chanting – Feminism and Religion

Navajo Mountain Way Chant : Bear as Healer – He Who Frightens Away Illness, part 2 by Sara Wright

Part 1 was posted last week. You can read it here.

The second sand painting used on the sixth night of the Mountain Way Chant is supposed to be a representation of the bears’ home in the Carrizo Mountains. In the center of this painting is a bowl of water covered with black powder. The edge of the bowl is adorned with sunbeams, and external to it are the four sunbeam rafts, on which the Nature Spirits, the Yei stand. There is a close relationship between the Yei and the bears. In the Mountain Way Chant, Talking God, Water Sprinkler (often pictured as a rainbow) Growling God (bear), and Black God are always present.

Bears and Light are related. In the first painting there is light that surrounds the bear and light is present in the form of sundogs that are positioned in each of the four directions. In the second, sunbeams are present in the center and also in each of the four directions providing places for the Yei to stand. It’s very difficult not to draw the conclusion that the light that we are speaking of is also an inner light, and this is consistent with the qualities of healing, insight, and introspection that the Navajos associate with the bear.

Navajo Mountain Way Chant : Bear as Healer – He Who Frightens Away Illness, part 1 by Sara Wright

All Navajo ceremonial practices emphasize healing human illness, emotional, mental, and physical, while restoring balance and harmony between humans and the rest of Nature. The most sacred of these ceremonies occur during the winter months. All the winter ceremonies have at their center the healing power of animals. The best known of these is probably the Night Chant that lasts nine days and nine nights and is held sometime around the winter solstice – the timing of these ceremonies is fluid. Like the Night Chant, the Mountain Way Chant probably stretches back into prehistoric times from 60,000 – 4000 B.C.E.

The Mountain Way Chant, the second and equally sacred although less well-known ceremony is also a nine-day night chant that marks a transition between the seasons of winter and spring. The Mountain Way Chant takes place in late winter before thunderstorms strike and the spring winds arrive ( any time after First Light which occurs in the beginning of February until the Spring Equinox). It’s important to know that these ceremonies are not only fluid but can occur as many times as are needed. One purpose is to call up the rains. The ceremony is led by a medicine man that addresses, in particular, the mental uneasiness and nervousness associated with transitions, helping to bring individuals and their extended families back into balance and harmony with the rest of nature (my italics).

Biblical Poetry: Vibrational Essence by Janet Maika’i Rudolph

Today’s biblical poetry reflects on two passages in Exodus 15:2 and 15:3. Both deal with the vibrational essence that gives rise to the splendors of life.

KJV is the traditional King James Version. MPV is my own Mystic Pagan translation.See notes below for my translations of various words including LORD.

Exodus 15:2

The LORD is my strength and song, and he is become my salvation:
he is my God, and I will prepare him an habitation;
my father’s God, and I will exalt him.
KJV

YaaaHaaaVaaaHaaa, is the source of my vivacity and song
Unveiling pathways of liberation.
Rooted in the potentiality of my ancestors
Resplendent in beauty.
MPV

Invoking the Blessings of the Tibetan Buddhist Goddess Tara through Chanting Her Mantra to Overcome Fear by Karen Nelson Villanueva

Of all the graduate institutions in the world, I chose the California Institute of Integral Studies (CIIS) in San Francisco because of its unique program in Women’s Spirituality. Only here could I integrate my love of the Goddess Tara, my spiritual practice of Tibetan Buddhism, and my passion to chant into a scholarly study titled “Invoking the Blessings of the Tibetan Buddhist Goddess Tara Through Chanting Her Mantra to Overcome Fear.”

I conducted my research in the summer of 2008. Fortunately, I was able to draw from the many academic, contemplative, and spiritual groups of my acquaintance in the San Francisco Bay Area to solicit study co-participants. Over the course of three months, we convened on six occasions to meditate, pray, and chant to Tara with the intention of overcoming a particular fear. Between our meetings, we chanted on our own and kept a journal about what we were experiencing. Continue reading “Invoking the Blessings of the Tibetan Buddhist Goddess Tara through Chanting Her Mantra to Overcome Fear by Karen Nelson Villanueva”