy is Killing Us by Vanessa Rivera de la Fuente

FemicideLA

And not softly..

More than 2000 died by feminicide … More than 700 disappeared in Argentina … And more in Latin America and the world.

A few days ago they found Micaela dead. Her family, friends and my fellow activists searched for her for days, campaigned on social networks, shouted her name everywhere, without quitting and  accepting her death—totally avoidable. Micaela Garcia, a 21-year-old girl, raped and murdered by a repeat sexual offender who was questionably released by Judge Carlos Alfredo Rossi in Argentina. Micaela is one more victim of the depredation with which colonial and capitalist patriarchy attacks the lives of women in Latin America.

I just completed my first six months in South Africa. I live in Cape Town. I love this city, I am delighted by its colors and flavors. I am studying a Master’s in Women and Gender Studies—a goal I had longed struggled for.

In my trip from my home to the university, I think of Micaela Garcia and also of Stasha Arend and Tracy Roman—two girls killed in Cape Town recently. Their lives were violently interrupted while they were returning home. At the end of each of my days, 27 women will be raped, likely by someone they know. Some of them will be killed and thrown in the garbage or into a soccer field, or half-buried in an abandoned house; even in death it seems that we have no right to some dignity.

No matter where, death is my guest and part of my landscape; the scenario of its violence has as background the Andean Cord or Table Mountain. It is the same, because it is the same indolence when it comes to the life of a woman, here or there. And I think: I can move my city and even change the country, and start a new life, even with another name, and my life will remain insignificant because I am a woman—a woman of color, from the south, with all the oppression surrounding me in the air.

How to deal with that pain? Well, I have enrolled as a Rape Crisis facilitator. It is not only for solidarity; it is for survival. Do you see what I see? How could I just watch?

The body of a murdered woman is becoming something so common that daily dead had to receive their own name to describe this horror: FEMICIDE. In Mexico, Susana Chavez coined the slogan “Ni Una Más” (Not One More) to lead the fight against femicides. The writer and activist was herself found murdered in 2011.

About two years ago, women from all over Latin America got together to claim “Ni Una Menos, Vivas nos Queremos” (Not One More, We Want Us Alive). And I wonder why this clamor is not yet worldwide, if everywhere patriarchy is killing us, one by one, on our way home and in broad daylight, with no shame or remorse.

Patriarchy is killing us and many murders only matter while selling magazines and newspapers. Then, the rest is silence, as the silenced femicides of indigenous women whose bodies oppose the last stronghold in territorial conflicts against agro-business or mining corporations, as silenced as those women murdered in the “tranquility of their houses” in the name of love for their jealous partners, as silenced as the girls kidnapped on the way to school to appear later killed with their hands and feet tied, with signs of having been raped.

It is no longer just about reporting and visibilizing, but also about counting them: 57 femicides in the first 43 days of 2017 in Argentina, 3 this week in Chile, 27 rapes per day in Cape Town, all of those lost in the trafficking networks. The hunting of women is systematic. Human beings have bad memories, and who has no memory tends to repeat the horrors. As Karina Bridaseca says:

We must check the systematicity. The bodies, found, disappeared, the bones in the desert, are claimed today and always. Our strength is to have managed to gather them all, to alter the regime of the invisible. This feeds the hope of making the account closed. What is important is that today we all share the same language and demand that the account closes.

Patriarchy is killing us … and not softly. Every time the news reports another woman or girl dead, I check my mother, my sister, my daughter, my friends in Chile. I double check my close friends in Cape Town, to know that they are as I saw them last time: OK. And then I can sleep, knowing that they have returned home.

In Santiago de Chile and in Cape Town we must count, dead or alive. Hope for the figthers and memory for those who are no longer here. We won’t stop asking about all of you. We want to know you have returned home. Our lives must matter.

Vanessa Rivera de la FuenteVanessa Rivera de la Fuente works in community development, gender equality and communication for social change. She has led initiatives for women’s empowerment in Ecuador, Peru, Argentina, Morocco and South Africa. As a Gender Justice advocates with a broad scope of interests, she is a social and digital entrepreneur committed with the strengthening of grass roots organizations and the developing of an independent pathway of thinking, research and academic writing around Gender, Politics and Religion. Loyal lover of books, cats and spicy chai.

Photo: Artivism installation. Crosses represent the women dead and shoes, the gender bias of femicide. Shoes are one of the first things found at the site of a murder.

Standing Rock: What Does Easter Look Like? by Elizabeth Cunningham

As I write, Bakken crude oil is moving through the Dakota Access Pipeline under the Missouri River at Lake Oahe Reservoir, crossing treaty lands and waters that the Sioux Nation never ceded to the United States Government.

