Occupy Movement

January 12, 2012

Son of Man is an updated story of the life of Jesus set in the fictional State of Judea that is modern day South Africa – complete with warlords and child soldiers. It could easily be mistaken for modern day Rwanda or Darfur with its modern issues and political overtones. Roger Ebert stated, “The secret of the movie is that it doesn’t strain to draw parallels with current world events – because it doesn’t have to.” The director draws parallels between the gospels and 21^st century Africa. According to Dartford-May, “we wanted to look at the Gospels as if they were written by spin doctors and to strip that away and look at the truth.” The director “captures the rhythms of African life in both rural settings and sprawling townships.” “Feather-clad young angels offer an eerie echo and reminder of Africa’s lost generations.”

The movie also sticks with what Eric Snider calls “Traditional African trial music, dance, and costumes” as a type of worship or or allusion to Jesus’ godhood. Judea is in flux; warlords and corruption take center stage. Poverty, violence, and oppression affect the all of the people. The key idea is that Jesus is a freedom fighter – one that fights injustice and oppression. The director does not emphasize “Jesus’ divinity so much as his leadership, good sense and compassion.” Jesus is not violent and his followers, most of whom were former child soldiers, are encouraged to respond non-violently, which goes against their upbringing and training. Continue reading “Son of Man: An Updated Gospel Story of Jesus Set in South Africa by Michele Stopera Freyhauf”

Michele Stopera Freyhauf: Feminist scholar, activist, and graduate student in religion and biblical studies at John Carroll University, Michele is the student representative on the Board for Eastern Great Lakes Biblical Society (EGLBS) and author of several articles including “Hagia Sophia: Political and Religious Symbolism in Stones and Spolia.” Her research interests involve Feminism, Sexuality, the influence of Goddess imagery, Myth, and Rhetoric especially in the Old Testament, Ancient Egypt and Early Christianity. She also focuses her research in feminism, migration studies, and genocide as it relates to women, especially in the Middle East and Latin America.

Exploring the new world of historiography this semester has been an adventure. In my studies, I came across an interesting person named Louis Pierre Althusser. He is considered a structuralist Marxist and in 1970, he wrote an essay titled Ideology and Ideological State Apparatuses (Notes towards an Investigation). The basis of his argument explores how various institutions control the working class. We have our ideas taken from or given to us because we were essentially molded by various institutions that are being controlled by an agency of power, like government or church. Someone has told us what it is to be moral and ingrained that definition. Someone has influenced our idea of what it means once you graduate from high school then college. Someone else has defined the benchmark for wealth and happiness or when we have enough “stuff.” Ideologically we are controlled by so many outside factors. It is this point that I want to reflect an explore as a Feminist, a mother, a graduate student, and part of the proverbial 99%. Continue reading “A Reflection of What Influences and Controls My Ideologies: An Examination Of Althusser’s Ideological State Apparatus By Michele Stopera Freyhauf”