Navajo Night Chant

Navajo Night Chant – Part 2 by Sara Wright

Picture of Sara Wright standing outside in nature Read Part 1 here:

The original Night Chant involved four teams who danced twelve times each with half-hour intervals in between-a total of ten hours. The dance movements involve two lines facing each other. Each of the six male dancers takes his female partner, dances with her to the end of the line, drops her there, and moves back to his own side. The chant itself is performed without variation and has a hypnotic effect on the listeners. The only relief is provided by the rainmaker-clown named Tonenili, who sprinkles water around and engages in other playful antics.

The medicine men who supervise the Night Chant insist that everything-each dot and line in every sand painting, each verse in every song, each feather on each mask-be arranged in exactly the same way each time the curing ceremony is performed or it will not bring about the desired result. There are probably as many active Night Chant medicine men today as at any time in Navajo history, due to the general increase in the Navajo population, the popularity of the ceremony, and the central role it plays in Navajo life and health. Continue reading “Navajo Night Chant – Part 2 by Sara Wright”

Navajo Night Chant – Part 1 by Sara Wright

Picture of Sara Wright standing outside in nature With the Winter Moon waxing on nights when stars are falling from the sky and the winter solstice passage, I am much aware of the healing and dwelling place that I inhabit that also characterizes these dark months of the year.

Unfortunately, even those who acknowledge our seasonal turnings rarely honor the dark as sacred. At the winter solstice the emphasis is still on light.

As Carol Christ writes so succinctly we manage to celebrate light at both solstices – at its apex and as its return. Continue reading ” Navajo Night Chant – Part 1 by Sara Wright”

Navajo Night Chant and the Sacred Dark by Sara Wright

With Winter Moon’s passage and the approach of the winter solstice just a little less than a week away I am much aware of the (potential healing) dwelling place that I inhabit that also characterizes these dark months of the year.

Unfortunately, even those who acknowledge our seasonal turnings rarely honor the dark as sacred. At the winter solstice the emphasis is still on light.

As Carol Christ writes so succinctly we manage to celebrate light at both solstices – at its apex and at its return.

This attitude reveals to me an inability to be present to dark, in both its generative and non-generative aspects. The original inhabitants of this country honored the dark months of the year very differently than westerners do. Their most important ceremonies occurred during the winter months. Both aspects of the dark were acknowledged and explicated through ceremony. What follows is a history of one of the Navajo healing ceremonies that occur only during the winter months of the year. Continue reading “Navajo Night Chant and the Sacred Dark by Sara Wright”