“Drinking the water, I thought how earth and sky are generous with their gifts and how good it is to receive them. Most of us are taught, somehow, about giving and accepting human gifts, but not about opening ourselves and our bodies to welcome the sun, the land, the visions of sky and dreaming, not about standing in the rain ecstatic with what is offered.”
–Linda Hogan in Sisters of the Earth
The women have gathered in a large open living room, under high ceilings and banisters draped with goddess tapestries, their faces are turned towards me, waiting expectantly. We are here for our first overnight Red Tent Retreat, our women’s circle’s second only overnight ceremony in ten years. We are preparing to go on a pilgrimage. I tell them a synopsis version of Inanna’s descent into the underworld, her passage through seven gates and the requirement that at each gate she lie down something of herself, to give up or sacrifice something she holds dear, until she arrives naked and shaking in the depths of the underworld, with nothing left to offer, but her life.
In our own lives, I explain, we face Innana’s descents of our own. They may be as difficult as the death of an adult child, the loss of a baby, the diagnosis of significant illness, or a destroyed relationship. They may be as beautiful and yet soul-wrenchingly difficult as journeying through childbirth and walking through the underworld of postpartum with our newborns. They may be as seemingly every day as returning to school after a long absence. There is value in seeing our lives through this mythopoetic lens. When we story our realities, we find a connection to the experiences and courage of others, we find a pattern of our own lives, and we find a strength of purpose to go on. Continue reading “Sacred Water by Molly Remer”
“Let the beauty we love Be what we do
There are hundreds of ways to kneel and kiss the Earth.”
–Rumi
Introductory note: At the end of 2016, my parents purchased a piece of land about one mile from where I already live (they live one mile further away than that). In addition to woodland and meadow, this land has two springs, three creeks, a cave, and ¼ mile of river access. While I have been deeply connected to the land of my birth, the Missouri Ozarks, for a long time, and have written about that connection in multiple past posts for FAR, this new-to-us land has offered a new opportunity: the chance to get to know another section of land “from scratch,” deeply, wildly and well, and to become wise stewards of it for the time in which it is in our care. It is also the first time I have been able to so closely and intimately observe the origin source of a body of water. Previously not giving it much thought, I now have the daily privilege of observing the source of the flow as I watch water emerge directly from the ground. First, there is simply none and then, suddenly, a deep blue pool constantly bubbling as water rises to the surface and flows away on its long, long journey to the sea. This essay is a series of three vignettes as I spend this year immersing myself in relationship with this land.
We walk along the nearly vertical hillside hanging onto small trees for support. Finally, though we almost miss it, we spy the opening to the cave nestled behind several mossy stones. The sun is still on the rise above the tree line and the rays filter through the trees so one ray is pointing directly at the cave entrance. We crawl inside, bumping our heads and scraping our backs as we wiggle into this womb in the earth. Once inside, the chamber enlarges so we can stand up. Unlike other caves we have experienced in this area, the only human signs we find are a single bottle cap, a glass bottle, and two sets of initials carved into a rock. In the dark silence we hear the sound of water dripping steadily. I make my way further into the cave, acutely aware that this is living cave and being careful not to step on the fresh, wet, cervix-shaped beginnings of new stalagmites on the floor. At the back of the cave, I find her. A Madonna-like stone column, glistening with water. In the silence of the cave, I quietly sing Ancient Mother to her, as tears well in my own eyes.
I am of this earth for this earth and by this earth.
We skirt carefully along the bank of the creek, making our way to the largest spring. Over three million gallons of water a day flow effortlessly from this small, deep pool nestled quietly in the middle of the woods. I am stunned by the magnitude of this flow as I stand there with my husband, my head resting on his shoulder, hawks wheeling overhead, redbud trees in full bloom. It has never seemed more clear to me how very “small” we are, but a blink of an eye to this spring and its countless years and countless gallons of water, not caring whether it is witnessed in its work or not, but simply, continually, creating and producing. I try to explain this feeling aloud, but words fail me. It is a humbling sensation, not a depressing one. The actual emergence of the water at this origin point of the river is nearly invisible, the continuous gentle, small popping of bubbles on its surface, the only sign that something significant is happening here that distinguishes this body of water from a pond or pool. Yet, those never-ending bubbles rapidly expand to a wide, swift-moving creek, which joins the river and another smaller spring-fed creek to continue to make their way southward across the state. We smell something sharp and see a dead armadillo by the roots of a giant sycamore. We hear a shrill cry and look up to see two bald eagles riding the currents of air high above us. We are so small. So many thousands of years of water have passed, but we are here right now.
