Exploring the F-word in religion at the intersection of scholarship, activism, and community.
Author: Jassy Watson Earthist
I live on the Sub-Tropical Coast of Queensland Australia. My most cherished role is that of mother to four. I call myself a Contemporary Earthist as I am an artist who uses creativity as a vehicle to express not only my love, but also my concern for the earth . I am a passionate organic gardener and am also completing a Bachelor of Arts program with Majors in Ancient History and Religion through Macquarie University in Sydney. I am also an Intentional Creativity Coach hosting creative workshops and events from my space "Earth Circle Studios" which fosters Earth Connection and Creative Expression. You can view my work and read more over at www.earthcirclestudios.com
The creative ‘Wisdom of the Goddess’ Journey Within Program I am facilitating has moved into its’ second trimester, ‘Transformation’. It is winter here in the South; a time to release what no longer serves us and look at the shadow aspects of ourselves. I decided that the goddess Kali Ma, often referred to as the “Dark Mother” was most suitable to explore at this stage. Kali Ma is the Hindu goddess of creation, preservation, and destruction and is better known for her destroyer aspect. She serves as the archetypal image of the birth-and-death Mother, simultaneously the womb and tomb, the giver of life as well as the taker. She is the primordial female principle of manifestation and embodies shakti – feminine energy, creativity and fertility.
Kali is a warrior and is usually depicted with her tongue protruding, brandishing a sword in one hand a decapitated head of a demon in the other. She wears a necklace and belt of skulls, and she drips with blood. The demons she slays however, are the demons of the ego and the attributes of ignorance. Kali is the enlightening force that dismantles preconceived notions, frees you from conditioned beliefs, false personal identities, and anything else that keeps you from recognizing your true identity. In other words, part of what Kali represents is the power to release that which is true in you. Even in destruction, She reminds us that good really can come of bad situations. If you find your hopes and dreams have been crushed, Kali can change the cycle and produce life out of nothingness. Where there is sorrow, She dances to bring joy. Where there is fear, She dances in courage. Continue reading “Kali Ma by Jassy Watson”
ANJEA is an Australian Aboriginal fertility Goddess. She is an animistic spirit known to the tribesman of the Pennefather River, Queensland, Australia that is located on the Western Cape York Peninsula.
This short paper was part of a series of assessment pieces for university where we had to imagine ourselves as people living in a number of ancient cultures. It addresses a very direct question: “Imagine you are in Ancient Greece sometime during the 5th century BCE and a family member is preparing to be initiated into the Mystery Rites at Eleusis. You have come to support them and join in the festival. Briefly describe your experience?”
It is the month of Boedromion (Late September/Early October) and the sixth day of the Eleusinian festivities held annually in the great city of Athens. I travelled some distance to take part in the nine-day festival held in honour of the ‘Greater Mysteries’ for which my niece prepared as an initiate. The city is alive with women, men and children from near and far. Many have come to take part and fulfil the countless functionary roles associated with the festival, along with the great crowd of initiates who have spent the past three days fasting and ritually preparing. Continue reading “Demeter – Mother of Creative Potential”
In 2014 I wrote about the passing of my dear Pop and the painting that burst forth when I was told very clearly that Pachamama had come to accompany him on his return. It is with a very heavy heart that I now write with news of the recent passing of my dear Nanna. The anchors of our family now both gone. When I was told of her passing, I envisioned her being carried by angels; at peace and free of pain.
The last time I saw her she told me the spirits had been visiting. “I’m not scared,” she declared. This was not surprising for Nan always had a close relationship with spirit. I remember her telling me of a ghostly experience she had many years ago. It was very late one night and someone had come knocking at the door. Out of bed she got and answered it only to be greeted by her brother who had died many years before. He asked her to come with him and she told him it wasn’t time yet. Nan swore it wasn’t a dream. It had really happened. This is just one of many otherworldly encounters she told me about over the years.
Much of my childhood and early adulthood was spent at Nanna’s house so there are plenty of fond and funny memories of her. Her obsession with ghost and horror stories stands out as one of them. When we were children, she would get my sister and me to stay up late with her and watch all kinds of mystery murder shows. I remember watching The Hounds of Baskerville with her and being scared witless. The bonus however was getting to cuddle up in bed with her for the night.
Reading was one of her greatest passions, and she read everything from Shakespeare to Stephen King. I believe it was Nanna who inspired my love of history and over the years we swapped and shared numerous historical books. Her knowledge of Old Britain was astounding, and I remember many a discussion over the fate of Mary Queen of Scots – Nanna was always a bit anti-English, and we often wondered how history may have unfolded if Mary hadn’t been de-throned and exiled. In fact the last book she sent for me to read was another about her.
