In this blog post I’d like to take you with me on a recent visit to the special exhibition “Arts and Prehistory”* in the Museum of Mankind (Musée de l’Homme) in Paris.**
Like the Feminine Power in London exhibition I wrote about last year, this is another ode to human imagination and creativity in connection to the mystery of life.
The exhibition features women figurines and cave paintings from dating between 26.000-34.000 years old, and I wonder how these prehistoric icons can inspire us to look at female bodies today…
What if Daedalus had not been imprisoned and forced to build a labyrinth to hold a monster-bull that would eat everyone who dared to enter its domain? (Is it true that that monster-bull was named Donald?) What if the three Mother Goddesses took off their aprons and went out into the world to survey its peoples and its troubles and to bring aid and comfort (much more useful than thoughts and prayers) to everyone in distress?
“Well,” says Queen Bettycrocker, “the first thing we can do is look at all these walls. They’re all over the place. They separate people. That’s not good.”
“You’re right,” agrees Queen Saralee. “People should be neighbors, and neighborhoods should be areas where children can safely play and safely go to their schools. And eat good lunches, too.”
This post was originally posted on February 5, 2018
The symbol of the Goddess is as old as human history. The most ancient images of the Goddesses from the Paleolithic era are neither pregnant nor holding a child. In Neolithic Old Europe the Goddess was most commonly linked with birds or snakes and only rarely portrayed as mother. Yet we tend to equate the Goddess with the Mother Goddess. I suspect that images of the Virgin Mary with Jesus on her lap and prayers to God as Father have fused in our minds, leading us to think that the Goddess must be a Mother Goddess and primarily a Mother.
In a recent blog, Christy Croft reminded us that in our culture, women’s experiences of mothering and motherhood are not always positive:
[The mother] doesn’t always appear in our stories in simple or easy ways. Some of us mother children we did not or could not grow in our bodies; some of us birth babies who are now mothered by others. Some of us are not mothers at all. Some of us had mothers who could not love us unconditionally, or did not have mothers in our lives, or had mothers who brought us more pain and humiliation than comfort, from whose effects we are still recovering, are still healing.
Moderator’s Note: We here at FAR have been so fortunate to work along side Carol Christ for many years. She died from cancer in July, 2021. Her work continues through her non-profit foundation, the Ariadne Institute for the Study of Myth and Ritual and the Goddess Pilgrimage to Crete. To honor her legacy, as well as allow as many people as possible to read her thought-provoking and important blogs, we are pleased to offer this new column to highlight her work. We will be picking out special blogs for reposting. This blog was originally posted February 10, 2014. You can read it long with its original comments here.
Mary, Mary, quite contrary, how does your garden grow? With silver bells and cockle shells, and pretty little maids all in a row.
From the beginning of horticulture about 8000 BCE or earlier to the present day, weeding has been women’s work. Women, who were the gatherers and preparers of food in traditional nomadic societies, no doubt were the first to discover that seeds dropped at a campsite one year sometimes sprung up as plants the next year. When this discovery was systematized, agriculture was invented, and human beings began to settle down in the first villages and towns.
I am of my mother – from the swirling stars of the cosmos through the long passage, contacting and expanding – birthed of her body, nourished by her love.
Our human connection to Cow goes back to the days of prehistory. Aurochs (wild oxen), cattle’s wild ancestors, are found in prehistoric cave art throughout Europe, India and Africa. About 10,500 years ago modern cattle were domesticated from only 80 wild oxen in southeastern Turkey. This was not an easy task as wild aurochs are much bigger than cattle and not at all docile. But succeed they did and cattle became a foundation of human civilization. They provided not only food and clothing but also became beasts of burden for agriculture. An estimated 1.4 billion cattle exist today.
The awakening occurred at 1:27am with the pterodactyl-cry only uttered by toddlers. It continued around 2am when said pterodactyl joined weary moms in bed. Stinging tears splattered pillows with a swift headbutt to my nose, later accompanied by footied talons jabbing my ribcage as this tiny person became the human crossbar of a giant “H,” vertical moms arching precariously on either edge of the overstuffed bed. 5:30am came all too soon as both children arose, crows louder than any rooster, tired moms stretching their aching backs. Navigating this whole feminist parenting thing is complicated, y’all. As an artist, author, activist, and academic, I thought I had a handle on my identity and vocation; now I feel like motherhood is the only moniker defining my exhausted reality.