This, after the Standing Rock Sioux Tribe has opposed the Dakota Access Pipeline since it was proposed in 2014, with hundreds of other tribes making formal declarations in support of the tribe’s opposition. This, despite ongoing lawsuits. This, after a prayer camp begun by a small group of indigenous youth in April, 2016 grew to several camps with a total population at one point of close to 20,000. This, after 4,000 United States military veterans came to stand with the water protectors in December, 2016. This, after the United States Army Corps of Engineers under the Obama administration denied the easement to cross the river and legally bound themselves to conducting an environmental impact study that the Trump administration aborted. This, after countless unarmed water protectors faced attack dogs, mace, rubber bullets, water hoses turned on them in sub-freezing weather, and noise cannons.  This, after the arrest of over seven hundred people (some charged with felonies and still awaiting trial) many of whom were strip-searched and held in kennels in an unheated parking garage. This, after hundreds of people camped all winter, surviving blizzards and bitter cold. This, after people remained standing in prayer until they were forcibly removed from the prayer camps on February 22nd, 2017. Continue reading “Standing Rock: What Does Easter Look Like? by Elizabeth Cunningham”

Religion, Race, and Feminism in an Era of Elusive Enlightenment by Salaam Green

The warrior spirit is not only the coherent ability to resist circumstances outside of one’s making; but the ability to fight the war within all of us thus managing discomfort and chaos with the force of authenticity.

Recently an enlightened friend on social media reminded me of the importance of not only portraying an awakened consciousness in the fight towards enlightened morays in an age of fascist’s dictatorships but actually waking up to unresolved veracities.

Hurriedly, I searched for a working definition of enlightenment consistent with my Christian beliefs. I finally found several however, none exactly measured up to the values that are interlaced within scriptures and thus are founding principles of Christianity and religious fundamentals.

Continue reading “Religion, Race, and Feminism in an Era of Elusive Enlightenment by Salaam Green”

Trump’s Misogyny – A Case for the Contempt-Oriented Personality by Stephanie Arel

stephanie-arel

In the quotes below, you will briefly encounter the words of Donald Trump throughout the years as he has commented on women. You might have read or heard many of these, as I have. Reading them still brings a chill to the spine (please be warned of the misogynist language that follows).

“You know who’s one of the great beauties of the world, according to everybody? And I helped create her. Ivanka. My daughter, Ivanka. She’s 6 feet tall; she’s got the best body. She made a lot money as a model—a tremendous amount.” 2003 Howard Stern Interview

“My favorite part [of ‘Pulp Fiction’] is when Sam has his gun out in the diner, and he tells the guy to tell his girlfriend to shut up. Tell that bitch to be cool. Say: ‘Bitch be cool.’ I love those lines.” 2005 TrumpNation: The Art of Being the Donald

“If Ivanka weren’t my daughter, perhaps I’d be dating her.” March 6, 2006 The View

“While ‪@BetteMidler is an extremely unattractive woman, I refuse to say that because I always insist on being politically correct.” Oct 28, 2012 Twitter

Rosie O’Donnel is “crude, rude, obnoxious and dumb.” July 11, 2014 Twitter

“Why is it necessary to comment on [Ariana Huffington’s] looks? Because she is a dog who wrongfully comments on me.” April 6, 2015 Twitter

I hesitated to start this post with such deprecatory quotes related to women and women’s bodies. Yet, forgetting or camouflaging the misogyny that this administration represents is egregious. These quotes indicate a truth about Trump’s opinion of women: women are to be controlled, possessed, and disparaged. These snippets into Trump’s posture toward women exhibit his misogyny, his disgust of women, and ultimately, his own self-contempt.

Continue reading “Trump’s Misogyny – A Case for the Contempt-Oriented Personality by Stephanie Arel”

Coming in the Back Door by Jessica Bowman

“I’m not ready to make nice
I’m not ready to back down
I’m still mad as hell, and I don’t have time
To go ’round and ’round and ’round
It’s too late to make it right
I probably wouldn’t if I could
‘Cause I’m mad as hell
Can’t bring myself to do what it is
You think I should”

(Dixie Chicks, 2009)

The quote listed above is the lyrical reaction of the music group the Dixie Chicks in response to the backlash of lead singer Natalie Maines public criticism of then US president George Bush and US military involvement in the Middle East during a music concert in the UK. Because the concert was televised, her criticism reached millions of people. As a result of her words, the band experienced extreme repercussion which included death threats and all of their songs being banned from the major radio networks in the US for an extended period of time. These song lyrics are a prime example of art being used as political activism and its effectiveness to make the point using peaceful means.  Women have learned that if they are not allowed to enter through the same door, the front door, as the one intended for men they will find another way. Continue reading “Coming in the Back Door by Jessica Bowman”

Renewing Our Spirits in the Wilderness of Our World by Carolyn Lee Boyd

carolynlboydIn my garden blooming with native wildflowers, in nearby rivers and woods, across the New England landscape, the Earth is healing Herself.  Two centuries ago, New England’s forests had been cleared for farms; myriad species of  animals, birds, fish, and plants had disappeared; the network of waterways had been dammed to make power for mills.

