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ABORTION AS A SACRAMENT: A Poet’s Perspective Part 2 by Annie Finch

Part 1 was posted yesterday. You can read it here.

Though becoming a witch has been a lifelong, gradual process during which I have enacted and developed many rituals, if I had to choose one moment to mark the time I entered my full witchy power, this would be it. This ritual was the first time in my life that I had been thrown entirely on my own resources as a witch, to craft a ritual that was necessary for my survival and that I had no idea how to obtain in any other way. With this ritual I saved my own life, both in a spiritual sense and on a more literal level, since living with such misery and anger would surely have debilitated my physical health.

A friend who is a therapist tells me that she feels many of the women in her practice who are most troubled carry unresolved grief from abortions, and that therapy doesn’t seem to be addressing it. I used to wonder why, as a person who has successfully used many kinds of therapy, I didn’t seek out therapy after my abortion (although a fabulous book by a therapist, Peace After Abortion, truly was helpful). My sense of it now is that I was suffering, not from a wound within my separate self, but instead, from a more raw and basic need that had to be satisfied outside myself, with others: the simple hunger for the spiritual nurturing of communal ritual at one of the most profound moments of my life, the moment when I encountered not only the blood mystery of birth, not only the blood mystery of death, but both of them combined, together, at once.

ABORTION AS A SACRAMENT: A Poet’s Perspective Part 1 by Annie Finch

There is great insight in this feminist truism from the 1970s: “if men could get pregnant, abortion would be a sacrament.” According to Faye Wattleton’s memoir, this pithy remark was first spoken by a female cab driver as she drove Wattleton and Gloria Steinem to a feminist rally in New York City. We might think of the sacrament part of the quote as an ironic joke, an over-exaggeration for comedic effect. But I began to take the remark much more seriously after I had an abortion myself, as a 42-year old witch and a mother of two, and encountered a profound spiritual depth in the experience. It was then that I finally came to understand the complex web of will, mind, body, heart, and spirit, of family, self, and society, of future and past, that may be summoned and considered and experienced in the choice to end a pregnancy.

By the time I had the abortion, I had considered the decision deeply and—for reasons I needn’t go into here— was sure it was absolutely the right one for myself and our family. The procedure itself was smooth and painless, even beautiful. The doctor was experienced, gentle, and sensitive. The clinic was so aware of the spiritual and psychological dimensions of abortion that I was invited me to choose a lovely smooth small stone to hold during the operation and bury afterwards to create closure. It would be hard to imagine a better abortion clinic experience.

Asking Her Blessing by Christine Irving

… if the carving is in reach of its admirers,

the yoni will often be polished to a shine

by the touching fingers wishing to evoke

the blessings of the Goddess.

~Adele Getty, Goddess: Mother of Living Nature

My book Sitting on the Hag Seat carries the blue cover I designed. Buried in the blue, riding the spiral Wheel of Return, stands a small Sheela-na-gig. The Sheela’ s origins remain unknown and controversial. It sometimes seem to me that the less explanation exists for a mysterious object or occasion, the more emotional attachment accrues to the opinions of diverging theorists. However, no matter what symbolism is ascribed to Sheela-na gig, her frequent placement above church doors or in the walls of cities, castles and watch towers, does seem to support a protective aspect not necessarily at odds with other attributions.

Deer – Inspiration For Liminal Times by Judith Shaw

We have just passed another marker in the cycle of the seasons – Fall Equinox – the second moment in the circle of the year in which day and night are of equal length. It is a time to begin our quiet reflections on the growth experienced during the previous periods of the year; a time when a greater understanding of balance is sought; a time when our hearts are filled with appreciation for the bounty offered by Mother Earth while at the same time feeling trepidation about the approaching winter.

Witches Butter by Sara Wright

The other day I found the most beautiful fungus on an aging white pine set against deep green moss that was almost arcing over the brook. When I looked up Dacrymyces palmatis I discovered that it’s common name was “Witches Butter.” That figures I thought – this must mean that this plant has medicinal qualities, and of course it does along with the fact that the fungus is edible.

Any time I see the word witch associated with a plant if I am not familiar with it I start digging into research inevitably coming up with the same kind of information – the plant/ tree/ fungus/slime mold is edible and has medicinal value.

The word witch as many of us know has at its root to bend or shape. Shape -shifting by non –ordinary means.