Stargazing was another one of her loves and is something she will be dearly remembered for. Many evenings were spent out on the deck looking to the night sky. Nan knew where all the constellations and zodiac signs were and she rarely missed an astronomical event. Whenever I have looked to the stars I have thought of Nanna, but now when I look to them, she is one of them. Shining down on us brighter than ever.
I dedicated my latest painting to Nanna. For me, painting is how I can process my thoughts and feelings and is also a way to find clarity and understanding on matters such as the nature of life and death. From the moment I made the first marks on the canvas I kept hearing “your ancestors are behind you.” I knew I was being guided by them and tried my hardest to connect in with Nanna’s spirit to see and feel who guided her home. Nanna had strong ancestral ties so it was only fitting to feel them so strongly here. The two younger women standing in front are the gatekeepers, standing at the threshold to the other side. The woman in the centre came with the message that Nanna is at peace – she is peace. She is pictured smelling the roses that were one of Nanna’s favourite flowers to grow. The firebird symbolizes transformation and the flight of her spirit that is seen to the left leaving, heading back to the cosmos from whence she came.
“Suddenly all my ancestors are behind me. Be still they say. Watch & listen. You are the result of the love of thousands.” She is at Peace, by Jassy Watson
Death is surreal and it still hasn’t quite sunk in that I will never see her again. Nanna was a strong and caring woman who loved her family deeply. Her legacy is one of love, and while the circle feels broken in the sense that she is no longer physically here, it remains unbroken for her spirit lives on forever in our hearts.
I am the daughter of Ramona Cherise Lane, the granddaughter of Ailsa Aileen Rollings and the great granddaughter of Ruth Harrison. I come from a long line of beautiful, strong and capable women stretching back to the dawn of humankind. I honor them and give thanks for all that they have taught and shown me.
Nanna taught me about my ancestors.
She taught me about the importance of storytelling.
She taught me about mystery and history.
She taught me to love books.
She showed me how to crochet and knit.
She showed me how to play cards.
She showed me spirit.
In life and death Nanna has taught me of unconditional love and acceptance.
“Death leaves a heartache no one can heal, love leaves a memory no one can steal”
(Irish Headstone)
My sister Carissa, Nanna (Ailsa) and me
Jassy Watson, who lives on the sub-tropical coast of Queensland Australia, is a Mother of four, passionate organic gardener, Intuitive/Visionary & Community Artist, Teacher, Intentional Creativity Coach and a student of Ancient History and Religion at Macquarie University, Sydney. She is the Creatress of Goddesses Garden, Studio & Gallery; a school for the Sacred Creative Arts. Jassy teaches regular painting workshops in person, nationally and internationally, and online based around themes that explore myth, history, earth connection and the Goddess. Regular creative events and presentations are also held that have included visits from international scholars, artists and musicians. Visit http://www.goddessesgardenandstudio.com to read more about her and the work she creates.
Goddess Tara is one of the oldest goddesses who is still worshipped extensively in modern times. Tara originated as a Hindu goddess, a Great Goddess or Mother Creator, she who represents the eternal life force that fuels all life. In Sanskrit, the name Tara means Star, but she was also called The Great Compassionate Mother and The Great Protectress.
A version of the Goddess Tara exists in most cultures. It is believed that she will assume as many forms on earth as she is needed by the people.
Adopted by Buddhism in the third century BCE, Tara came to be the most widely revered deity in the Tibetan pantheon. Not only is she a Tibetan Goddess, but she is considered a female Buddha; an enlightened one was has attained the highest wisdom, capability and compassion. One who is able to take human form and remain at one with every living thing.
The Celts called their Great Goddess Tara. Her name is thought to be the root of the word Tor, which is a mound of earth or hill imbued with spiritual energy or connection to the other worlds.
Her name is also echoed in the Latin word Terra, meaning earth; yet another connection between Tara and the idea of a “Mother Earth”.
The Goddess Tara is also associated with Kuan Yin, the great Chinese goddess of mercy compassion who is also another manifestation of Divine Mother.
There are many embodiments of Tara, but the best known are the White and Green Tara.
Green Tara is known for the activity of compassion. She is the consort of the Dhyani Buddha Amogasiddhi, and is incarnated in all good women. White Tara is also known for compassion, long life, healing and serenity. Red Tara is the fierce aspect associated with magnetizing all good things. While Black Tara is associated with power and Yellow Tara with wealth and prosperity.