I was recently given the opportunity to speak at a conference for artists, academics, and activists, the so-called spiritual weirdos who think and create and do at the intersections of art, scholarship, spirituality, and social justice. It was enlivening and inspiring. What struck me, though, were the asides that often occurred when anyone asked whether I had children, and if so, what ages. Throughout my travels and during the conference, the consistent reaction upon sharing that I’m a mother of a two and five-year-old was, “Woah. You’re in the thick of it.” “Don’t worry. It gets easier.” “This, too, shall pass.” Rarely have I felt so validated. Continue reading “Embracing Lost Vocation: Painting Mother Goddess by Angela Yarber”
During a meditation before bed, I saw an image of a candelabra similar to what Jewish people use for Hanukkah. It was yellow/gold in color, engraved/etched onto a surface. All at once I saw the imagery of a star, a silhouette of a woman, and a beam of light move from the base of the candelabra through the top and beyond.
In these moments, I did not understand the significance of or the relationship between these images. What did a feminine figure have to do with the Jewish candelabra? What is the name of their candelabra? I could not even recall the name of it. It was something I grew up knowing the name of, as it was an image that I frequently saw beside the kinara of Kwanzaa in my school-aged years.
Because I was sheltered from the Abrahamic religions, my mother opted for participating in Kwanzaa as a means to shield me from any potential bullying from my classmates, and to celebrate a part of my diverse heritage. It was already a problem for my peers and the adult staff at school that I chose to identify as a Jamaican-American or a mixed person, as opposed to African-American. To tell a group of African-American Christians or those with an Afro-centric view that I didn’t celebrate Christmas or Kwanzaa, or that my mother taught me to listen to my dreams and intuition, would only serve as a means to further isolate myself; and by extension, my little sister. So celebrate Kwanzaa we did, until I began high school.
The symbol of the Goddess is as old as human history. The most ancient images of the Goddesses from the Paleolithic era are neither pregnant nor holding a child. In Neolithic Old Europe the Goddess was most commonly linked with birds or snakes and only rarely portrayed as mother. Yet we tend to equate the Goddess with the Mother Goddess. I suspect that images of the Virgin Mary with Jesus on her lap and prayers to God as Father have fused in our minds, leading us to think that the Goddess must be a Mother Goddess and primarily a Mother.
In a recent blog, Christy Croft reminded us that in our culture, women’s experiences of mothering and motherhood are not always positive:
[The mother] doesn’t always appear in our stories in simple or easy ways. Some of us mother children we did not or could not grow in our bodies; some of us birth babies who are now mothered by others. Some of us are not mothers at all. Some of us had mothers who could not love us unconditionally, or did not have mothers in our lives, or had mothers who brought us more pain and humiliation than comfort, from whose effects we are still recovering, are still healing.
This short paper was part of a series of assessment pieces for university where we had to imagine ourselves as people living in a number of ancient cultures. It addresses a very direct question: “Imagine you are in Ancient Greece sometime during the 5th century BCE and a family member is preparing to be initiated into the Mystery Rites at Eleusis. You have come to support them and join in the festival. Briefly describe your experience?”
It is the month of Boedromion (Late September/Early October) and the sixth day of the Eleusinian festivities held annually in the great city of Athens. I travelled some distance to take part in the nine-day festival held in honour of the ‘Greater Mysteries’ for which my niece prepared as an initiate. The city is alive with women, men and children from near and far. Many have come to take part and fulfil the countless functionary roles associated with the festival, along with the great crowd of initiates who have spent the past three days fasting and ritually preparing. Continue reading “Demeter – Mother of Creative Potential”
Recent headlines in the international press announced that the enigmatic language of the ancient Cretan “Phaistos Disk” has been translated—in part—by the Welch-Cretan scholar Gareth Owens. Owens states that the Phaistos Disk records an ancient hymn to a Mother Goddess. More specifically he claims that one side is dedicated to a Pregnant Goddess and the other to a Birth-Giving Goddess.
Danu, of the flowing waters, Queen of the fertile land – Danu, the Great Mother Goddess of the Irish Celts, known as Don by the Welsh Celts, is the Creator Goddess of the Tuatha De Danann, the first wave of Celtic tribes to invade Ireland. She is also known as Danann, Ana, and Anann. She gave birth to all life in the land of the Celts.
No stories of Her survive but Her power remains strong. She is the most ancient of all the Celtic deities. In a silver flash of iridescence she appears in my mind’s eye.
As the “Flowing One” She is associated with the seas, wells, springs and the Danube River, gifting Her children the magic of transformation, inspiration, and wisdom. As an Earth Goddess, She bestows abundance and earth mysteries. She embodies the wisdom of living in balance with the Earth. She is sometimes associated with Flidais of the cattle and deer. She is also connected with Brigid, Goddess of Healing, Poetry and Smithcraft, who the original Neolithic people of Ireland worshiped long before the Celts arrived. Continue reading “Danu, Celtic Mother Goddess by Judith Shaw”
Mary, Mary, quite contrary, how does your garden grow? With silver bells and cockle shells, and pretty little maids all in a row.
