
Judy Chicago, The Three Faces of Man from Power Play, 1985
On December 1, 2018, I most reluctantly moved off a stable yard where I had kept my beloved mare Boo, aka Queen Boodicca, for ten years. I loved the place. It was horsey heaven. Unlike many other local stable yards, the horses were allowed to go out in the pastures 365 days a year. Previously I’d kept my mare on a yard where they could only go out three days a week in winter, which was not at all good for horses’ physical or mental well-being. But here, on my dream yard, Boo was turned out in a 24 acre mares’ field with 360 degree panoramic views of the rugged East Lancashire landscape, including stunning views of Pendle Hill. Even the most traumatized, wound up horses chilled out in those big pastures. Our only worry was not letting them get too fat on the rich summer grass.

Queen Boodicca in action
I had nothing but respect for the older woman who owned the yard and ruled it like a matriarch, keeping prices low because she was more interested in accommodating suitable horse owners, regardless of their income, than in making a profit. The other women horse owners were wonderful and supportive. They was hardly any of the snobbery or competitiveness that can spoil other stable yards. Continue reading “Toxic Masculinity: We Need to Talk”



One of my Facebook friends, a young woman academic, recently posed a question, inviting discussion. (I’ve abbreviated her post for the sake of space.)
While Frida Kahlo is arguably the world’s most famous woman artist, most women in the surrealist movement have been overlooked. But Frida’s sister surrealists now seem to be experiencing a long overdue resurgence, with recent international exhibitions showcasing Leonora Carrington, Meret Oppenheim, and Dora Maar. The 2017 documentary film,
Though I was familiar with these artists, Rupert Thomson’s novel,

