Category: Women’s Spirituality

Women Created in the Image of God By Karen Torjesen

The following is a guest post written by Karen Torjesen, Ph.D., Margo L. Goldsmith Professor of Women’s Studies in Religion at Claremont Graduate University where she has helped establish graduate programs in Women’s Studies in Religion and Applied Women’s Studies. For ten years she served as Dean of the School of Religion, partnering with religious communities to create programs in comparative religion. She has published extensively on women, gender and sexuality within Christianity.

Originally posted at Huffington Post: http://www.huffingtonpost.com/karen-torjesen/torjesen-women-image-of-god_b_893367.html

Last month I preached — in South Africa — in Johannesburg — in a township — in a Pentecostal church. In Pentecostal worship, preaching is giving your testimony. So how do I translate my life into a testimony, find the threads that connect to their experience, speak in a spiritual vocabulary to these human needs, and be honest about the depths of my unknowing? I am an American academic, a historian of the early church, a professor of Women’s Studies. Where would I find the points of connection?

I could speak of my own struggling with what it meant to be a woman — inferior, valued less, silenced, excluded, constrained, exhorted to be submissive–and my discovery of the American women’s movement. However, for the context of African Christianities, where traditional tribal patriarchies merged with colonial European patriarchies, there would be little resonance. I would need an alternate framework to human rights feminism. Western notions of equality, individualism, and rights have little resonance in cultures with a strong sense of kinship and communal identity and of responsibilities based on age and gender rather than rights based on citizenship. Continue reading “Women Created in the Image of God By Karen Torjesen”

In Search of My Religious Identity By Gina Messina-Dysert

I try to avoid watching too much television – it feels like there are so many other things I should be focused on; but I was quite engrossed in the show Big Love during its run on HBO.  Its concluding season was by far my favorite because of its focus on women and faith.  In one of the final episodes the character Barbara Hendrickson struggled with whether or not to be baptized into a new church and it was a struggle I identified with greatly.  Although her faith had changed and she no longer felt connected to the doctrine of her previous church, moving on to a new community that fit her beliefs meant abandoning her family.

I was raised in a very traditional Italian/Sicilian Roman Catholic household, attended Catholic schools, and was married in the Catholic Church.  As a child, being Catholic offered me a sense of pride; however growing up I began to question the Church as I recognized the many ways it is abusive to women.  Becoming a graduate student of religion led me on a roller coaster journey that allowed me to further explore my religious identity. Continue reading “In Search of My Religious Identity By Gina Messina-Dysert”

M’rahemet Shel Olam: The Emwomber of the Universe By Theresa Yugar

The following is a guest post written by Theresa A. Yugar, Ph.D. Candidate in women studies in religion at Claremont Graduate University.

This poem was written modeled on a Hebrew understanding of the world and God. In contrast to an Occidental or Western understanding of God, which elevates the noun of a sentence, a Semitic understanding of God highlights the “verb” of a sentence. In this way, God is a more active presence in the creation of a more just world.

M’rahemet  Shel Olam: The Emwomber of the Universe

In the beginning the primal womb gave birth to all living creatures . . .

She gave birth to us . . . her daughters and her sons.

She is the great mother. Continue reading “M’rahemet Shel Olam: The Emwomber of the Universe By Theresa Yugar”

Artemisia Gentileschi: Baroque artist and rape survivor painted strong Biblical women, By Kittredge Cherry

Kittredge Cherry

The following is a guest post written by Rev. Kittredge Cherry, lesbian Christian author and art historian who blogs about LGBT spirituality and the arts at the Jesus in Love Blog.  Her books include “Equal Rites” and “Art That Dares: Gay Jesus, Woman Christ, and More“.

Originally posted at Jesus in Love.

Baroque artist Artemisia Gentileschi inspires many with her paintings of strong Biblical women — created despite the discrimination and sexual violence that she faced as a woman in 17th-century Italy.

Gentileschi (1593–1652) was successful in her own day, but was mostly written out of art history until the 1970s, when feminist scholars rediscovered her work. Now she is celebrated in many books, films and plays, and her work is widely reproduced. Her greatest paintings include “Judith Beheading Holofernes” and “Susanna and the Elders.”

Many women and queer people can relate to her battles against prejudice and sexual violence, documented in her rape trial in 1612. She could be considered the patron saint of women artists.

"Judith and Her Maidservant" by Artemisia Gentileschi

Although Gentileschi was apparently heterosexual, lesbians have drawn energy from her life and art.

Lesbians who have created tributes to Gentileschi include painter Becki Jayne Harrelson and playwright Carolyn Gage. In the play “Artemisia and Hildegard,” Gage has two of history’s great women artists debate their contrasting survival strategies: Gentileschi battled to achieve in the male-dominated art world while Hildegard of Bingen found support for her art in the women-only community of a medieval German nunnery.

The daughter of a painter, Gentileschi was born in Rome and trained as a painter in her father’s workshop there. She was refused admission to the art academy because she was a woman, so her father arranged for her to have a private painting teacher — who raped her when she was about 19. Gentileschi herself was tortured by thumbscrews during the seven-month rape trial, but she stuck to her testimony. The teacher was convicted, but received a suspended sentence. Continue reading “Artemisia Gentileschi: Baroque artist and rape survivor painted strong Biblical women, By Kittredge Cherry”

Why am I a witch? By Zsuzsanna E. Budapest

Zsuzsanna E. Budapest is the founder of the Dianic tradition and the Women’s Spirituality Movement and is the author of seven books including Holy Book of Women’s Mysteries.

I was born to a witch mother, who happened to be an artist of sacred art, creating simple home altars that the peasants used in their “clean” room; used only on special occasions. We made our living from selling these Madonna’s with child, Triple Goddess altars. Goddess loving, primitive city folk and country folks bought them to pray in front of. Her art re-inspired an ancient pagan faith. Mother’s sacred art was legendary. Nobody ever bought an image of a male saint or even St. Joseph to pray in front of. When the hardships were upon Hungarians, they turned to the great Mother. Our pre-Christian Boldogassznony (Glad Woman).

All this happened during the so called Communists occupation, which lasted many decades. I grew up in a city that was filled with statues of the Goddesses and Dianads. With all the churches we have in Hungary, not one of them is dedicated to Jesus Christ, but they are dedicated to his mother Goddess, Mary and her relatives; St. Ann, St. Kathryn, St. Elizabeth (a homegrown saint), along with St. Margaret.

During the bombing, much of this art was destroyed, but enough of them remained to pass on to the new generation the message: We stand proud on our past, we knew once  beauty and civilization. Continue reading “Why am I a witch? By Zsuzsanna E. Budapest”