From the beginning of horticulture about 8000 BCE or earlier to the present day, weeding has been women’s work. Women, who were the gatherers and preparers of food in traditional nomadic societies, no doubt were the first to discover that seeds dropped at a campsite one year sometimes sprung up as plants the next year. When this discovery was systematized, agriculture was invented, and human beings began to settle down in the first villages and towns.
In the early days of horticulture (the name for the earliest stage of agriculture before the plow was developed), the cycles of planting and harvest and all the stages in between were understood to have been given to mothers by the Great Mother, the Source of Life. The secrets of planting, seed collection, harvest, and food preparation and preservation were all perceived to be “mysteries” connected to the ongoing cycles of birth, death, and regeneration in the universe.
My grandmother Lena Marie Searing who was born on a farm in Michigan must have learned agricultural secrets from her mother, for she not only created a beautiful garden, she also farmed an orchard and preserved its fruits in glass jars that lined her pantry. It was she who taught me and my brothers and cousins to love nature. My mother learned to garden from her mother, but she did not harvest food crops. I think of both of them whenever I work in my garden.
The past few days I have been weeding my garden after heavy rains that left the soil clumpy and moist. I have weeded before, but I have never enjoyed it so much. My garden has matured over the past seven years, and now the weeds are more “under control.” There aren’t so many of them, and as I have now been weeding them out over the years, their roots are shallow.
As I slide a trowel into the earth the weeds lift up and with my fingers I gently pull the plants with their roots from the soil. The weeds are familiar, though I don’t know all of their names. The “sticky weed” has many tough roots, the clover has many fine ones—both are hard to eradicate. Other weeds are easy to pull up and do not reappear again until the next year.
wild chamomile blooming among “weeds”
I am discovering that weeding is a delicate process. Sometimes the roots of plants I want in the garden are entangled with those of the weeds. I work carefully choosing the ones to save and the ones to discard.** I leave poppies, chamomile, yellow daisies, and marigolds where I find them, as I consider them to be wildflowers that will provide beauty in my garden when they bloom in spring. I also take care to “keep the soil in good heart” by not discarding too much of it along with the weeds.
As I weed, I think of the women in my village who harvest greens from the fields, feeling certain that some of the weeds I discard are edible. I marvel at all of the knowledge women have shared and passed down over the past 10,000 years and more, as I realize how little of it I know. My suspicion that some of my weeds could be food is validated when a friend and I order boiled “greens from the mountains” for lunch at a local taverna and are served one of the plants I had thrown into the garbage can.
As I weed, I am reminded of an essay called “Keeping the Soil in Good Heart: Women Weeders, the Environment, and Ecofeminism” by Candice Bradley which was published in Karen J. Warren’s Ecofeminism. Bradley writes that weeding is women’s work in almost all cultures. As I work, I understand that this is so because weeding is delicate work that requires concentration and patience and that must be repeated. Bradley says that in many cultures men disparage weeding as they disparage housework—not considering either to be “real” work.
Horticulture is the most environmentally friendly form of farming, according to Bradley, because it does the least harm to the soil, and because the weeds that are not eaten are burned or composted and turned back into the earth to replenish it.
While weeding by hand has been considered work for women and children, men have generally controlled the plow and its recent successor, the tractor. However, as Bradly states, the plow and the tractor do not eliminate the need for hand-weeding. In many cases they encourage the weeds to regenerate. Women and children still weed.
The chemical gardening and farming industry (“round it up”) is based on the premise that weeds can and must be eradicated. Rachel Carson warned us of the danger this approach to agriculture presents to human and all other forms of life. A by-product of chemical agriculture is that the careful work of women weeders is further discounted.
I do not use chemicals or pesticides in my garden, and I will be out there weeding on a regular basis in the next months. As I put my hands in the earth, I will think of all the women before me who have weeded and planted, weeded and harvested, and weeded again. Blessed be.
*The title of this essay is an homage to Elizabeth Wayland Barber’s Women’s Work: The First 20,000 Years which discusses and celebrates women and weaving.
**I am aware that no plant was born a “weed” and that the designation of some plants as weeds is a by-product of human digestive systems, human taste, agriculture, and the creation of gardens for the celebration of beauty.
The charge of “essentialism” has become equivalent to the “kiss of death” in recent feminist discussions. In this context it is taboo to speak of Mother Earth. Yet, I would argue there are good reasons for speaking of Mother Earth that do not add up to essentialism. What if the values associated with motherhood are viewed as the highest values? What if the image of Mother Earth encourages all of us to recognize the gift of life and to share the gifts we have been given with others?
