Women and Art – Page 4 – Feminism and Religion

Sappho in a Locrian Mode by Carolyn Lee Boyd

The world Sappho envisions in her poetry is one with many lessons for us in the 21st century about how to live. While ancient Greek society, especially in later eras, was deeply misogynistic and women had few rights, Sappho’s words evoke a perspective in which goddesses, especially Aphrodite, are revered and the connection of worshippers to goddesses is intimate, art created by women is celebrated, women’s relationships are central to one’s well being, and love and sensuality are enjoyed.

But words only tell part of the story. Sappho’s poetry was meant to be sung, and while we can’t hear the songs she wrote, I think it is interesting to note that Anne Carson, in her 2003 translation “If Not, Winter” says that Sappho is credited with inventing the Locrian musical mode. A mode is a scale in which the progression of notes follows a set pattern of whole and half notes. We are all familiar with the major mode that makes music sound happy (Happy Birthday song) and the natural minor mode that we use for sad music (House of the Rising Sun). But there are many other modes, and the Locrian mode is one of them. (just a note: the Locrian mode is the same as the Greek Mixolydian mode and completely different from the modern Mixolydian mode, just to be confusing.)

Mother-Love: A Review of Rosemary Daniell’s THE MURDEROUS SKY: POEMS OF MADNESS AND MERCY by Joyce Zonana

She’s been called a “national treasure” by Bruce Feiler and lauded by Erica Jong as “one of the women by whom our age will be known in times to come” … And yet Rosemary Daniell is not as well-known as she deserves to be–perhaps because she is a fiercely feminist Southern woman.

joyce-zonana

She’s been called a “national treasure” by Bruce Feiler and lauded by Erica Jong as “one of the women by whom our age will be known in times to come.” The author of three books of poetry, a novel, several memoirs, and several books of nonfiction, she is the founder of the revolutionary “Zona Rosa” writing workshops and retreats that have helped hundreds of participants—mostly women—become published authors. For many years she led writing workshops in women’s prisons in Georgia and Wyoming, and served as program director for Georgia’s Poetry in the Schools. Her work has been featured in numerous magazines and newspapers. And yet Rosemary Daniell is not as well-known as she deserves to be—perhaps because she is a fiercely feminist Southern woman who unabashedly celebrates her own sexuality while also bringing her formidable intellect, wit, charm, and compassion to bear on her approach to writing.

Continue reading “Mother-Love: A Review of Rosemary Daniell’s THE MURDEROUS SKY: POEMS OF MADNESS AND MERCY by Joyce Zonana”

Sleeping Beauty: An ancient tale for these challenging times by Diane Perazzo

Fairy tales are intwined in our imagination and our spirituality. As Jane Yolan writes, one of the subtlest and yet most important functions of myth and fantasy is to “provide a framework or model for an individual’s belief system.” (1)

In the Reclaiming spiritual tradition, we often use fairy tales in healing and self development work. These stories act as warp and weft as we weave and spin complex ritual arcs and other events that take place at extended Witch Camp sessions. In Twelve Wild Swans, Starhawk points out that fairy stories are “more than just encouraging and inspiring. They are also templates for soul healing from Europe’s ancestral wise women and healers. When the ancient Earth-based cultures of Europe were destroyed, these stories remained.” (2)

The Gathering: A Womanist Church BOOK REVIEW by Mary Ann Beavis

Book title: The Gathering: A Womanist Church—Origins, Stories, Sermons, and Litanies

Authors: Irie Lynne Session, Kamilah Hall Sharp and Jann Aldredge-Clanton

Publisher: Wipf & Stock, 2020

Womanist theology is a form of theological reflection that centers on Black women’s experience, sensitive to issues of race, class and gender. It originated in the United States in the mid-1980s and has grown in scope, sophistication and influence, but until recently there has been no expressly womanist church. This book charts the founding and development of a womanist church from the perspectives not only of its pastors (Irie Lynne Session and Kamilah Hall Sharp) but also of its ministry partners (Jann Aldredge-Clanton and others). Continue reading “The Gathering: A Womanist Church BOOK REVIEW by Mary Ann Beavis”

