Hildegard

A Visionary History of Women

Part One: Hildegard’s Holy Wisdom

I’m on a mission to write women back into history, because, to a large extent, women have been written out of history. Their lives and deeds have become lost to us. To uncover their buried stories, we must act as detectives, studying the sparse clues that have been handed down to us. We must learn to read between the lines and fill in the blanks. My writer’s journey is about reclaiming the lost heroines of history. My quest is to give voice to the ancestral memory of that lost motherline.

My novels address spiritual themes. As a spiritual person, I’m very interested in women’s experience of the sacred. As well as being written out of history, we women, for the past five-thousand years of patriarchy, have been side-lined and marginalized by every established religion in the world. Even in alternative spiritual movements, male teachers and leaders have abused their authority over their female students and followers.

But in every age, there have been women who have heroically rebelled against this patriarchal stranglehold to claim their authentic spiritual experience. Often it has involved looking within rather than without for spiritual guidance.

One of these women was Hildegard of Bingen, the heroine of my novel Illuminations.
Born in the lush green Rhineland in present day Germany, Hildegard (who lived from 1098–1179) was a Benedictine abbess and one of the most accomplished people of her time. She founded two monastic communities for women, composed an entire corpus of sacred music, and wrote nine books on subjects as diverse as theology, cosmology, botany, medicine, linguistics, and human sexuality, an intellectual outpouring that was unprecedented for a 12th-century woman. Her prophecies earned her the title Sybil of the Rhine.

Hildegard’s vision of Sapientia, Divine Wisdom.

An outspoken critic of Church corruption, she courted controversy. Though women were forbidden to preach, Hildegard embarked on four preaching tours in which she delivered apocalyptic sermons warning her male superiors in the Church that they must reform their evil ways or suffer divine wrath. But she had to pay the price for being so outspoken. Late in her life, she and her nuns were the subject of an interdict (a collective excommunication) that was lifted only a few months before her death. Hildegard nearly died an outcast, her fate hauntingly similar to that of many canceled women in our contemporary cancel culture.

Hildegard’s theology of the Feminine Divine has made her a pivotal figure in feminist spirituality.

A key concept in her philosophy is Viriditas, or greening power, her revelation of the animating life force manifest in the natural world that infuses all creation with moisture and vitality. To her, the divine was manifest in every leaf and blade of grass. Just as a ray of sunlight is the sun, Hildegard believed that a flower or a stone was God, though not the whole of God. Creation revealed the face of the invisible creator. Hildegard celebrated the sacred in nature, something highly relevant for us in this age of climate change and the destruction of natural habitats.

I, the fiery life of divine essence, am aflame beyond the beauty of the meadows, I gleam in the waters, and I burn in the sun, moon and stars . . . . I awaken everything to life.
Hildegard von Bingen, Liber Divinorum (Book of Divine Works)

Hildegard’s philosophy of Viriditas went hand in hand with her celebration of the Feminine Divine. Although the established Church of her day could not have been more male-dominated, Hildegard called God Mother, and said that she could only bear to look upon divinity in her visions if God appeared to her in feminine form. Her visions revealed God as a cosmic egg, nurturing all of life like a womb. Masculine imagery of the creator tends to focus on God’s transcendence, but Hildegard’s revelations of the Feminine Divine celebrated immanence, of God being present in all things, in every aspect of this greening, burgeoning, blessed world.

According to Barbara Newman’s book Sister of Wisdom: St. Hildegard’s Theology of the Feminine, Hildegard’s Sapientia, or Divine Wisdom, creates the cosmos by existing within it.

O power of wisdom!
You encompassed the cosmos,
Encircling and embracing all in one living orbit
With your three wings:
One soars on high,
One distills the earth’s essence,
And the third hovers everywhere.
Hildegard von Bingen, O virtus sapientiae

This might be read as an ecstatic hymn to Sophia, the great Cosmic Mother.

Mary Sharratt is committed to telling women’s stories. Please check out her acclaimed novel Illuminations, drawn from the dramatic life of Hildegard von Bingen, and her new novel Revelations, about the mystical pilgrim Margery Kempe and her friendship with Julian of Norwich. Visit her website .

Connecting Heaven and Earth: Singing Hildegard

September 17 marks the feast day of 12th century Benedictine abbess and powerfrau, Hildegard von Bingen.

Born in the Rhineland in present day Germany, Hildegard (1098–1179) was a visionary and polymath. She founded two monasteries, went on four preaching tours, and wrote nine books addressing both scientific and religious subjects, an unprecedented accomplishment for a 12th-century woman. Her prophecies earned her the title Sybil of the Rhine.

Over eight centuries after her death, Hildegard was finally canonized in May 2012 and in October 2012 was elevated to Doctor of the Church, a rare and solemn title reserved for the most distinguished theologians.

But most people today know Hildegard best for her soaring ethereal music.

The first composer for whom we have a biography, she composed seventy-seven sacred songs, as well as Ordo Virtutum, a liturgical drama set to music.

