“Earth is a mystery school complete with initiations and discoveries that you only experience by 
living with your feelings, touching the earth, and embracing the fullness of your humanity.”
–Queen Guenivere
On Samhain morning, I wake early and mist is rising out of the forest and dancing through the field and out of the trees. I have a moment of sheer awe to see it…the veil was literally thin.
Over the weekend, I visit the nearby river to connect in personal ceremony in appreciation before the park closes for the year and also symbolically to those at Standing Rock. This river eventually meets the Missouri River. I run my hands through the water. I anoint my brow, neck, and hands. I whisper my prayers into the ripples. I sing: “I am water. I am water…I am flowing like the water, like the water I am flowing, like the water.”
I am hurrying outside to get some work done. I feel tight and hurried with the length of my to-do list and my superhuman plans for the day. The bright red flame of a bloom on my pineapple sage plant catches my eye and then…the perfection of a bright yellow butterfly alighting on one slender stamen. My breath catches and I stop in wonder. I smell the flower and it smells of pineapple, just as the leaves do. I can hardly believe this treasure and the tightness melts into nothing. The rest of the day is full of joy.
I am once again healed by flowers.
About twenty feet outside my house, there is a small building with a little porch and a peaked roof. Inside, there is red carpet and a purple wall, goddess tapestries draped from floor to ceiling, and goddess sculptures in abundance. 
In this building I write, work, create, and hold small rituals with a circle of friends. I call it my Tiny Temple and it is the proverbial, “room of one’s own” described by Virginia Woolf in 1929. Having a dedicated work and ceremony space in the midst of a home-based life, which includes a home business shared with my husband, and four homeschooled children, has changed my life profoundly. In the tiny temple, I feel most wholly myself: connected, powerful, free, authentic, and completely alive.
One morning, as I walk to the temple, this beautiful rose makes me drop to my knees with delight. Yes. This right here. This is a beautiful moment. As I kneel beside the rose, the Body Prayer song* wells out of me until I have tears in my eyes.
“We may need to be cured by flowers.
We may need to strip naked and let the petals fall on our shoulders, down our bellies, against our thighs. We may need to lie naked in fields of wildflowers. We may need to walk naked through beauty. We may need to walk naked through color. We may need to walk naked through scent. We may need to walk naked through sex and death. We may need to feel beauty on our skin. We may need to walk the pollen path, among the flowers that are everywhere.
We can still smell our grandmother’s garden. Our grandmother is still alive.”
–Sharman Apt Russell, in Sisters of the Earth
I create personal ritual almost every day in my tiny temple, sometimes simple, sometimes elaborate, sometimes tearful, sometimes joyful, sometimes hurried, sometimes leisurely, sometimes distracted, sometimes astonished at the wonder of it all. The week of my rose worship experience, I smudge the temple with sage I grew in the flowerboxes by my front porch. I ring my bell 13 times. I sing “I Am Fire.” I lay out cards and tiny goddesses and create a mandala out of fallen leaves. I leave an offering of flowers from the herbs and let rose petals drop from my fingers. Ritual captivates all the senses…in this sacred space, I invoke my own senses of smell, touch, sight, sound, and wonder and the result is magic.
“Through ceremony we learn how to give back. When we sing, we give energy through our voice; when we drum, we allow the earth’s heartbeat to join with our own; when we dance, we bring the energy of earth and sky together in our bodies and give it out; when we pray, we give energy through our hearts; when we look upon our relations, we give blessings through our eyes. When we put all these activities together, we have a ceremony, one of the most powerful forms of gift-giving we humans possess.”
–Sun Bear and Wabun Wind
May we each be healed by flowers, time to ourselves to sit on the earth and sing, and the simple, every day beauties and miracles that surround us each day.
Notes:
- Several years ago I wrote a poem called Body Prayer, which is included in the Girl God’s Mother Earth book as well as in my own Earthprayer poetry collection. I was so touched when a Goddess Magic Circle sister, Angelique, shared a chant she created from the last stanza this poem. I started waking up in the mornings singing it, or sitting by flowers and singing it, and it delights me. It also brings my mind back to self-care, an ever-present issue it feels like for women. Here is a recording of my small study group singing it in the Tiny Temple.
