Sara Wright – Page 3 – Feminism and Religion

Lucy’s Light by Sara Wright

12/?/ 13 – 7/21/25 written morning after her death 22ⁿ^d

Purple and scarlet
orange flames
lemon and gold
lavender blue
cobalt hues
we are
dogs,
bees, bears,
butterflies,
hummingbirds too
Innocence seeking
a place
we once knew…
Grief pulled us down
into an old familiar
place. Darkness reigned
hopelessness too.
All we had was each other
At Hecate’s Crossroad
she couldn’t let go
and either could I
Lucy was my dog
you see
A ‘familiar’
just like me.
I couldn’t read her.
Forced to make
the decision
for us both
I let her go…
When we lay together
that one last time
nestled under
a purple shroud
she breathed
Feathers of Light
a Tree circle
marks her grave
Earth took her in
roots, soil, leaves
Hemlock
holds
her body
like
I once did.
Between North and East
Bear Medicine flowed
through a crack
in the Round…
Rising
on the wings
of cool green lights
she lives …
Firefly Nights.

Hospicing Hope Continued by Sara Wright

Part 2, You can read last week’s post here.

Walking over to Hope’s gravestone early the next morning, I immediately noted the passionflower was still open. Very Unusual. But then, crucifixion and abandonment by someone this dog loved characterized the last two months of Hope’s life, the dark side associated with the mysterious power that permeates this wild vine and flower. When this passionflower started blooming profusely in the house months before ki’s time, I felt the threat looming…

A few minutes later after the sun cast her fire over the hillside where Hope’s body lay, masses of golden swallowtails dipped and soared around her grave. Oh, that’s when I felt Hope surrounding us with love. I am well she told me and flying with the butterflies as you can see…

The earth moved beneath my feet.

One month later swallowtails continue to fly around Hope’s grave.

Hospicing Hope by Sara Wright

9/30/2012 – 6/11/2025

6/12

Part One

Hope’s black eyes pierced my soul- body as she stood staring through me, ears erect. It was time. Are you sure? Yes. She lay back down. I immediately got up.

Walking helps me to process what I must do. A half an hour later I called.

A numbing drive, walking into a room lit with three candles, and a brief wait before the two kindly women appeared.

Hope washed my tearful face as I held her, reminding me that we would never be separated. For thirteen years she had showered me with kisses beginning each day and again at night before we slept. A long low sigh, before Hope took her last breath. Her body suddenly felt limp, heavy in my arms. I didn’t need anyone to tell me that her heaped up overflowing heart had ceased to beat.

Lucy, her twelve year old adopted sister peered anxiously at me as I looked down at her, eyes perplexed. Seconds later Lucy’s pencil thin tail went limp as the knowing seeped in. As usual we conversed beneath words.

A blurry drive home.

Reflection on the Fourth of July by Sara Wright

Early Summer Days 2025

Hermit thrush’s trill and the bittern’s kerplunk are only two of the birds that mark this dawning with squawks or song. Red eyed vireo sings from the highest pine. My little Lucy (Lucia means Light in Italian, one of my mother tongues) and I bring in the day listening to bird symphonies as the sun star rises over the trees splashing verdant leaf tips in gold. First the ferns and then sparks of light sweep through the forest lighting patches of brook waters, lemony splotches appear here and there on deep humus, the rich soil that is conversing with the roots below the forest floor. Listen and you will hear that hum.

The phoebe family is fledging, and I feel privileged to be part of their story. Especially because they lost their first nest to a giant squirrel. Flicking their tails just like their parents the fledglings land on the little cherry growing just beyond my window before diving towards ground covers for tasty insect morsels.

The Mark of the Bear is upon us.

Circle of Fire by Sara Wright

Moderator’s Note: This is the final part of Sara’s poem that was posted last week. You can read it here.