Now trees are reclaiming land abandoned by 19th century farmers seeking better soil westward and today’s environmentalists are reintroducing native flora and fauna and hauling away obsolete dams. As a result, species not seen for generations are thriving, most of New England is again heavily forested, and whole ecosystems are reviving. Creation is once more beginning to remake the landscape into a place of wholeness, life, and connection. Continue reading “Renewing Our Spirits in the Wilderness of Our World by Carolyn Lee Boyd”

Puff the Magic Dragon & the Loss of Magic by Susan Morgaine

img_1549Did you believe in magic?

Did you once believe in fairies, leprechauns and and flying dragons? Did you believe that if you climbed a tree to the uppermost branches, you could touch the sky?

Do we need magic?

As the country finds itself reeling from the proclamations of anew administration, I have found myself, like so many others, in need of comfort. One of the places I find comfort is music. There is the music of ritual and meditation, the music of dance, the music of heartbreak. It can energize and uplift; it can soothe the hurt away, it can take you to distant lands.

After the experience of the Women’s March on Washington, I chose the protest music of Peter, Paul and Mary. I found myself listening to “Puff, the Magic Dragon”, an old favorite. I have listened to this song many times through the years, but this time, I understood it in a completely different way. Continue reading “Puff the Magic Dragon & the Loss of Magic by Susan Morgaine”

Join the Rebellion by Jessica Bowman

Like many other thousands of Americans, I watched the newest offering from the Star Wars legacy last autumn and was re-inspired to be an active part of the rebellion against oppression. Viewing the movie through my feminist lens I was cheered on by the choice of actors and actresses in lead roles and was reminded of Margaret Mead’s famous quote, “Never doubt that a small group of thoughtful, committed, citizens can change the world. Indeed, it is the only thing that ever has.”

It may be easy to compare the new president to Lord Vader because he is an easy target who encourages mockery and ridicule. However, tyranny, violence, and power trips have long been a part of world societies, for centuries.  It is as evident as ever that we must continue to stand against such debilitating realities. We must stand together.

And, like millions of other people across the world, I had the privilege to participate in a Sister March to the Women’s March on Washington; shoulder to shoulder with passionate and caring people determined to make a difference. The experience generated feelings of elation, hope, and unity. I was most impressed by the kindness radiating from every person I came in contact with.  Even though spaces were packed with people the overall atmosphere was conscientious, polite, and caring. Peaceful activism is critical to progress.  

I also listened intently to the speeches made at the marches; especially by the women well known in popular culture. Gloria Steinem, a cornerstone of the modern feminist movement, spoke words that I believe reflect the change in values that I visualize in the form of a river current. “God may be in the details, but the Goddess is in connections. We are at one with each other, we are looking at each other, not up.” Women’s work is the creation of the web; the tapestry of connections between us all and the building of momentum in the stream bed. Continue reading “Join the Rebellion by Jessica Bowman”

Painting the Mother of Exiles by Angela Yarber

angelaLast month, my column focused on the importance of intersectionality within the feminist movement by highlighting the revolutionary work of Sojourner Truth, an escaped slave, abolitionist, and women’s rights activist. I’d like to continue to press the importance of intersectionality, particularly given our current political state. Of late, I’ve received a little criticism that some of my recent Holy Women Icons are too political, particularly with reference to Mothers of Black Lives Matter, Dolores Huerta, and the Midwives of Standing Rock. As a woman artist, and particularly a queer woman artist, the personal is always political. Feminists taught us this decades ago. Since the lives, loves, and bodies of LGBTQs, women, refugees, immigrants, people of color, Muslims, Jews, those who are differently abled, and the poor continue to be legislated, violated, excluded, and oppressed, I’d contend that writing about, painting about, and working for liberation for all of these intersectional identities is paramount, especially for those who profess faith in a homeless refugee liberator from the Middle East (that would be Jesus, of course). Needless to say, I believe these recent works in the Holy Women Icons Project fit in quite nicely with the over seventy revolutionaries—political and otherwise—that I’ve painted and written about in the past.

These critiques combined with the current climate of the United States, new legislation passed, proposed, and promised that attacks the lives of the aforementioned marginalized groups. So, I took to canvas and, for the first time, I did not pen the poetry scrawled across the holy woman’s heart. Instead, I relied on the words of Jewish American poet, Emma Lazarus (1849-1877). Most famous for the portion of her sonnet, “The New Colossus,” that graces the pedestal of the Statue of Liberty, I wanted Lady Liberty and Lazarus’ timely words to become my newest Holy Woman Icon. In its entirety, “The New Colossus” reads: Continue reading “Painting the Mother of Exiles by Angela Yarber”

Doctrine and Fidelity by Elise M. Edwards

elise-edwardsThis past week, I was listening to Krista Tippett’s podcast On Being as she spoke with Pádraig Ó Tuama.  He is a poet, theologian, and leader in the Corrymeela community of Northern Ireland. As he spoke about several things related to the challenges of belonging, reconciliation, and fractured communities, he said, ”The measure of Christian fidelity is more than the positions we take.”

I agree.  I interpreted his statement as a condemnation of the ways Christian doctrines and moral positions too often take priority over other matters of faith.

Continue reading “Doctrine and Fidelity by Elise M. Edwards”