In her numerous incarnations the goddess Tara has many gifts to share with modern women. She is an embodiment of the feminine strengths of deep care and compassion. She can offer support during stressful moments, helps to overcome obstacles and is a constant source of sustenance and protection. She is here to remind us of our “oneness” with all of creation and the importance of nurturing the spirit within.
My following painting of Green Tara is embodied as “Mother Earth”, she holds the earth gently and compassionately in her hands. New growth in the form of a tea leaf sprouts from the earth with the sacred red thread extending from the roots and into her hair which flows to her garment becoming the ocean – source of life. For me, she is a reminder to BE compassion and at one with the earth. She also came as a guide of peace and love on my continuing journey of transformation.
Om Shanti
I send peace for all human kind, peace for all living and non living beings, peace for the universe, peace for each and every thing in this whole cosmic manifestation.
With Australian children returning to school for 2015 over the last couple of weeks, the issue of religious education in public state schools has reared yet again. An online poll was set up by the ABC’s Vote Compass where approximately 69 000 people expressed their opinion on whether religious education should be part of the Australian State school curriculum. Results for the different states were contrasting, however the media chose to focus on the result from Queensland where it was indicated that 46% of participants believe it should remain. While these polls may assist with understanding public attitudes and trends, they cannot be relied upon as an integral or truthful representation. I was not even aware of the poll until I heard the results over the radio.
I feel quite strongly about this issue and so do many parents and educators and a serious discussion needs to happen, not just a yearly random poll and a whole lot of to-ing and fro-ing with letters to the editor and comments on news blogs. Having two children currently attending a secular state primary school in Queensland, I believe that this issue could not only be less problematic, but fairer for all, and a true reflection of democracy, if all Australian state secular schools ousted Religious Education taught by church volunteers and left it up to the parents and faith communities to provide religious instruction. Continue reading “Religious Education in Australian State Schools by Jassy Watson”
I have spoken about the Social Responsibility of the Artist on numerous occasions. This blog approaches similar subject matter, but in relation to using art as a potent tool for change and as a platform for raising awareness of important environmental and ecological issues that all of humanity is currently faced with.
All forms of art have the potential to be tools for healing. I believe that through the creative process the relationship with self and the environment can be transformed. Why? Because when creative work is approached from a place of passion and purpose and art is brought to life with intention, great shifts can occur. Not only for the artist, but also for the viewer. I believe wholeheartedly that I can approach the canvas and paint intentionally to heal the earth and deepen my connection to it, and in doing so inspire others to deepen and honour a connection to the earth creatively.
There are many contemporary artists who are agents of environmental change and who are using their creative gifts and talents to build awareness and provoke thought through their work and process. Many artists, such as myself are working with transformative approaches and processes towards a new vision that is ecological and participates with the living cycles of nature. Many topics are approached such as oceans, climate change, water quality, recycling, water purification, natural disasters, de-forestation, endangered species and more.
Artists today are finding all sorts of inventive ways to call attention to the problems facing our environment, as corporate greed and profit impose destruction on our planet. While each artist works very differently and explores diverse territories, they share awareness about the critical loss of natural resources and a desire to save the planet from human destruction.
“Today the talk of the world is about an endangered Earth. One often wonders how much of the talk is backed with genuine concern and the will to take positive steps. But it should not surprise the world that artists are in the forefront of the discussion on the environment.”
Eco-feminist artist Ann T. Rosenthal and activist artist Steffi Domike have been collaborating on environmental installations for years. Their wall installation, Watermark: Wood, Coal, Oil, Gas (2011) consists of four panels that illustrate an evolutionary timeline of energy resources—wood, coal, oil and natural gas.
Dominique Mazeau is a poet and artist from Santa Fe, New Mexico. She has made an exquisite journal of poems and drawings of cleaning up the Rio Grande River over many years. She has made sculptures from the trash and she teaches school children about the river with her poems and her art.
There are many more Eco-feminist and Environmentalist/Activist artists such as Charla Puryear and Helene Aylon using their art to raise awareness of ecological issues. These few examples alone demonstrate that art, in its myriad of forms, has the capacity to effect positive change on the earth and its environments.
Artists are catalysts for change, and this “change” takes place when we feel deeply for a precious cause. I feel deeply for the state of the earth and feel that it is largely humanity’s spiritual disconnection from the earth and from the earth as sentient that has contributed to the current state of not only the health of the earth body, but also the health of our bodies.
