C.G. Jung and the Heroine’s Journey by Sally Abbott


I was intrigued by the discussions of Jung and Jungian motifs, such as the sacred marriage, that sprang up in response to Mary Sharratt’s wonderful post “The Via Feminina:  Revisioning the Heroine’s Journey,” partly based on Maureen Murdock’s book. Carol Christ pointed out the problematical nature of the whole notion of the sacred marriage, relying as it does on our stereotypes of the masculine and feminine.

Sara Wright reported that her sense of the dangers of Jungian thought led her to change her profession; she had once been a Jungian analyst. Barbara McHugh put forward a well-thought out and articulate version of the Heroine’s Journey, corrected for sexist thought.

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Vigil by Sara Wright

Preface: I am submitting this story for publication because it occurred during the Christian Holy Week and because it involves me, a woman who follows her dreams… That I did so in this instance was important in ways that I cannot comprehend rationally. But I know that it involved creating space for some kind of passing over from one way of being to another. Every word is true.

Roy comes Home

In the dream I’m creating a ceremony to welcome Roy home – it’s very elaborate – yet fluid – it’s fine when I make mistakes – I am creating the space for his death but also welcoming him home. I am also asking for gifts that are expensive. Someone, I think it’s Roy, says humorously and with kindness, “You don’t want much do you?” I laugh. He is teasing me. I finish the ceremony, and I see Roy in an old dented truck pulling on his ears – he can’t hear me but we have made contact. There is such Joy in his heart that I know All Will Be Well….

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THE DIVINE DRAMA AND THE UNIVERSALITY OF DEATH* by Carol P. Christ

In Greece the liturgies of lent and especially of the week before Easter are known as the “divine drama,” in Greek theodrama.  This may refer to the “drama” of the capture, crucifixion, and resurrection of Jesus and to the suffering of God the Father and Mary.

However, it is important to recall that the drama in ancient Greece referred to both the tragedies and comedies, most specifically, those that were performed in the theater of Dionysios in Athens.  While we have been taught that the Greek tragedies celebrated “downfall of the hero” due to his “tragic flaw,” it is important to remember that Dionysios was the original protagonist of the Greek tragedy: it was his death and rebirth that was first celebrated.

Some have argued that the Greek tragedies should never be “read” alone, for they were always “performed” in tandem with the comedies, which were followed by the bawdy phallic humor of the satyr plays.  The tragedies end in death and irreparable loss.  But if the comedies and satyr plays are considered an integral part of the cycle, death is followed by the resurgence of life.

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Thrice-Born Athena, Pt. 3 by Barbara Ardinger

Note: If you’ve been reading Athena’s story for the past two days (link to Part 2 here), you know what’s happened to her before her third birth. You’ve read her version as I heard it in my mind and wrote it down. Part 3, here, is mostly speculative, based on hints in books I’ve read during the past twenty-plus years. If you’ve read The Greek Myths by Robert Graves (who is said to be The Authority), you’ve met Medea in the context of the yarn about the Golden Fleece, but I’m leaving Jason out of this story. I’m also leaving Theseus (also associated with Medea) out. These boys have no role in Athena’s story of her meeting and her shamanic rebirth at the hands of the great Medea, who is sometimes called a sorceress. Read on.

Athena

And so with the help of the great Hera, who remembered how I had once loved her (and she still loved me), I left Zeus’ stony kingdom. Hera helped me depart, though I soon forgot her help. I suppose she is still there. After all, her own lands had been taken long before, her own throne stolen long ago, her temples and altars supplanted. I suppose she has nowhere to go now. For all I know, great Hera remains at the declining god-king’s side, where poets still deprecate her and laugh at her and call her a nagging wife. A god-king as impotent as he is now needs such a strong wife, does he not? I regret that I no longer know her.

But I could find no other kingdom that would give me charity or honor, found no other king or god who would wed me or let me speak for him, and so I become disillusioned with kings and gods and epic tales. I put down my spear and shield and abandoned my armor and helmet, though I always kept my owl (who often flew above me) and my ragged plume.

