Windigo

Windigo Winter Rolls On by Sara Wright

Preface: Yesterday someone asked me to contribute an academic article that had to be cited to be included in a book. I said no because my academic years are over. My life experience has taught me that education is simply not enough to shift perception, and that Story may be equally/ or more important because story taps into the creative side of us, moving us through our childhood senses which include our feelings. Although not specifically feminist in content, I believe the underlying messages belong to feminism. The first highlights the destructive greedy ‘head’ without a body. The second addresses the complicated situation we find ourselves in – offering us a way through. The second story also highlights the primary difference between an exchange economy and a gift giving one.

The Legacy of Carol P. Christ: Meeting the Windigo

Towards the end of Braiding Sweetgrass, mother, biologist, and member of the Citizen Potawami Nation Robin Wall Kimmerer sets out at the end of winter to visit a forest area near her home that she considers hers not in name but in virtue of her love and care for it. On arriving, she discovers that the forest is no more, having been clear-cut by the owner. The wildflowers and the plants she has harvested over the years have sprouted up, but Kimmerer knows that without the forest cover they will be burned by the sun and their places taken by brambles.

Kimmerer is overcome by anger and despair, her feelings for the land she loves merging with her knowledge that not only her forest, but the earth itself is being treated as nothing more than a product by so many—without second thought for all that is lost.