Coming up in October I will be presenting an exhibition ‘Voices for the Earth’ in Bundaberg, QLD Australia. This exhibition will feature the works of select regional artists who are using their art to speak for the earth. It is held in conjunction with RONA-16 an Earth Arts Festival as part of the The Rights of Nature Tribunal that is taking place the same month. Artists of all genres from around Australia are participating in creative activities to raise awareness of the urgency required to make the necessary changes so that ways can be found to make the health of our planet an absolute priority.
I know that more has to be done, and some might see ‘art’ as a hedonist, self absorbed way to attempt to bring about change – but the power of image should NEVER be underestimated.
I am Painting for the eARTh.
This Earth is my sister I love her daily grace Her silent daring And how loved I am. How we admire this strength in each other All that we have lost All that we have found We are stunned by this beauty, And I do not forget What She is to me And what I am to Her.
Jassy Watson, who lives on the sub-tropical coast of Queensland Australia, is a Mother of four, passionate organic gardener, Intuitive/Visionary & Community Artist, Teacher, Intentional Creativity Coach and a student of Ancient History and Religion at Macquarie University, Sydney. She is the Creatress of Earth Circle Studios; a school for the Sacred Creative Arts. Jassy teaches regular painting workshops in person, nationally and internationally, and online based around themes that explore myth, history and our connection to the earth.
I had the honour of hosting Max Dashu, Feminist Scholar, Historian and Artist here at Goddesses Studio this weekend past. Max is currently on her second Australian tour and we were blessed for her to come on quite the journey to present to an intimate group of Wide bay Goddesses, “Rebel Woman Shamans: Women Confront Empire” and “Deasophy: Goddess Wisdom” with a little “Female Iconography” thrown in.
Max’s knowledge and gift of story-telling is inspirational. “Rebel Woman Shamans: Woman Confront Empire” looked at holy women and female prophets who led many rebellions to resist conquest, slavery, and colonization. These women visionaries, priestesses, diviners and medicine women challenged systems of domination on multiple levels and drew on their cultural traditions to resist empire. It was their direct access to transformative power that these women had, that makes the spiritual political, as they act to lead, defend, and protect their peoples. Continue reading “Max Dashu: Feminist Scholar, Author, Historian, Artist by Jassy Watson”
An artist’s place in society is ambiguous and one not often discussed. Artist’s often have difficulty claiming themselves as ‘artist’ for fear of criticism and rejection both inside and outside the art world and from within. Historically, artists have had their work labeled as narcissistic, sexist, racist, classist, elitist, indulgent, hermetic…and the list goes on.
I have been on the end of some harsh criticism. Comments made by the board of Queensland’s most prestigious art school have stayed with me for over 15 years. “Impressive folio” they said, however, using images of indigenous persons is ‘cultural appropriation’ and ‘unacceptable’. They were referring to a series of pieces I had been encouraged to create under the mentorship of a fine, accredited artist Wim De Vos.Continue reading “Social Responsibility of the Artist by Jassy Watson”
According to Robert. C. Fuller author of Spiritual not Religious, “an idea or practice is ‘spiritual’ when it reveals our personal desire to establish a felt-relationship with the deepest meanings or powers governing life” (2001, p. 2). According to this definition, creativity and even more specifically, artistic expression, can be considered a spiritual practice. Christine Paintner, writing for Spirituality in Higher Education states that “cultivating the arts as a spiritual practice is a path to freeing our imaginations and developing valuable skills for vital living in the world” (2007).
What is Spirituality?
Spirituality is usually considered to be a search for meaning in life. By making sense of and finding meaning, spirituality can often align us to our purpose. It also provides “a set of values to live by, a sense of direction, and a basis for hope” (Paintner, 2007). Spirituality can also assist us in encountering mystery and further developing and nurturing a relationship with it. It is also about transformation, for it challenges us to grow and expand. Spiritual practice also invites us to commit to a set of practices such as prayer, ritual, meditation, chant and service that enable us to encourage a way of being intentional in our relationship to the self, others and the divine. Continue reading “Creativity as Spirituality by Jassy Watson”
The creative ‘Wisdom of the Goddess’ Journey Within Program I am facilitating has moved into its’ second trimester, ‘Transformation’. It is winter here in the South; a time to release what no longer serves us and look at the shadow aspects of ourselves. I decided that the goddess Kali Ma, often referred to as the “Dark Mother” was most suitable to explore at this stage. Kali Ma is the Hindu goddess of creation, preservation, and destruction and is better known for her destroyer aspect. She serves as the archetypal image of the birth-and-death Mother, simultaneously the womb and tomb, the giver of life as well as the taker. She is the primordial female principle of manifestation and embodies shakti – feminine energy, creativity and fertility.
Feminism and Religion 