Her melodies are completely unlike the plainchant of her era—or anything that has come before or since. Likewise her lyrics are highly original and feel fresh to us even today. She was the only 12th century writer to compose in free verse.

Hildegard and her nuns sang the Divine Office eight times a day. She believed that song was the highest form of prayer—the mystical power of music reunited humankind to the ecstasy and beauty of paradise before the fall, connecting the singer directly with the divine, and joining heaven and earth in celestial harmony.

I’ve spent years researching Hildegard. I’ve visited the sites of her abbeys along the Nahe and Rhine, studied her writings, and written a novel about her, Illuminations: A Novel of Hildegard von Bingen, published in 2012. I’ve had the privilege of discussing Hildegard’s life and work with scholars, musicians, and people of faith from around the world. But not until last month did I have the opportunity to experience firsthand what it would be like to sing Hildegard’s wondrous music.

In August I took part in a retreat entitled “Connecting Heaven and Earth: The Chant of Hildegard” at Hawkwood College in Stroud, southern England, led by renowned soprano Dame Emma Kirkby and by author, spirituality teacher, and musician Caitlin Matthews. I’ve been reading Caitlin’s sublime books from the moment she started publishing in the 1980s. Caitlin’s Sophia: Goddess of Wisdom, Bride of God is a spiritual classic I highly recommend. I also own and adore Emma’s iconic 1985 album, Feather on the Breath of God, which first introduced Hildegard’s music to a wide mainstream audience.

This course was open to singers of all abilities. I would describe myself as an enthusiastic amateur, better suited for folk songs than Hildegard’s soaring octave leaps, but as a lover of Hildegard, how could I not at least give it a try? I’ll confess I was somewhat intimidated to learn that many of the participants were professional or semi-professional singers who were quite adept at sight-reading and that some of the scores we worked with were not in modern notation but in the medieval neume pattern. I found our singing classes quite daunting, even grueling, for we were experiencing a heat wave and our classrooms were all south facing with huge glass windows and radiators we could not shut off!

Hildegard’s music is challenging, especially for amateurs like me. It requires a huge range of voice, from ascendant scales that even the experienced sopranos sometimes struggled with, to deeper, profounder notes. But as the weekend went on, I began to slowly grow in confidence, following the stronger voices around me, and enjoying the sheer beauty of the music.

Caitlin helped balance the retreat by sending us on outdoor walking meditations through the beautiful gardens and woodlands where we could meditate on Hildegard’s vision of Viriditas–the sacred as manifest in the green, growing world.

On our last evening, we performed a recital with an audience of one, a friend of one of the participants. Some of the more accomplished singers sang solos while the rest of us joined in the chorus and in other songs. Listening to the soloists, I nearly wept, it was so beautiful and transformative. Listening to Hildegard’s music, particularly when performed live, moves the spirit within. These sacred songs are literally uplifting, just like the dramatic leaps in scales. After our recital, our single audience member told us that she felt the music lifting her heart energy toward heaven.

Our evening recital at Hawkwood. Caitlin and Emma are front and center. I am the short one with the long hair in the back, on the right.

While writing Illuminations: A Novel of Hildegard von Bingen, I listened nonstop to CDs of Hildegard’s music, creating a wall of sacred sound that helped inspire and empower my writing. But singing her music live as an amateur was a completely different and possibly more authentic experience than listening to polished and digitally mastered CDs. Hildegard composed her music to be sung by her sister nuns, not all of whom would be accomplished vocalists. She might have had sisters who were tone deaf or had a very limited vocal range. In sacred song what matters most is the spiritual intention behind it, rather than talent or technique or polish. Each song is a prayer offered to the divine. Sacred song is all about the mystery of devotion rather than the mastery of notes or neumes. Singing in a group of like-minded women, even with such a broad range of ability as we had, we reached a sublime place, our voices joining, so that we could hear the Voice behind our individual voices.

“There is the music of heaven in all things,” Hildegard wrote. “But we have forgotten to hear it until we sing.”

Happy Hildegard Day!

Mary Sharratt’s Illuminations: A Novel of Hildegard von Bingen is published by Mariner. She has also written about another female composer, Alma Schindler Mahler, in her new novel Ecstasy. Visit Mary’s website: http://www.marysharratt.com

Three Herstorical Divas to Die For by Mary Sharratt

The Urban Dictionary defines a diva as a woman who exudes great style and confidence and expresses her unique personality without letting others define who she should be. In my mind, a diva is a woman who stands in her sovereignty and blazes a trail for other women. We all need to claim our inner diva to truly dance in our power. And if you’re looking for inspiration, I present three herstorical divas to die for.

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Sappho ca. 630 – 580 BCE

Sappho of Lesbos wrote the book on love. Literally. Her searing love poetry addressed to other women gave us the word lesbian. She was the first—and the best!—to describe passion as a visceral experience, in which we are seized and transfixed by Aphrodite, Goddess of love. Though much of her work was destroyed by the patriarchal fun police, the fragments of her poetry that survive are timeless, haunting, and utterly true.

