Feeding the Birds by Sara Wright

In most cultures white is the color of death. No wonder brides wear white.

When I finally stepped into my life at 39, I entered a mythic world. I married myself to the serpent of life, a creature who is now wrapping itself (both male and female) around the earth four times and squeezing the life out of Her, according to Mythologist Martin Shaw (see Emergence magazine). The serpent, once life bringer for feminists now courts death.

I will always remember Marion Woodman, a Jungian analyst (and personal friend), who stated that every symbol carries both light and dark, and one side of the symbol will always shift into the other… She was speaking metaphorically but my mythic education and life experience as a naturalist have taught me/and continue to teach me that symbols like the serpent that were once holy beings are also living beings that were worshipped by Pre-Christian cultures, and then demonized by Christianity, recovered, and reverenced by feminists. Until now. Today the dark side of serpent has risen again and is swallowing us whole.

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Windigo Winter Rolls On by Sara Wright

  Preface: Yesterday someone asked me to contribute an academic article that had to be cited to be included in a book. I said no because my academic years are over. My life experience has taught me that education is simply not enough to shift perception, and that Story may be equally/ or more important because story taps into the creative side of us, moving us through our childhood senses which include our feelings. Although not specifically feminist in content, I believe the underlying messages belong to feminism. The first highlights the destructive greedy ‘head’ without a body. The second addresses the complicated situation we find ourselves in – offering us a way through. The second story also highlights the primary difference between an exchange economy and a gift giving one.

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The Crow’s Nest by Sara Wright

 Bare tree

shadowy veil

old snow

won’t let go.

Beaded Judges

shift

spring tides

 hide

  predators

with eyes.

Crows

 reveal

 old bones…

March is the month when crows scream, screeching and mobbing as they soar through indigo skies – their harsh declarations hurt my ears though I know they are mating and nesting.

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Sandhill Cranes – a Nation of Women with Wings by Sara Wright

Historically they used the Eastern flyway but were extirpated by hunting… a slow recovery is in process and the stately Sandhill cranes are once again returning to breed in Maine… so far only birders have been keeping track of their numbers but these majestic pre-historic birds have haunting cries that are often described as bugles, rattles, croaks and trumpets and can be heard 2 -3 miles away. They also utter sounds that combine a kind of brrring in unison. Their impending arrival next month calls up a chant I love…

There’s a river of birds in migration, a nation of women with wings.
There’s a river of birds in migration, a nation of warriors with wings.”

I remember the chill that crawled up my spine as those words seeped into my body all those years ago… I wept, not knowing why.

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Magic Seed Moon Meanderings by Sara Wright

Without thinking I threw the old seed into a bag of moist liverworts that I would be looking at under a powerful microscope with my scientist friend Al in a couple of days. I have no idea why I added the seed. The scarlet runner was one I kept in a winter bouquet that I had recently dismantled. The purple and rose bean had to be four or five years old. It would not germinate now …

Imagine my astonishment when I opened the bag in the lab. The bean had sprouted! The fat twisted root was hunting for earth. Carefully I re – wrapped the bean and put it in a little container until I could get home and plant it, but not before we looked at it under the microscope. More about that later.

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The Mighty Oak or Acorn? by Sara Wright

Most of us are familiar with the mythology around oak trees. They are considered oracular beings in many traditions. The Druids considered  them to be sacred, the Greeks associated oaks with Zeus –( patriarchy strikes as the ‘ king’ of trees). In Britain there was a goddess of oak trees….but in general oaks are considered to be male beings though they bear seeds and flowers on one tree.

 Mighty male trees ? Nothing could be further from the truth in terms of behavior because oaks are found all over the world and in this country they are what is considered to be a keystone species. What this means is that oaks support and nurture an incredible amount of animals, insects and birds. A ‘ Mother ‘Tree in every way. We have four species in this country, one of which clones itself and behaves like a bush. It is believed to be about 1300 years old ( found in the west).Throughout the world oaks are also considered to be keystone species.

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Aging and Kinship by Sara Wright

When I moved to the mountains my children were grown and gone…

Finally I had land of ‘my’ own with a brook and mountains that was surrounded by forests. I felt protected by something I could not name. I was living on the edge of wilderness and a hunger I had been carrying for all of my adult life was finally appeased.

Although I had a vegetable and flower garden I felt a deep reluctance to cut trees and eventually lost most of my field to pines. When I finally built my log cabin, I did plant fruit trees, but every action was predicated on my need to give back to nature what she had given to me.

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Seeding Up by Sara Wright

Every spring it’s the same… the hunger to begin starting seeds. As a woman and an eco -feminist I am convinced that this need to work with seeds and soil is an ancient pattern that stretches back to our egalitarian matriarchal beginnings.

Some of us like me come from a family of gardeners so there is something to say about the influence of our ancestors directing this process on a personal level. Both patterning and ancestral influences seem to work together. Another “both and”.

After I broke my foot last year I was forced to cease gardening altogether out of necessity because I could no longer use a shovel. If I am really honest I can say I was more than ready to let go. I have grown both vegetables and flowers since I was a child, then while raising a family. At mid – life when I moved to the mountains I made (what seems today) a radical decision. I decided to plant trees, plants and flowers primarily for non – humans in a small area around my house. Nature determined what grew and thrived on the rest of my land. Today people call this re-wilding but then my intention was simple. I wanted to give back to nature what S/he had given to me. I wanted nature to be the receiver.

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Feeding the Birds….Refuge, Part 1 by Sara Wright

It’s another gray snowy day with large white flakes falling from the sky… January lasts “forever” every single year. I feed chickadees on my window ledge until the squirrels show up; then I scatter seed on the ground. Chickadees begin their day just before 7 AM when it is still dark, coming to the ledge. Today the turkeys are absent, fluffed up monks still hidden under hemlock boughs. The blood male cardinal appears with his usual message. I peer into the forest as the turkeys make their way across the brook and start up the hill while gazing at sage green shield lichens and two pure white birches that stand out like sentries, peeling white skin. Some maples and many hemlocks border the brook that is running clear of ice. A multitude of twigs and evergreen spires sway, branches twist and bend filling every inch of space, a comforting sight, even though all the deciduous trees are bare. Global warming turns snow to rain and back again in every storm creating ice bound paths, easily traversed by my little dogs. Dangerous for me. Often now I am housebound.

This gray world of mine needs animation from within…

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When Betrayal Makes Sense by Sara Wright

 When I was a young woman, a divorced mother of two, working as a waitress I became obsessed by a window hanging in a local store. This cluster of grapes was fashioned out of thick, uneven hunks of stained glass that the artist had retrieved from bombed cathedrals in Europe. The grapes shimmered – ecclesiastical purple with limed green leaves. Although I could hardly afford to, I paid an outrageous $50.00 for this piece and hung it above my bedroom window. I never regretted the choice. Whenever I looked at the stained glass, I had the strange sense that there was a message hidden there. I ignored it.

After my brother’s death two years later (my youngest son was two) I lost most of myself, but held on to my love for plants tending to them with deep affection and attention.

My first word was ‘fower’ for flower so my relationship with plants stretched back to babyhood. I believed the flowers plants and trees that lived around my grandmother’s house were my close friends.

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