Part 1

She burned
in raging fires
swamped by
merciless floods
crossed mountains
of grief
so wide so deep
crushed Silence
in her sleep
unknowingly
accompanied
by Owls
and Winter Wren
Marked by Bear’s
sharp Protective
Claws
Circles of Fire

Two Poems: Crucifixion and Renewal by Sara Wright

(The Mark of the Bear is Upon Her)

CRUCIFIXION

Part I

She listens
to those
who intone
Betrayal
break hearts
open

love
pours golden
honey
healing
blood
soaked
wounds

truth
often
lies hidden
deep
beneath
kindly words

torment
tears holes
in fragile
skin

without
closure

Honeysuckle Jewels and Women with Wings by Sara Wright

Initially I wrote this article for publication at a plant site but was forcibly struck by the reality that what we are doing to plants is exactly the same thing we are doing to humans, women in particular. Separating, Othering, Judging, Dismissing, Eradicating. I could go on here. When you read this article about invasives think about how we are being treated as women. It alarms me that no matter I turn I see the same story played out with humans (women and children suffer most overall), trees, plants, and the animals we are so busy annihilating if not physically then in some other monstrous way. Fill in the blank with your own story. Then imagine yourself as a bird with wings who carries the seeds of new life into unexpected places.

When I first moved to this area many years ago, I used to spend most of the time in the forests that surrounded my house except in the spring. Then I walked along what used to be a country road to see the wild trilliums, arbutus, lady slippers, bunch berry, violets and columbine that peppered the road edges.

All the trees and flowers were so plentiful and so beautiful that it took me a few years to pay closer attention to the bushes like the various pussy willows and wild cherries, beaked hazelnut, witch hazel and hobblebush that I also came to love.

My Grandmother’s Pearls are Green by Sara Wright

“That move into mystery
is not an abandonment of
perception
into a cloud of unknowing.
It’s a move
into a different form
of knowing.”

Robert Macfarlane

I stepped outside when the sun was just rising over the horizon and low enough in the sky to create a play of shadow and light. This is my favorite time of the day to witness the astonishing beauty of the earth that is spreading her shimmering cloak around my feet… ‘oh, my grandmother’s hair, the words rose unbidden’. Chartreuse, plum, wine, lime, gold leaf and emerald canopies stretched across the brook blurring the leaves between birch, ash, beech and maples. The silvery water glistened, and I imagined myself flowing around those serpentine moss-covered banks listening to an ancient song that has been sung by water for more than 4 billion years. How I wish I understood what ‘ki’ was saying but I am no longer able to discern the language.

Empty Nest by Sara Wright

She fluttered
out of a woven
mossy green
basket
above the door
at dawn
the
nest
had fallen
onto granite
stone.
Oh
my drowning senses
couldn’t
contain such grief
every cell
drilled
deeper
I gasped
this
cavernous
hole
had no
bottom
I continued
to fall
Nature had
Spoken
my silent
plea went
unanswered
Ki’s* message
was clear
I replaced
the nest
added a
cedar shingle
enticing
the phoebes
to return
listened
to a vibrating
body
whose mourning
bell
rang clear
Nature
had Spoken
my beloved
birds
and those
I loved
were gone.

Deep Time and Dreaming by Sara Wright

I am standing on top of a mountain looking over a landscape of unspeakable wild natural beauty that stretches as far as I can see. This is the ‘long view’ the dream -maker tells me. The trees are stretching out their lush green needles to the sky as if in prayer, and they are whole. The forests, clear waters, the animals, birds, insects. All of Nature has been returned to a State of Grace.

An Old red skinned Indian Man appears. He is a Grandfather. He is on the mountain with me but also stands below (both and). He speaks to me.

“Sit, listen, this is the Song of Life”.

A finely crafted flowing red clay seat appears below (it flows like a wave) although it is situated a few inches above the earth. Almost hovering. I also see a drum made from deerskin and red clay sitting on the ground. There is a four directional equilateral black cross on the skin of the drum. The cross is thick and around the cross an intricate design is etched/inked into its skin also highlighted in black.