The Mask and the Mirror – Part 3 By Sara Wright

One concrete way of accomplishing this change is to submerge ourselves in the rest of Nature and stay open to the appearance of animals, birds, plants, etc., and by paying close attention to images and words, nudges, synchronicities, dreams, and fantasies. Especially while caregiving, perhaps the most exhausting job of all. S/he provides us with a means to deal with the crisis of Covid 19 by staying in the present moment as much as we possibly can. Debra’s flowers/ four-leaf clovers, owls, stars, all speak to the importance of the presence of nature in different ways.

It is hard to miss the change of expression on Everywoman’s face. Held by the bear, her eyes are focused and there is a sense of peace that permeates the woman’s countenance. Clearly, Everywoman is able to be present to what is. This woman has once again found home.

To the right and below the moon there is a small leaf-like image that seems to be drifting. When I asked Debra what the image was she responded that the leaf was a simplified four-leaf clover. It symbolized the role that luck plays in the spread of an impersonal virus, but memories of being with her grandfather on Sunday afternoons searching for four-leaf clovers, and the way the two were connected with nature were also part of the reason she included this image. Once again we see the archetypal and the personal intersecting in Debra’s work. On an archetypal level, the impersonal presence of luck/trickster/fool determines viral outcomes, on a personal level this symbol attaches Debra to nature and her love for family.

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The Crafting the Wisdom Loom By Mary F. Gelfand

Over 20 years ago, I randomly came across the following passage from Sonnet X by Edna St. Vincent Millay:

Upon this gifted age, in its dark hour,
Rains from the sky a meteoric shower
Of facts . . . they lie unquestioned, uncombined.
Wisdom enough to leech us of our ill
Is daily spun; but there exists no loom
To weave it into fabric

I was just learning to spin and weave and so was struck by this passage. I’ve been contemplating Millay’s words ever since.

image of Loom — Photo by Nickolas Nikolic

Weaving is a fascinating process that the ancients in many cultures believed was a gift from the Goddess. Before the Industrial Revolution, clothing was valuable because of the sheer amount of both labor and skill necessary to create it—tasks that were primarily delegated to women. The process of collecting, cleaning, and preparing plant or animal fiber to be spun into thread or yarn is a lot of work. And all you have now is spun fiber. It still needs to be dyed and used to warp the loom—a tedious and time-consuming process. Next the weaving itself—dancing the shuttle in and out across the width of the warp—over one, under one, over two, under two—or some more visually appealing pattern which is also more complex to do. Finally, the woven fabric must be measured, cut, and sewn to make a garment.

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Coming Out of Quarantine by Angela Yarber

As Pride Month and Black Lives Matter protests co-exist, the spirituality of queer women of color teaches white allies how to listen.

After nearly eighty days of sheltering in place, I feel like I’ve stepped out and found the world on fire. June isn’t supposed to be this way. It’s Pride Month, after all, and I’m queer, eager to dance alongside my favorite drag queens, albeit reticent to embrace capitalism’s commodification of our beloved rainbows.

Most of our annual Pride events have been cancelled due to concerns of social distancing amid a global pandemic. I support these cancellations, though my first family outing since quarantine was a Black Lives Matter protest in Hilo, Hawai’i; we all stood six-plus feet apart, wore masks, and waved our signs beneath the King Kamehameha statue. As my six-year-old was complimented on how he wrote his own sign, I adjusted my three-year-old daughter’s face mask and thought about how queer BIPOC started the Stonewall riots only 51 years ago. I thought about how we queers would have every right to demand our Pride celebrations, storming capitals with glitter bombs, and demanding our civil liberties, not completely dissimilar to the myriad gun clad white dudes demanding haircuts only weeks ago. But we don’t. Continue reading “Coming Out of Quarantine by Angela Yarber”

The Practice of Bearing Witness by Stephanie Arel

She looked away and stared out the window, trying to hold back the tears in her eyes. “The tents,” she said and shook her head looking down at the ground. The tears were coming, but softly. I asked her what the tents represent. She shrugged her shoulders and said into the camera phone: “The bodies I guess. They don’t have enough room for the bodies.”

