Review – Page 3 – Feminism and Religion

Son of Man: An Updated Gospel Story of Jesus Set in South Africa by Michele Stopera Freyhauf

January 12, 2012

Son of Man is an updated story of the life of Jesus set in the fictional State of Judea that is modern day South Africa – complete with warlords and child soldiers. It could easily be mistaken for modern day Rwanda or Darfur with its modern issues and political overtones. Roger Ebert stated, “The secret of the movie is that it doesn’t strain to draw parallels with current world events – because it doesn’t have to.” The director draws parallels between the gospels and 21^st century Africa. According to Dartford-May, “we wanted to look at the Gospels as if they were written by spin doctors and to strip that away and look at the truth.” The director “captures the rhythms of African life in both rural settings and sprawling townships.” “Feather-clad young angels offer an eerie echo and reminder of Africa’s lost generations.”

The movie also sticks with what Eric Snider calls “Traditional African trial music, dance, and costumes” as a type of worship or or allusion to Jesus’ godhood. Judea is in flux; warlords and corruption take center stage. Poverty, violence, and oppression affect the all of the people. The key idea is that Jesus is a freedom fighter – one that fights injustice and oppression. The director does not emphasize “Jesus’ divinity so much as his leadership, good sense and compassion.” Jesus is not violent and his followers, most of whom were former child soldiers, are encouraged to respond non-violently, which goes against their upbringing and training. Continue reading “Son of Man: An Updated Gospel Story of Jesus Set in South Africa by Michele Stopera Freyhauf”

Rosemary Radford Ruether’s Women and Redemption: A Theological History By Gina Messina-Dysert

Women and Redemption : A Theological History. 2nd ed. By Rosemary Radford Ruether.Minneapolis: Fortress Press. 2011.

Having been critically impacted by the work of Rosemary Radford Ruether, I was anxious for the release of the second edition of her crucial book, Women and Redemption: A Theological History. Redesigned with illustrative material, research questions, and suggested reading for further research, as well as the addition of a new chapter exploring recent developments in feminist theology, this text does not disappoint.

With this newest edition, Ruether acknowledges the ongoing journey in the field of feminist theology and emerging issues faced by women in religion and society. Examining the Christian claim of an inclusive and universal redemption in Christ, she traces paradigm shifts in understandings of gender over the last two millennia. Ruether offers an historical exploration of women and redemption in the first five chapters followed by a global survey of contemporary feminist theologies in the final four chapters, which includes a concluding section that gives attention to “Fourth World” feminisms and post-colonialism in an effort to “bring this volume up to date” (xvii). Continue reading “Rosemary Radford Ruether’s Women and Redemption: A Theological History By Gina Messina-Dysert”

Why I Hated “Jumping the Broom”: Disappointing Depictions of African-American Women’s Agency By Elise Edwards

Elise M. Edwards is a Ph.D. candidate in Theology, Ethics, and Culture at Claremont Graduate University and registered architect in the State of Florida. She does interdisciplinary work in the fields of theology, ethics, and aesthetics, examining how they inform and shape each other and express the commitments of their communities.

This past spring, I thought it would be fun to spend a leisurely afternoon with a good friend, seeing the movie Jumping the Broom (now available for home viewing). The film features some of my favorite actresses, Angela Bassett and Loretta Devine, and I like going to movies that show African-American romances, families and friendships if they aren’t too stereotypical or offensive. My trusted Entertainment Weekly assured me that this would meet my criteria: “Yes, there really is a way to make a boisterous, dramatic comedy about African-American life better than Tyler Perry does….You’ll laugh — a lot — but you’ll also shed tears of recognition at this funny, salty, strife-torn look at the agony and ecstasy of family,” said critic Owen Gleiberman.

But after the opening scene, I knew it was not going to be a pleasant afternoon. Continue reading “Why I Hated “Jumping the Broom”: Disappointing Depictions of African-American Women’s Agency By Elise Edwards”

Charlene Spretnak’s “Relational Reality”: An Illuminating Read By Gina Messina-Dysert

I have long been interested in the work of women’s spirituality movement’s founding mother Charlene Spretnak; thus when her newest book, Relational Reality: New Discoveries of Interrelatedness that are Transforming the Modern World, was released I was anxious to read it. To no surprise, I found it a brilliant, stimulating, and vital work.

In Relational Reality, Spretnak explains that we have “missed the way the world works” as a result of our cultural tendencies. “The failure to notice that reality is inherently dynamic and interrelated at all levels – including substance and functioning – has caused a vast range of suffering” (1). Spretnak offers “snapshots” of the various crises we face within education and parenting, health and healthcare, community design and architecture, and the economy with purpose; to name the suffering and hardship endured within the world and demonstrate that these crises are the result of anti-relational thinking. She states these problems cannot be corrected until they are acknowledged; “Only then can we grasp the significance of the relational breakthroughs and solutions that are emerging” (20). Continue reading “Charlene Spretnak’s “Relational Reality”: An Illuminating Read By Gina Messina-Dysert”