Legacy of Carol P. Christ: Visions of the Goddess: A White Horse

This was originally posted on May 4, 2020

Imagine my surprise when, a few days ago, I looked out my window to see a dappled horse munching on flowers in the field across the street from my house. In the next days I got used to her being there. I would look for her in the mornings and at odd times during the day. Sometimes she was visible and sometimes she was not. When I could see her, I would open the window and call out, “Hello, white horse, you are very beautiful.” Once or twice she turned her head to look at me and seemed to respond, “Thank you for noticing.”

Many hundreds of years ago, Sappho must have had a similar vision in a field near a grove of trees where she and her students waited for the Goddess to appear, for she wrote: “In meadows where horses have grown sleek among spring flowers, dill scents the air.“ These lines are part of a longer poem addressed to Aphrodite that begins: “Leave Crete and come to us.” In this place, “incense smokes on the altar,” there is a stream, there are apple trees and rose bushes and horses in a field of flowers.

Unorthodox; Embracing Kali on the Eve of Rosh Hashanah; ‘May you be be inscribed in the Book of Life’ by Joyce Zonana

A few weeks ago, I received a phone call from one of my spiritual teachers, a senior disciple of Sri Swami Satchidananda, whom I had immediately recognized and accepted as my guru when I first encountered him in the Summer of 1965. I was initiated by him in 2001 and received a mantra that I repeated daily for all these years. Yet here was Sary telling me I needed to adopt a new mantra, a prayer or praise and veneration for the fierce Hindu Goddess Kali. Here is exactly who I need these days, brandishing her ten arms, beheading demons and absorbing their blood, in a sari made from the skin of a Bengal tiger. She wears a belt of skulls and manifests her fierceness with a red tongue hanging from her lips. Creator and Destroyer, she is impeccable she catches their blood so that they don’t proliferate. Precisely who I need know after my diagnosis, six months ago of glioblastoma.

From the Archives: Spill that Tea: Let’s talk about Harry and Meghan by Anjeanette LeBoeuf

***In light of the recent passing of Queen Elizabeth II and the continual attacks on Harry and Meghan, it seems fitting to revisit this post***

For as long as I can remember I have been fascinated with all things Royal. On March 7^th, the world sat enraptured as two members of the British Royal Family had a tell-all interview about their experiences over the last 3 years. There is so much to deconstruct, digest, and explore in this interview and why it matters. There is so much about the March 7^th interview that is compelling. The interview hosted by Oprah is the first sit down for Prince Harry and Duchess Meghan. For many, this interview was a bombshell, revelatory, and earth shattering. For me, it was mainly a confirmation of things that I had read into over the years, confirmation over the fact that Meghan was pushed out by the British Crown, and that Diana’s ending could very likely have happened again.

Heat Wave by Marie Cartier

The heat wave was real. Suzie squinted into the afternoon light glinting off her pink ’69 VW. How was that still running, she thought, rebuilt and rebuilt? Work?

That’s how. And that’s how she’d keep running. Work. You just had to not freak out. You just had to not over heat.

But it was 125 degrees in Bakersfield. And she, like everyone else, had no air conditioning. And it wasn’t supposed to get better—it was supposed to get worse. She got in her VW and drove with the windows down—no AC– but a breeze was better than nothing. She pulled into the parking lot and waited for a spot to open up. She turned off her car to wait. Ten minutes but it was worth it. Six p.m. – it was a good time to have come. She walked out and got into the cart area.

Barely inside the supermarket she stood and let the air wash over her—air conditioning. Conditioning the air. The security guard asked if she was a buyer or a browser. Browsers could be in the front area with the carts, as long as there was room. Buyers could enter and walk up and down, and down and up—the breeze lifting the sweat from their skin.

TRAVELOGUE INTO HISTORY: MY BIG FAT GREEK ODYSSEY (Part 2) by Sally Mansfield Abbott

Part 1 was posted yesterday. You can read it here.

Arriving in Heraklion on Crete, I was enlivened by the sea air and the informal “island” vibration. My sister and I made our way through its labyrinthine streets, following Daedalus, a pedestrian street named after the legendary creator of the labyrinth at Knossos, the prototype of the artist, who Joyce names as his stand-in in Portrait of the Artist as a Young Man and Ulysses. Our hotel was on Theotokopolous Street. (They’d call you El Greco too if your name was Domenikus Theotokopolous.) Nikos Kazantzakis was also from Heraklion, a city noted for its artists.

Knossos was a small, contained place circled by pine trees, unlike the sprawling sun-drenched expanse of a typical archeological site. There were restored ocher columns, four storeys to the palace, open courtyards for bull leaping, and cisterns that had been used for self-purification. Its red clay and turquoise frescoes were so familiar to me, with their vivid colors and playful lines that Matisse could have envied. No wonder it was the prototype of a work of art!