Unfathomable eons
Glacier time
I am just a blink of an eye
But I can sit, and watch, and wonder.
We scramble along the uneven terrain on the rocky and wooded hillside, slipping, laughing, and looking. I am exhilarated by the simple thrill of exploring the world right here in front of me. We find tiny flowers. I kneel by the roots of fallen trees. We stop to admire moss on stones. We find gigantic black snake napping in the sun. A complete turtle shell. A shed antler. Each moment feels like a new opportunity to “kiss the earth.” I sing Reclaiming’s song-version of the Rumi quote over and over and as I kneel in each spot to see what it has to show me, in each, I kiss my fingers and press them to the earth. I see all the kissing going on around me…the sun filtering through branches, the fiddlehead ferns kneeling to kiss the earth, the roots wound through rocks, the trillium and bloodroot blooms pushing up between leaves, the water seeping out of the ground and flowing down the hill, the dogwood blossoms opening to the sun, the moss covering stones, the fallen trees stretched along the slope.
“And that is just the point…how the world, moist and beautiful, calls to each of us to make a new and serious response. That’s the big question, the one the world throws at you every morning. ‘Here you are, alive. Would you like to make a comment?’”
–Mary Oliver
We emerge from our walk to find morels growing alongside the path (morels are wild, edible mushrooms found for about two weeks in Missouri each spring and considered a delicacy by many). The afternoon suddenly becomes even more rewarding and we stoop and peer through fallen oak, sycamore, and elm leaves looking for the telltale conical form of these forest treats. We quickly discover that we must tune in and “listen” for the mushrooms, so to speak, or we’ll walk right by them, none the wiser. The moment I start thinking about anything else, I stop finding any. Once I settle into my body and the moment and really look at the world again, there another morel will be.
“I think this is how we’re supposed to be in the world … present and in awe.”
–Anne Lamott, Bird by Bird: Some Instructions on Writing and Life
Molly has been “gathering the women” to circle, sing, celebrate, and share since 2008. She plans and facilitates women’s circles, seasonal retreats and rituals, mother-daughter circles, family ceremonies, and red tent circles in rural Missouri and teaches online courses in Red Tent facilitation and Practical Priestessing. She is a priestess who holds MSW, M.Div, and D.Min degrees and finished her dissertation about contemporary priestessing in the U.S. Molly and her husband Mark co-create Story Goddesses, original goddess sculptures, ceremony kits, and jewelry at Brigid’s Grove. Molly is the author of Womanrunes, Earthprayer, and The Red Tent Resource Kit and she writes about thealogy, nature, practical priestessing, and the goddess at Brigid’s Grove.
This is a continuation of Molly’s piece from Wednesday, 10 August 2016. You can read Part 1 here.
After explaining that the homebirth of her second son was her, “first initiation into the Goddess…even though at that time I didn’t consciously know of Her,” Monica Sjoo writing in an anthology of priestess essays called Voices of the Goddess, explains:
The Birthing Woman is the original shaman. She brings the ancestral spirit being into this realm while risking her life doing so. No wonder that the most ancient temples were the sacred birth places and that the priestesses of the Mother were also midwives, healers, astrologers and guides to the souls of the dying. Women bridge the borderline realms between life and death and in the past have therefore always been the oracles, sibyls, mediums and wise women…
…the power of original creation thinking is connected to the power of mothering. Motherhood is ritually powerful and of great spiritual and occult competence because bearing, like bleeding, is a transformative magical act. It is the power of ritual magic, the power of thought or mind, that gives rise to biological organisms as well as to social organizations, cultures and transformations of all kinds… (page unknown).
