Kelle ban Dea – Feminism and Religion

Blodeuwedd; The Flower that Does Not Bloom and the Transhuman Death Spiral by Kelle Ban Dea

Blodeuwedd is often viewed as a Spring goddess, a personification of flower and bud and bloom. And why not; she is made of flowers after all; flowers and magic. It’s only when you read her original myth in the Fourth Branch of the Mabinogi that you realise how dark it is.

Of all the famous women – now seen as goddesses by many – in these ancient Celtic legends, Blodeuwedd is the only one who is not a mother, and therefore not seen as an aspect of the mother goddess, Modron. Bloduwedd cannot be a mother, because although she is made of flowers, she is a flower that will never bloom, that cannot reproduce.

In both ancient mythology and in the neopatriarchy we live in today, women who either cannot or will not be mothers (despite these being very different things; one a choice, one a lack of choice) are viewed with suspicion. As the opposite of the nurturing, fecund Mother, Bloduwedd instead brings betrayal and death to the hero of the tale. Yet, it was never Blodeuwedd at fault. She is created by the rapist magician Gwydion and given without her consent to be the wife of Lleu, the king, and our shining ‘hero’ of the story. Lleu has been cursed by his own mother to never have a human wife or children, so Bloduwedd is the best that Gwydion can conjure up, and he is celebrated for this marvellous feat of magic.

No-one, of course, bothers to ask Blodeuwedd what she might want.

Priestess or Goddess? The Real Morgan le Fay by Kelle ban Dea

Morgan le Fay is a popular figure for goddess-women and those interested in depictions of female spirituality, as well as a role model for some witches and pagans. Entire modern spiritual traditions such as the Avalonian tradition in Glastonbury have been created around her. She’s been portrayed in various ways in popular media and culture, and for many is more beloved than her mythical contemporaries, Arthur and Merlin. Which is interesting, because she’s a wholly fictional character, first encountered in the medieval Vita Merlini. Or is she?

While Morgan herself is, indeed, a fictional creation, many have seen echoes of ancient Celtic myth in her story. She’s a healer and magic worker, living on an Otherworldly island, sometimes with her eight sisters, guardian of Avalon with its magical apples and mists. In later iterations she’s a darker figure, an enemy of her brother Arthur, a witch and a seductress. A story we’ve all heard before.

Arianrhod; Postnatal Trauma and the Rejecting of Patriarchy by Kelle BanDea

Mothers and sons. The stories that make up the Four Branches of the Mabinogi, a Welsh medieval collection of Celtic legends, are in large part about mothers and sons. Mostly about their separation. Mabon is stolen from Modron. Rhiannon’s son Pryderi is twice captured. Branwen’s baby is murdered. In Arianrhod’s tale, the Fourth Branch, it is she, the mother, who rejects her son.

Cerridwen’s Brew; the Psychedelic Priestesses and the Theft of Indigenous Wisdom by Kelle Ban Dea

Katerina Shkribey, mushroom. Unsplash stock

Recently I wrote about how the story of Cerridwen and Taliesin is not a muse and hero tale but a tale of stealing from the goddess. Violating her priestesses and exploiting the land.

That is one reading of it. There is another though, which may have some grounding in historical fact and may be a warning to a particular issue gaining prominence today; the rise of the psychedelic industry.

Although neo-Druids, for whom this tale forms part of their core mythology, interpret the awen that Cerridwen brews in her cauldron as the ‘flowing spirit of inspiration,’ the original text makes it clear it is a potion. Cerridwen gathers ‘every kind of charm-bearing herb’ for the potion. Three drops of it turn the boy Gwion Bach into the shaman-bard Taliesin, but the rest is poison.

Cerridwen’s Cauldron; Stealing from Old Mother Universe by Kelle ban Dea

Catherine Kay Greenup, blue well
Unsplash stock

The story of how Cerridwen, the witch goddess, brews a magic potion full of awen (inspiration) which is then accidentally imbibed by the boy Gwion Bach, is well loved across the Western world, especially by neo-Druids. Gwion Bach is then reborn as Taliesin, the greatest bard in Britain. It is a typical heroes tale, with Cerridwen as the muse and initiatrix.

Or is it? This tale has always left a funny taste in my mouth, and when I recently read The Broken Cauldron by Lorna Smithers, I understood why. In the oldest version we have of this tale, Gwion Bach doesn’t accidentally taste the awen. He steals it.

Rhiannon as Midlife Queen Mother by Kelle BanDea

We tend to think of Rhiannon as the fairy maiden on the white horse who entices Pwyll, the King and her future husband, into the Otherworld. Or she is the young mother who is unfairly blamed for the death of her own child until he is restored to her. This is Rhiannon’s story as it is most well-known, and she has become a beloved figure due to it. The image of the beautiful fairy woman on the white horse has become equated, to modern neopagan folks and Goddess-women, with the ancient Celtic and Indo-European horse goddesses. Of all the women in the medieval Welsh lore that we know as the four story ‘branches’ of the Mabinogi, Rhiannon is perhaps the most beloved.

But this is only half of the story.

Branwen, Goddess of Grief by Kelle ban Dea

This midwinter has been a time of sadness so far. Two major deaths in the family, and two baby losses, the grief has come thick and fast for me and my kin this season. At a time when we are usually all gathering to celebrate the rebirth of the light in the dark, my spiritual practice is all at sea, leaving me wondering how I can call on Goddess, on Mother of God, at this time.

Then I remember Branwen.

A Thealogy of Land and Roots by Kelle ban Dea

I am my Mothers
My Mothers are me
I am the Goddess
the Goddess is within me
As blood
as bone
as the spirals
of nuclei
as ova
as tears
as breath
I carry my Mothers
as my Daughters will carry me

And the Goddess carries us all