poetry

“O Mystery” and other poems by Annelinde Metzner

Part of what poetry does is to give us the world around us seen with a clear eye, without judgement or preconceptions. You are stating just what is, but always with a foot in both worlds, always seeing the mundane in its place in the universal. In “The Earthen Cloak,” I was blessed with the hospitality of a Quaker friend who guided me through a hidden graveyard deep in the woods, where Friends had chosen to be buried under trees and amid rhododendrons, leaving a legacy of their own love of the Earth. (It’s legal to be buried “straight into the ground” in North Carolina, without a casket but often with a shroud.)

That Old, Old, OLD Story – The Warts and Wisdom of the Ancient

My grandmother Clarine was an incredible human being. I absolutely could not be more proud to be her granddaughter. She started her first teaching position in 1927 at age 17. She met my grandfather in seminary; but despite her clear talent and call, the church apparently felt one minister was enough for the family and refused to ordain her. Undaunted, she famously wrote a one line reply to the bishop: Well, Moses got along fine without it, and Jesus got along fine without it, so I’ll be fine without it, too.

Rhiannon by Diane Finkle Perazzo

This poem is dedicated with gratitude to my “Women in the Mabinogi” writing group…

Rhiannon comes to me in my dreams.
She ebbs and flows like the waxing and waning
of the moon.

Steady hoofbeats,
clop, clop, clop
and then, in a rush of beating wings
she vanishes,
leaving a swirl of tiny white petals that spiral like stars.

Inspiration is Always Present by Sara Wright

I walk with care
clearing paths
iced over
lead feet
dragging
a broken foot
my companion
Listen to
first spring
bird song –
chickadees
and doves!

Return to the Grandmothers and 2 Other Poems by Annelinde Metzner

This past summer, my family and I lovingly carried my brother’s ashes to a favorite spot of his, in the woods at our grandparents’ Catskill farm. My mind was on the simple, beautiful ritual, each of us stating memories and scattering some of the ashes around the tree, and singing a few songs. It had slipped my mind that this tree grew at the entrance of the very meadow where, at age 11, I felt urgently compelled to create a ritual for myself, just at puberty, where I connected with the Grandmothers of the four directions. No one had taught me this, and I am still in wonder at what we carry with us, undoubtedly from prior lives. I feel that this poem was my self initiating myself into the world of the Goddess, and preparing for my own future.

In this poem, the Grandmothers are speaking to me, with a bit of disdain and fond teasing.

Upon Rising: Poems Call Out by Margot Van Sluytman

Moderator’s Note: Margot reads each of her poems aloud. They can be heard through the links in the titles.

“And what then is poetry?” We ask this time and time and time again. And poetry HERself answers. SHE needs no descriptor. Mimetic sagacity spells HER clarity.
~~~
Dreams be Fed
I am a body that remembers

The joys of falling into hues of

Brilliant blues and greens.

I am a soul that trades in
Cinnamon and spices.

Elevating chance.
Caressing mystery.
I am a will that conceives fat
Ebullient Moon as
Golden Goddess. Divine.

SHE who feeds our dreams.
SHE who teaches us

To tend our fires.
©Margot Van Sluytman

Death By Drowning: A Poem Written the Day After The Supreme Court Overturned Roe v. Wade by Marcia W. Mount Shoop

Today at 10:06am
I found him
belly up
only a little bloated
water his deep
dark grave.

Turn the bucket
over
Talk gently
“How long have you been
in here, friend?”

Turn him over
his final rest
decomposing leaves,
Poison Ivy canopy
Sets off the blue

Woman of the Isle of Women by Annelinde Metzner

Gratitude to the FAR community for welcoming my poems as of April of this year. Various earlier poems have been my way of introducing myself.

My work as a poet and composer has been centered around welcoming the reemergence of the Goddess in all Her forms. So this time I’ve submitted two poems referring to two of the many Goddesses who have influenced my life so profoundly.

Ix Chel is a Mayan Goddess of childbirth, midwifery, medicine and the moon. She has been especially honored and featured in artwork and sculpture on the Isle of Women (Isla Mujeres) in Mexico. She appeared to me in Her aspect as a young woman, the Jaguar Woman. In my mind’s eye, I associated Ix Chel with my beautiful son Peter who passed away in 2004, imagining them living joyously together in the Otherworld. Thanks to Deb Pollard for showing all aspects of the Moon above our heads as we sleep.

My second poem was born on a trip through the just-blooming peach orchards of South Carolina. A vision came to me of the Peach Maidens reaching out over millennia to the young priestesses of ancient Crete, dancing in celebration of each other’s beauty. And also sharing of their truth-telling and hard-earned wisdom.

“Guns: The Sanctity of Life” by Marie Cartier

What can I say about guns?

I want to be like Gabby Giffords and survive

I want to be Emma Gonzalez and fight back

I want to be

I want to talk about how GUNS are less regulated

than my body

Guns can leave any state and travel to another state

and kill someone

I hate talking about guns

Three poems by Sara Wright

Spirits of the Forest

In Forest Presence

I listen,

leaves

and needles rustle

Voices

Hum inside

Hemlock bark

sounding

if only humans

would listen

Incantations

erupt beneath

the forest floor

wrapped

in a tapestry of threads

millions of miles

of white

cottony intentions

interevntions?

made manifest

by Raven and

Owl

Butterfly Wounding by Sara Wright

Bittersweet orange

invokes wounding

past torment endured

at the hands of those

who would harm.

Air is lightened,

cleansed by absence

Trees rejoice

Slaughter shifts perspective

Despair presses Diamond.

Fritillary seeks

her flower

lover in waiting

Tongue seeking.

SNAPSHOTS FROM SUMMER by Esther Nelson

I’ve been told that most children in the United States learn to write haiku in third grade. At the very least they learn that haiku is a traditional poetic art form using seventeen syllables divided into lines of 5 – 7 – 5. The idea is to capture a moment in time. The famous Japanese poet/priest, Issa (1763-1828), focused on creating haiku using his love for nature in the process.

I did not grow up in the American school system, so it wasn’t until I took an undergraduate Zen Buddhism course that I learned to appreciate and have fun with creating this particular kind of poetry.

In the following haiku, I try to capture the moment I experienced the natural scene in front of me. Taking a photograph and then writing an accompanying haiku can be a meditative exercise. I keep striving to make that exercise a daily happening.