- Related past post about earth-centered spirituality: Stoneflower
- Brigid’s Grove is offering a Worldwide Solstice Circle event online this year. Companion resources, journal prompts, a detailed free ritual packet as well as a collection of digital gifts will also be available in our new Creative Spirit Circle companion classroom. You are cordially invited to join us!
Molly has been “gathering the women” to circle, sing, celebrate, and share since 2008. She plans and facilitates women’s circles, seasonal retreats and rituals, mother-daughter circles, family ceremonies, and red tent circles in rural Missouri and teaches online courses in Red Tent facilitation and Practical Priestessing. She is a priestess who holds MSW, M.Div, and D.Min degrees and finished her dissertation about contemporary priestessing in the U.S. Molly and her husband Mark co-create Story Goddesses, original goddess sculptures, ceremony kits, and jewelry at Brigid’s Grove. Molly is the author of Womanrunes, Earthprayer, and The Red Tent Resource Kit and she writes about thealogy, nature, practical priestessing, and the goddess at Brigid’s Grove.
I always felt curiously distant from the figure of Mary. I always sensed that there is so much there and yet, I could never connect to it emotionally.
Santa Claus is really a shaman. He wears red and white and black (the three sacred colors of the so-called ancient triple goddess) and he’s fat because he’s well-fed. (A traditional shaman once told me never to trust a skinny shaman; if his people don’t provide for him, he’s not doing his job.) Santa flies from the frozen north, where the Saami (or Lapp) shamans still wield their full traditional powers. He’s drawn through the air by magical reindeer whose antlers symbolize the surging force of life. The Christmas tree is the world pole. From Mongolia to the American Southwest, shamans traditionally ascend the world pole to make their astral journeys. Santa knows everything, especially if we’ve been good or bad, and like karma itself, he brings us our just desserts. His gifts are the gifts of the spirit made material. His attendants, the toy-making elves, are the Old Ones who help the deserving and play tricks on the undeserving. Santa is not a god, but let’s honor him along with the solar gods and goddesses in our midwinter ritual. 
Birds soaring high above the earth reaching for the heavens have long inspired humans as links to the divine realm. Birds fulfill various functions in world cultures and religions – from playing a central role in creation, to birth, to healing, to death; from messenger to trickster to oracle. Some birds are associated with shape shifting and transformation.
Divine embodied in the feminine. 
There’s nothing like the holiday season to bring out everyone’s least feminist self. In one of the courses that I teach—Gender, Food, and the Body in Popular Culture—students are assigned to examine gender roles throughout the holiday season through the lens intersectional ecofeminism. Inevitably, almost every student returns from holiday break with the same assessment: mom, grandma, and a kitchen full of women prepare, cook, and clean every family meal; women do the holiday shopping; men in the family watch sports. 
“My goodness!” she said. “I look like an old wicked witch!” She gave this some thought. “Well,” she finally said, “why not? I’m alone and friendless. I have barely enough to eat. I remember hearing about other old women who lived alone. People thought they were wicked witches. Hunh! I guess that’s what I’ll do now. Go into the wicked witch business.” She thought some more. “Well, maybe semi-wicked. My grandmother taught me stuff her grandmother taught her—how to mix potions to heal or kill. How to read the cards. All I need to do is remember those lessons. Then I can go into the wicked witch business.” 
What on earth, I hear you asking, got into that dish? Why did she run away? Well, let me tell you. It was at one of our last carnivals. It was an enchantment. That dish was our Princess, and she was under the enchantment. Actually, the whole Royal Family was enchanted. The warriors came galloping in from the steppes beyond the river, but first they sent a Prince. He told our Queen that they were coming to “protect” us, that they were bringing new gods to us. Bringing what they called new civilization and new ways, bringing us what they called “good news.” Well, our Queen and Her Consort were rightly skeptical about all these news, and they locked the Princess up in a safe tower. Kept her there for who knows how long while that handsome but rapacious Prince came and went and the warriors surrounded our lands. Back and forth, back and forth. It was them that declared the carnival and threw that enchantment on all our important people. The Prince lured her down out of the tower—he’d stolen the magic words that unlocked the door—and then he told her he was going to eat her up. She thought it was a joke. He dressed himself up as a big spoon and persuaded her to dress herself as a dish. And then, when the invasion got serious, she ran away with him. Maybe she thought she was saving herself. 
Feminism and Religion 