imagery of God

This was originally posted on Sept. 9, 2011

In my last blog I wrote that the image of God as a dominating other who enforces his will through violence–found in the Bible and in the Christian tradition up to the present day–is one of the reasons I do not choose to work within the Christian tradition. To be fair, there is another image of God in Christian tradition that I continue to embrace. “Love divine, all loves excelling” is the opening line of a well-known hymn by Charles Wesley. Charles Hartshorne invoked these words and by implication the melody with which they are sung as expressing the feelings at the heart of the understanding of God that he wrote about in The Divine Relativity.

Love divine, all loves excelling also expresses my understanding of Goddess or as I sometimes write Goddess/God. Though I am no longer a Christian, but rather an earth-based Goddess feminist, I freely admit that I learned about the love of God while singing in Christian churches. Hartshorne wrote that he knew the love of God best through the love of his own mother, and I can say that this is true for me as well. My mother was not perfect, and she did not understand why I wanted to go to graduate school, my feminism, or my adult political views, but I never doubted her love or my grandmothers’ love for me. (I count myself lucky. I know others did not have this experience.) Like Hartshorne, I also learned about the love of God through the world that I always understood to be God’s body. Running in fields and hills, swimming in the sea, standing under redwood trees, and encountering peacocks in my grandmother’s garden, I felt connected to a power greater than myself.

A founding mother of the study of women and religion and feminist thealogy, Carol has been active in social justice, anti-war, feminist, anti-nuclear, and environmental causes for many years. Her books include She Who Changes and Rebirth of the Goddess and the widely used anthologiesWomanspirit Rising and Weaving the Visions.