In this time of the coronavirus, as in Italy and Spain, New York City has room neither in the hospitals nor the morgue for the bodies that are dying. Up from 25 a week, to 24 a day, bodies are being buried on Hart Island, or City Cemetery, where the unclaimed and unidentified have been interred for decades. Others are waiting in refrigerated trucks for friends and family members to collect them. This New Yorker along with thousands of others have seen the stark reality, one that left even Trump sick at heart.

We are witnessing a global pandemic. Evidence of the ravages of the coronavirus lies all around us. The response to the virus has made physiological, economic, and psychological impacts on our lives. We have changed our working styles, dealt with lowered income, or lost our jobs. Staying secluded at home, we have taken on new roles for which we were not prepared; many of us have become sick, and some have died. We are together witnessing a major world disaster.

What does it mean to be a witness? What will it mean to carry that witnessing forward to future generations to mark this historic event so that when something like it happens again, future generations will have the tools they need to respond more quickly, adapt more easily, recover more rapidly? For this generation, just as those who researched and learned from the Spanish Flu, we bear witness. Continue reading “The Practice of Bearing Witness by Stephanie Arel”

Mamma Mia and the Mother-Daughter Connection by Katie M. Deaver

A couple of weeks ago I went to see the new Mamma Mia: Here We Go Again! movie. In addition to being a fan of movies inspired by musicals I also loved the emphasis that was placed on the mother/daughter relationship in the first Mamma Mia and had heard that this new installment would continue to focus on that relationship. It definitely didn’t disappoint!

This second movie takes place five years after the original Mamma Mia, and roughly a year after the death of Donna Sheridan, with Donna’s daughter Sophie preparing for the grand reopening of the Hotel Bella Donna. This second movie also features lots of flashbacks where we are able to see a young Donna arrive at the island of Kalokairi as well as see how she first meets Sam, Bill, and Harry, her daughter Sophie’s three possible fathers.

As one might imagine, even if you aren’t familiar with the movie there is a lot going on, but the part that I found most intriguing was the very end of the movie. At this point Sophie has given birth to her own baby and is bringing the child to the church to be baptized. During the ceremony Donna’s spirit is there at the font with her daughter and new grandchild and you could feel this amazing sense of connection and love between not only three generations but across the lines of physical and spiritual presence and space.

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Sophia from The Goddess Project: Made in Her Image by Colette Numajiri

“Happy are those who find wisdom. . . . She is more precious than jewels, and nothing you desire can compare with her. . . Her ways are ways of pleasantness, and all her paths are peace. She is a tree of life to those who lay hold of her; those who hold her fast are called happy” (Proverbs 3: 13, 15, 17-18).

Sophia is DIVINE WISDOM, Her name comes from the feminine Greek word meaning Holy Wisdom. She is found all over the Bible (Proverbs, Sirach and the Wisdom of Solomon..) and in the Gnostic Gospels (unearthed at Nag Hammadi in 1947.) She has been called the MOTHER OF THE UNIVERSE, Mother of Yahweh and HOLY SPIRIT. The words: “Philosophy, theosophy and sophiology” all come from Sophia. The Bible links her to Christ: “Christ is the Wisdom (Sophia)” (1 Corinthians 1:24, 30). There is some evidence that Mary Magdalene was also called “Mary Sophia.”

Because She did not help advance the patriarchal scheme, Sophia was all but deleted from history. Hidden throughout the Bible and the Dead Sea Scrolls, knowledge of the DIVINE FEMININE all but went up in flames. Even a great cathedral build in Her honor in Constantinopole, Hagia Sophia (Holy Wisdom), was burned to the ground twice. It’s newest rebuild was a mosque and is now a museum. NOTRE DAME (Our Lady) has survived but they eventually claimed it was named after the Virgin Mary. (The famous Notre Dame rose windows are a common symbol of the Divine Feminine!). Some say there are secret societies that still exist to keep knowledge of Her alive.

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