What we must remember is that Sappho’s poetry wasn’t just romantic or erotic–it was sacred, each poem a holy offering to Goddess Aphrodite.

Continue reading “Three Herstorical Divas to Die For by Mary Sharratt”

Life Begins at 42: Saint Hildegard’s Guide to Becoming a Midlife Powerfrau

We live in a youth-obsessed culture. The cosmetic industry pushes wrinkle creams and hair dye on us while celebrities resort to Botox and surgery to preserve an illusion of eternal girlhood. We live longer than ever before, yet advancing age, once a mark of honour, has become a source of shame.

But what happens when women embrace midlife as an inner awakening and call to power?

One such woman was Saint Hildegard von Bingen (1098-1179), powerfrau and late bloomer par excellence.

Her youth was dire. Offered to the Church at the age of eight, she was entombed in an anchorage. Though she had been haunted by luminous visions since earliest childhood, she didn’t dare speak of them. Her entire existence was bent on silent submission to her superior, Jutta von Sponheim, an ascetic whose regime of fasting and mortification of the flesh eventually killed her.

Only after Jutta’s demise could Hildegard step out of the shadows and carve out a spiritual life based not on suffering but on celebrating life in all its burgeoning green beauty. Even so she might have remained obscure, lost to history.

But when she was forty-two, everything changed.

“When I was forty-two years and seven months old,” she wrote, “Heaven was opened and a fiery light of exceeding brilliance came and permeated my whole brain, and inflamed my whole heart and my whole breast, not like a burning but like a warming flame, as the sun warms anything its rays touch.”

Dazzling visionary experiences descended upon Hildegard, along with the divine summons to write and speak of her revelations. Reluctantly at first she embarked on her first book of theology, Scivias, or Know the Ways. After putting quill to parchment, she could never go back.

Hildegard went on to found two monasteries, go on four preaching tours, compose an entire corpus of sacred music, and write nine books on subjects as diverse as cosmology, botany, medicine, and human sexuality, thus leaving her indelible mark on history.

Most of us believe we live in a more enlightened age than Hildegard’s—after all, children are no longer offered as tithes to monasteries. Yet many young women find themselves in modern and secular forms of servitude—dead end relationships, soul-crippling jobs, credit card debt, a life of junk food and junk television—all the sadness and waste of an unexamined life.

We don’t need to be visionaries to break free. We just need to remember who we are, that we all serve some higher purpose. Each of us has our own unique gift to give the world.

In youth, it’s easy to be beguiled by the glamour of the surface of things—if we get the right job, the right partner, the right clothes we’ll be happy forever.

But in midlife we are gifted with the maturity to see through the false scripts consumer society hands to us. After a certain age we can see just how absurd it is to kill ourselves to emulate airbrushed supermodels. We realize that the greatest lover in the world can’t fulfill us until we are at peace with ourselves. And so we can let ourselves go. Paint the pictures we’ve always longed to paint. Learn French and travel the world. Dance under the stars. Play the saxophone. Offer our own song to the vast symphony of life.

Remember, it’s never too early or too late to embrace your inner powerfrau.

Mary Sharratt’s book Illuminations: A Novel of Hildegard von Bingen won the 2013 Nautilus Gold Award: Better Books for a Better World and was a 2012 Kirkus Book of the Year. Her forthcoming novel, The Dark Lady’s Mask, will be published by Houghton MIfflin Harcourt in Spring 2016. Visit her website.

Journey into Light by Mary Sharratt

mary sharratt December 7 marks the Second Sunday of Advent.

Here in Northern England, I find myself plunged into the depths of midwinter darkness. It is in this dark womb of stillness that the Light is reborn. Through the ages and across cultures, world faith traditions have marked this sacred passage through the darkness.

In Christian tradition, Advent is a period of expectant waiting, of anticipating the birth of Christ. The word Advent comes from the Latin adventus, which means “coming.” This First Sunday of Advent marks the beginning of the Western Christian liturgical year.

Image: “Hildegard’s House of Light,” painting by Elizabeth Erickson

The Advent wreath and Advent calendar are relatively recent innovations. Christmas and Advent celebrations have gone through many permutations throughout history. Continue reading “Journey into Light by Mary Sharratt”

Voice of Wisdom: What Hildegard Means Now by Mary Sharratt

Hildegard von Bingen (1098–1179) was a visionary abbess and polymath. She composed an entire corpus of sacred music and wrote nine books on subjects as diverse as theology, cosmology, botany, medicine, linguistics, and human sexuality, a prodigious intellectual outpouring that was unprecedented for a 12th-century woman. Her prophecies earned her the title Sybil of the Rhine.

Pope Benedict XVI canonized Hildegard on May 10, 2012—over eight centuries after her death. In October 2012, she was elevated to Doctor of the Church, a rare and solemn title reserved for theologians who have significantly impacted Church doctrine. Hildegard is the fourth woman in the entire history of the Church to receive this distinction.

But what does Hildegard mean for a wider interfaith audience today? Continue reading “Voice of Wisdom: What Hildegard Means Now by Mary Sharratt”