Poetic Prose – Feminism and Religion

Soul-Fully Scripting Flesh: Poetic Justice & Joy by Margot Van Sluytman

Ours is a city of abundant tattoo shops. Places, I was to learn, where art and heart are rife. Places in which rich conversations occur. Conversations that linger long after the ink has begun to settle.

Wending my way to find the place to begin the process of scripting my skin, I spoke with a young man. His back was bent as he focussed on his animal friend and for a short while, before approaching him with my questions, I read the ink that covered his arms and legs. So many designs, descriptors, expressive strokes of thought and meaning known only to him. Hieroglyphs wherein his voice, his many selves, were revealed, yet hidden unless conversation were struck and desire to speak forthcoming. Wherefrom grew his choices?

I decided to cross the street and to ask him the meaning of some of his tattoos, the ones that spoke most vocally to me. As I moved closer, I spotted the script on his wrist. Script among an array of the colours and images. That script struck me. A fragment from The Tempest. Caliban’s words.

Be not afeard; the isle is full of
noises,
Sounds and sweet airs that give
delight and hurt not.

She Changes Everything She Touches: A Reflection on Love and Loss, part 2 by Sara Wright

part 1 was posted last week, you can read it here.

How much I like clipping by hand. Surprised by this realization I feel satisfaction rising. I was bored by this task as a child. I am delighted to meet a bevy of fat nubbly toads who appear out of the overgrown ground covers and in between sun warmed stones. Both child and ‘old woman’ feel happy that none will get mowed down by a polluting gas guzzling machine. The Peace of this Land that we belong to steals over us. Less is more. I’ll tackle the patch of bracken later, or maybe not until tomorrow. In this weather accomplishing one simple chore a day is enough.

Well not quite. I am creating a serpentine path of fieldstone that stretches from my front door to meet the path that climbs the hill. My original intention was to have someone ‘more professional’ do the work, but they were too busy so here I am, an almost eighty-one-year-old woman, creating a mosaic out of cracked stone! ‘I am the artist’ I say, as I carry a few more irregular rocks down from the huge pile sitting in front of the garage eyeing the mosaic for the perfect fit. Illumination strikes when wind hits the stones. Blowing seeds, withered crabapple bits, pine needles and leaves into the cracks I see what is happening. Small plants like violets, creeping charlie, ground ivy, and catmint will find niches in the soil that is being created before my eyes. Mosses will follow in the shade. Ah, Nature is going to help me craft a unique and imaginative fieldstone floor. Each time it rains the stones flatten out becoming more stable. That same feeling of satisfaction steals over me again. Vaguely I think that I may be doing something else besides laying stones in an artistic way and trusting that Nature will fill in the cracks, but I am not clear just what this might be. All I know is that it doesn’t matter how long this project takes. Process has taken precedence. This much feels just right.

Into Me I See: The Sacred Torch of Feminine Heat by Jsabél Bilqís

There’s that throbbing again! In the slit center of me. Spreading vehemently, devouring, insatiable, red like blood and warm like body. They say I’m Jezebel because I like it when she purrs.

𖦹

‘Now you can get pregnant.’

I became a woman but all my mother saw was a dirty girl. Like the wombs before and around me, scorched by estranged origins, I got in bed with shame and became disembodied, found myself in hell.

‘Virgin or Harlot?’, they asked me at the gates.

Sensing my fullness, I looked Illusion in the eyes.

‘Both.’

Engulfed in the flames, I chose all of me and it purified every thing that was not free.

How to Talk to a War Goddess: A Poetic Lesson From Sekhmet by Annie Finch

Consensus decision making, according to the mother of matriarchal studies Heidi Goettner-Abendroth, is woven into the definition of matriarchal societies. In these cultures, the respect, empathy, kindness, maturity, and belief in sustainable relationships that consensus implies are foundational. War, as the inimitable Yael Deckelberg sings to us, is “not a woman’s game”; any society that truly hears women will not play it. Overseen through the caring wisdom of circles of elder women in what Genevieve Vaughan calls the Maternal Gift Economy, matriarchal societies have less than no use for such a cruel, stupid, wasteful custom. As my great-aunt Jessie Wallace Hughan, founder of the War Resisters League, used to say, someday humanity will consider war as absurd as we now consider the custom of dueling. But we won’t see the end of this integral outrage in our lifetimes; that day will likely arrive only after we’ve all come to our matriarchal senses.

Meanwhile, here we are again.

Embraced by Grace by Margot Van Sluytman

I have Come Full Circle. March 27th is the 48th anniversary of the murder of my father Theodore Van Sluytman in Scarborough, Ontario, Canada. An Easter Monday. My entire life from that time the age of 16 to this time now the age of 64 was, is, and will always be a connection to how word with a capital W and words with a lowercase w, infuse, inspire, and affect my life. I might even say infect my life.

After being contacted by one of my father’s three murderers, almost 30 years after he put the bullet in my father’s heart, we did share healing. All seemed well in the crucible of tying up loose ends as it were. Ten years later, however, he, made choices that were deeply unaligned to that meeting.