For those not familiar with the “essentialism” debate in feminist theory, it might be useful to define “essentialism.” In philosophy, essentialism is the idea that every “thing” has an “essence” which defines it. In its pure form, essentialism is a by-product of Platonic “idealism” which states, for example, that the “idea” of table is prior to every actual table and that every actual table is an embodiment of the idea of table.
Aristotle disagreed with the Platonic view “way back then,” arguing that the idea of what a table is can be inferred from actual tables, and so on for every “thing.” There is no need for an idea to exist prior to the existence of anything. Rather ideas help us to name and categorize existing things. In the 20th century “existentialism” again challenged “essentialism,” asserting that “existence precedes essence.” Existentialism argued that free individuals are defined by what they do, not by what they “are” prior to or apart from their actions.
When Whitehead said that all western philosophy can be understood as a footnote to Plato, he was referring in part to disagreements among philosophers about the relationship of ideas to things and existence to essence.
Lately I have been contemplating my ‘source of being’. I had always assumed it was my connection to the earth. It is this of course, but my revelation came when I realised it was the connection to my mother, and my connection to her mother – me as mother, and not just my birth mother, but all mothers. The earth as mother, the universal mother, cosmic mother. All of them, my source of being.
My memories of growing up start from a very young age. In fact, so young, I have vivid memories of being born. I remember being breastfed and the smell of my Mum’s skin which was such a source of comfort. Thinking about my source and having these early memories re-surface has come at quite a pertinent time of the year, considering that it is Beltane in the Southern Hemisphere, and Samhain in the North. At Beltane we celebrate the coming summer with fire and blessings of fertility, life and abundance. While at Samhain we are remembering our ancestors, those who have passed and loved ones who are still with us. Yesterday, the 31st, I flew from Australia to the USA and I have been able to experience both transitions. This following poem and accompanying artwork represents these polar opposites; birth and death. More importantly, it is an ode to Mum.
She who changes
She who expands and contracts
She who stretches her limits
She who digs deep
She who triumphs and fails
Every day
Sometimes both within a single hour
She who tends her own hearth
She who comforts and connects and enfolds
She who opens wide
She whose heart cracks open at birth
She who tension bunches her shoulders
And lines her face
She who laughs
She who carries the world
She who sings with her sisters And circles in ceremony
She who holds precious her daughters and her sons
She who defends and protects
She who opens her heart just a little wider
She who trusts
She who tries again
She who gathers to her breast
She who gathers women in ritual
She who hopes
Prays
Fears
She who loves so deeply That it crosses all boundaries
To eternity. Continue reading “Goddess Mother by Molly”
Once what happened was after people started believing someone around also started believing in this temple and one person kept a statue on their steps. Her Aunty she believed and she is very much interested in small things. So she started decorating it up. And what happened was the statue starting getting bleeding, like monthly monthly. And the dress which the statue wore during those periods was stained with red bleeding. So they asked Guruji about what is this and he said that the shakti has come into the statue. So if you keep this in the home it will turn into a temple so go and leave it outside. This was followed by entry of snakes, king cobras, so what they did was they went and left it in the sea, after which her grandmother had a dream that you have left me in the water but still I am with you. I am the temple opposite here, put a lamp everyday at that place. So they started putting it out there, and now there is an earthen Kali which as come up in that place by nature. –Interview with Premila, March 18, 2008 Continue reading “Through Body and Space: A Glimpse into Women Worshippers of Aadhi Parashakthi by Amy Levin”
The awakening occurred at 1:27am with the pterodactyl-cry only uttered by toddlers. It continued around 2am when said pterodactyl joined weary moms in bed. Stinging tears splattered pillows with a swift headbutt to my nose, later accompanied by footied talons jabbing my ribcage as this tiny person became the human crossbar of a giant “H,” vertical moms arching precariously on either edge of the overstuffed bed. 5:30am came all too soon as both children arose, crows louder than any rooster, tired moms stretching their aching backs. Navigating this whole feminist parenting thing is complicated, y’all. As an artist, author, activist, and academic, I thought I had a handle on my identity and vocation; now I feel like motherhood is the only moniker defining my exhausted reality.
The symbol of the Goddess is as old as human history. The most ancient images of the Goddesses from the Paleolithic era are neither pregnant nor holding a child. In Neolithic Old Europe the Goddess was most commonly linked with birds or snakes and only rarely portrayed as mother. Yet we tend to equate the Goddess with the Mother Goddess. I suspect that images of the Virgin Mary with Jesus on her lap and prayers to God as Father have fused in our minds, leading us to think that the Goddess must be a Mother Goddess and primarily a Mother.
feminismandreligion.com 