And so, twice homeless, twice born and twice dead, friendless and scorned by the men I had so harshly judged, I wandered through the world, and all anyone saw was a woman, a gray, anonymous woman carrying a stick and a drooping feather. I walked up and down in the world and had no home. I had neither friends nor sisters nor protégées to honor me, neither priestesses nor queens to love me. I had no one at all. I had nothing at all. I wandered alone through all the lands around the wine-dark sea, alone in the lands around the central sea, alone in the lands along the ocean sea and the northern sea. For uncounted years I wandered alone, stopping here and there, but never staying anywhere, searching for what I never found and no longer remembered. I went in a plain gray cloak with my stick in my hand, my sad plume in a pouch at my belt. Sometimes I ate, but more often I went hungry. Up and down upon the earth I walked, and so my pride and anger began to be worn away.

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Thrice-Born Athena, Pt. 2 by Barbara Ardinger

Read Part 1 here.

Note: This part of the story concerns what nearly everybody who has read the mythology knows about the Goddess of Wisdom. But what you’ve read in, say, Edith Hamilton or Robert Graves is the patriarchal version. What would the story be like if Athena told it herself? That’s what I imagined as I wrote her story. Read on to learn more about her Greek incarnation.

Athena

After our tribe was conquered by the warriors who lived across the seas, I wished to die, and I was indeed close to death when I was carried off by the bloody hero who fancied me. I longed to die every time he violated my body, every time he crushed my mind. But I was carried away alive, a living trophy for that warrior-king. I was secured in his warship as it sailed across the sea to his hard and stony land. Weak though I was, men still fought over me. Eventually I was claimed by their god-king Dyaus, whom you may know by his commoner name, Zeus. I was claimed as his prize of war, dragged up the stony mountain that came to be called Olympus, and flung into his harem until I should become strong enough to bear his weight upon me in mating. And still I longed to die.

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Thrice-Born Athena: A Secret History (Part 1) by Barbara Ardinger


Note: Inspired by Mary Sharratt’s excellent post on February 13 about the heroine’s journey and by Elizabeth Cunningham’s beautiful novel
The Wild Mother (who is Lilith), I took a dive into my archives and found this story about Athena, which I first wrote back in the late 1980s. That was about the time the Goddess rapped me on the head, so to speak, and said, “Pay attention.” The story is based on research I did at the time. I’ve now done some rewriting for FAR. Read on and hear the voice of Athena not as a player in the usual Greek myths but as a goddess of wisdom who is one-unto-herself.

  Athena

My first birth was in the dark continent to the south of the Black Sea, always described by Homer (who invented much of what you take as true in his two long stories) as the wine-dark sea. That is, I was born in what is now Libya in northern Africa. I was born in a many-chambered palace beside a clear lake and received into the world by a tribe of strong women. I was the first-born child of Metis the Wise. You may have read that Metis was the daughter of Oceanus and a Titaness of great cunning; that’s what the “traditional wisdom” says about her. Not true. Metis was one-unto-herself, the queen of a great tribe, holder of the sacred serpents, and painter of wild scenes on tall red cliffs that exist into your day. I was the daughter of daughters from the beginning of the earth, whom some have called Amazons. I knew nothing of that name, however, for I was simply a much beloved child of a thousand thousand foremothers and a hundred living mothers.

Continue reading “Thrice-Born Athena: A Secret History (Part 1) by Barbara Ardinger”

Feminist Holy Week Vaginal Christology Daily Devotional — Part 2 by Trelawney Grenfell-Muir

See here to read Part I of the Devotional.

Friday:

Thought for the day:

The Roman authorities executed Jesus for sedition because he posed a threat to their hegemony: their wealth and their oppressive, imperial domination system of exploiting others for profit. Jesus spoke out against their injustice, and his message resonated with the 99%. People were beginning to listen; momentum was growing. So the Empire snuffed out that “Rebel Scum” in their most excruciating, punishing, degrading form of execution. According to the logic of imperial domination, Jesus’ death should have been a humiliating, final defeat.