When he and I met, it was powerful. It was profound. Terrifying too. And liberating. His choices 10 years after that meeting, though they shattered me for a time, leaving me with feelings of smallness, stupidity, and inadequacy based on the fact that in choosing to meet him major rifts in my family occurred. Few supported my choice to meet him. However, I grew to understand that we are the poetry that we wish to read, to be, and to see in the world. That we are human. I thought about my feelings of smallness, stupidity, and inadequacy. Thought long and hard. Many times. In early dawning days. Sitting in the gloaming. Late into the night.

Mountain Mother by Sara Wright

When I picked berries in the mountain field that first summer, I could sense wave after wave of feeling rising up – seeping into my feet from the ground below. The sun spread blue heat over the hills, and I bathed in summer’s glow. For the first time in my life I felt visible, witnessed for who I really was and accepted: I was loved –unconditionally loved by a Mother. That She was a mountain field didn’t seem odd at all. I loved her back – fiercely. I marveled. To be in love with my goddess, the one that lived in this field, brook, young forest, the one who inhabited each of these rolling hills and mountains seemed so natural. Remarkably, She celebrated my presence not only by gifting me with a love that ran like a great underground river beneath me but because She created a palpable sense of belonging. I belonged to Her. She loved me just because I was. I couldn’t get over it. My gratitude knew no bounds. All I wanted to do was to serve her…

She was visible in so many ways – in the riot of purple and green jack in the pulpits that sprung out of the sphagnum moss behind the camp in the moist valley that often filled with water, through the solitary pink lady slipper that appeared by the bridge that crossed the brook, the tiny white swamp violets, the blue fringed gentians and pearl-white turtleheads that popped up in the meadow fed by it’s own spring in the center of the field.

I glimpsed her face in the cedar that sprung to life in the rich wooded soil that bordered the brook, she sang to me from the wild apple branches that bowed over rippling water, she blinked through each firefly night, burst into a “high” when thunder and lightening churned up the waters and the brook overflowed – White Fire crackling out of her clouds and slamming into me.

My God Bleeds With Me by Jsabél Bilqís

My god bleeds with me
Her feet right beside mine for morning gratitudes
Soles to soils, we touch skin to skin
She’s vast like me
And I love her

My god grieves when I do
My sorrows meet Hers at the ocean shore
Vial for vial, our tears make our medicine
She can transmute anything, just like me
And I love Her

She courts me
leaves me love notes in the shapes of flower petals
winks at me in amber sunsets
morning serenades and juicy fruits
She loves me! She lifes me!
And I love and I life Her too

Confessions: Lunch with Ann by Margot Van Sluytman

This is not Augustine’s confessions. This is not an essay on what love should mean. This is a poetic evocation of recognizing the beauty of friendship, the beauty of companionship. The blessing of breaking bread together and sharing in conversation that is the heart of who and how we are. Who and how we are forever becoming. Even when the Muse abandons us.
My dear friend, Ann, and I shared a wonderful lunch, talking, tears, supreme laughter, exquisite food. During that conversation, it became clear to me that the poetry of life is love that is situated where kindness and kinship and commitment highlight our meaning, our meaning for being and doing, which is intimately linked, for many of us, with our pens to the page. Fingers to the keyboard. Twinned and intertwined with lushness of choice.
A choice to have boundaries, whereby though the heart and the flesh can feel moved by what may present itself to be love, stepping back and feeling with the intellect of the heart and the intellect of the mind what is not being said, what is not being expressed warrants keen attention. A life-changing recognition of the possibility to wash away miasma and mist and pretence. And to stare directly into the depth and clarity that is: Wisdom. She Who Is. Sophia Speaking.

In these United States: A Gratitude Poem, after all, for 2025, by Marie Cartier

Oh yes, I’m grateful for the Portland frog—that blow up adult sized character with the pink scarf blowing back in the wind facing down a squad of ICE “officers.”

I’m so grateful for all the blow-up adult size characters who showed up at the largest protest for anything, single day protest in the U.S. to shout NO KINGS!! And more—the blow-up Tiger with the sign “Fascists get scratches!” My wife inside a blow-up bear, the California bear! With a sign that said, “Yes on 50!”

And so grateful we won: yes, on 50!

Grateful, grateful, for Indivisible! Spreading like Morning Glory. Glory! Glory! Across all 50 states and feeding people, feeding children, passing out whistles – alerting communities when ICE is nearby, stopping ICE in their tracks when they are places, especially in front of schools… I mean, why are they there? (As Gertude says, “There is no there there.”)

But this is a grateful poem. A rant.

I’m grateful for the blow-up unicorn with the sign, “Honk if you are not on the Epstein list.” Dancing on the curb with the rest of us. I’m grateful for all the cars honking as they went by us and all the food donated to give to people in need—some of those in hiding since last spring when this b.s. started – this f*** bullshit– but this is a grateful poem. A rant.

The Perfection of Our Imperfection by Margot Van Sluytman/Raven Speaks. Heyoka

Prufrock Again

In this our divine
Comedy of delight
Of destruction
Troubled waters
Calm. Quenching
Us yet again
For in
Our penchant
For beauty
We remake
Over and over again
The tale that tries to
Tame us. Gathering
In circles of hope
Once more we remember
How we remember