Instead, his movement lived on and on, grew and grew. The symbol of Imperial execution — the cross — should have symbolized the wrongness, the lack of Divine sanction, the complete Divine rejection of Jesus’ ideas, according to Empire. Instead, the Jesus Movement reclaimed the cross from an Imperial symbol of shame and turned it into a symbol of victory. Paul, the feminist liberationist prophet most responsible for the survival and spread of the Jesus Movement, repeatedly wrote that the Jesus Movement follows Christ Crucified. Paul’s message seemed scandalous and confusing— lifting up a symbol of horror, death, and defeat as proof of victory? Why? How?

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Red on Blue by Sara Wright















I dreamed her name

not long before light –

Pages fell out

of a story

written in blood.

Every spring

the words repeat

as mist rises

over the river.

Harsh white light

burns violet blue.

She changes everything

she touches

and changes nothing

at all.

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An Untitled Poem for Unanswerable Questions by Eva Espinoza

Thinking about the discourse between spiritualists and victims of harm
Thinking about accountability and prison abolition
Thinking about how white supremacy tells us people are disposable
That they–that we, don’t matter
Thinking about “don’t speak ill of the dead”
Thinking about “honor your ancestors”
Thinking about what else is possible beyond prisons, cages, and borders
Thinking about abusers who refuse to take accountability
Thinking about where that leaves us when we die
Throat’s closed
Stories Untold
Thinking about how death is possible for the living
Thinking about how redemption is possible for the dead
Thinking about, what the fuck even is Salvation, anyway?
Thinking about binaries and how exhausting it is to think of these two things as mutually exclusive to each other
Thinking about how many of us are dissociating because cognitive dissonance is hell on earth
Thinking about the waging of war and how it lives in the body
Thinking about how rage turned inwards is depression
Thinking about the will to live and the will to die
Thinking about the sleep of death and the dreams that come from dying
Thinking about regret
Thinking about when an abuser becomes an ancestor
Thinking about where the guilt goes in the afterlife
Thinking about hell
Thinking about eternal suffering
Thinking about conversations of the reconciliation that is possible between an abusive ancestor and those they’ve abused
Thinking about who the hell said this shit was tied to the land of the living

This poem is a birthing after months of sitting in grief circles and bible studies and with the ancestors.This poem is short but holds so many wrestlings. It holds the wrestling between me and my daddy, now an ancestor, who I could never come out to while he walked this earth. It holds the waiting for my biological father’s passing to reconcile the ways in which he harmed me and my mother and my sister, the ways in which he abandoned and neglected us. It holds the wrestlings of iconizing Kobe Bryant after his death while also naming and recognizing him as the sexual predator he was. It holds the wrestlings of what happens in the afterlife, blending theologies of indigeneity and christianity.

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Feminist Holy Week Vaginal Christology Devotional, Part 1 by Trelawney Grenfell-Muir


Monday:

Thought for the day:

In Matthew 21, Jesus rides a mother donkey, her baby beside her, into Jerusalem in blatant condemnation and contrast to the militaristic entry of Roman military leaders and soldiers on war horses through a different gate. The point of Palm Sunday was activism: a political protest against war and the domination systems of oppression. The symbol Jesus chose for his protest was a mother and child. When the people shouted “Hosannah,” which means “save us,” they were asking to be liberated from the terrible economic and political oppression of imperial injustice. Jesus’ message of egalitarian Common Good and a kin-dom of JustPeace brought people hope and inspiration for a better future of mutual thriving and wellness.

Prayer:

Divine Source, You who Conceive and Birth and Nourish all Creation, open our hearts to the Way of Salvation that will bring liberation and mutual thriving to our Earth today. To honor Christ with Palm branches, may we protect Palm forest habitats for the orangutans who cry “Hosanna! Save us!” To honor the mother donkey and her baby, may we advocate for mothers everywhere, who are the most impoverished people in our society. May we always remember that You are Mother of All, ever ready to embrace us, cradle us, tend our wounds, nourish our spirits, and remind us that we, ourselves, are the Way of Salvation, growing over and over from your Dark Soil to your Light and back, nourished and nourishing, healed and healing, always giving away the Love we receive, and becoming our true, Divine selves through the power of healing Love.

Continue reading “Feminist Holy Week Vaginal Christology Devotional, Part 1 by Trelawney Grenfell-Muir”