I have been a childbirth educator since 2006 and I have given birth five times. Each birth brought me the gift of a profound sense of my own inherent worth and value. It was the shamanic journey through the death-birth of my tiny third child, however, that ushered in a new sense of my own spirituality and that involved a profound almost near-death experience for me. After passing through this intense, initiatory crisis, the direction and focus of my life and work changed and deepened. Shortly after the death-birth of my third son, I wrote: Continue reading “Priestess as Shamanic Path – Part 2 by Molly Remer”
It is late autumn, 2009. I am 30 years old and pregnant with my third baby. He dies during the early part of my second trimester and I give birth to him in my bathroom, on my own with only my husband as witness. The blood comes, welling up over my fingers and spilling from my body in clots the size of grapefruits. I feel myself losing consciousness and am unable to distinguish whether I am fainting or dying. As my mom drives me to the emergency room, I lie on the back seat, humming: “Woman am I. spirit am I. I am the infinite within my soul. I have no beginning and I have no end. All this I am,” so that my husband and mother will know I am still alive.
I do not die.
This crisis in my life and the complicated and dark walk through grief is a spiritual catalyst for me. A turning point in my understanding of myself, my purpose, my identity, and my spirituality.
It is my 31st birthday. May 3rd. My baby’s due date. I go to the labyrinth in my front yard alone and walk through my labor with him, remembering, releasing, letting go of the stored up body memory of his pregnancy. I am not pregnant with him anymore. I have given birth. This pregnancy is over. I walk the labyrinth singing and when I emerge, I make a formal pledge, a dedication of service and commitment to the Goddess. I do not yet identify myself verbally as a priestess, but this is where the vow of my heart begins.
I do not know at the time, but less than two weeks later, I discover I am in fact pregnant with my daughter, my precious treasure of a rainbow baby girl who is born into my own hands on my living room floor the next winter. As I greet her, I cry, “you’re alive! You’re alive! There’s nothing wrong with me!” and feel a wild, sweet relief and painful joy like I have never experienced before.
“When all is said and done I think every Witch should, at some time, face the moon alone, feet planted on the ground, with only his or her voice chanting in the starry night.”
–Laurie Cabot, Power of the Witch
I will never forget the first time I heard someone recite the Charge of the Goddess from memory. Bare-breasted, she strode around the fire in sacred circle at a large goddess festival in Kansas, delivering the words with power, grace, and confident resonance. I thought: I will do that someday.
In February of this year, we took a family trip to Dauphin Island. While there, the afternoon of the full moon, I
decided that the time had come. I was going to memorize the Charge of the Goddess. First, I thought I would only memorize it a piece at a time. It seemed “too big” to do in a single sitting. I had it printed out on a piece of paper that rapidly became damp with the salty sea air. I drew a labyrinth in the sand with my toes, set one of my goddess sculptures at its entrance, and drew a Womanrunes card.
One stanza at a time, slowly I began to repeat the poem* aloud:
hear ye, the words of the star goddess
the dust of whose feet are the hosts of heaven...
Over and over, I said the words, letting them twine around my tongue and in the air, experimenting with cadence and rhythm. After I could reliably repeat one section, I’d move to the next, letting it build in my memory until I could put the two together confidently and then moving to the next.
I am the beauty of the green earth
the white moon amongst the stars..
I stared into the waves, listening to them rise and fall along with my words. My three older children dug in the sand.
My husband fished. My toddler toddled around and then came to sit on my lap and nursed to sleep for nap time:
before my face
beloved of all…
I whispered into his damp hair. I felt in an altered state of consciousness. The words began to wind their way through me, becoming a part of me, embedded in me. I danced with them as I have never danced with another piece of writing. I felt them merging with me. I sang them aloud. I stated them fast and slow and I built, adding the next line and then the next…
for behold, all acts of love and pleasure
all my rituals.
I turned over hard thealogical questions as the words spun their magic through the air. What does it really mean that “all your learning and seeking shall avail you not, lest your know the mystery.” Do I really feel the goddess within? Do I find her within myself or is she only outside and if she is only outside, does she really exist at all? Tears came to my eyes: do I even like myself?
Two hours passed. My baby awoke and returned to digging in the sand. My husband packed up his fishing gear. The sky began to darken and spit rain. I stood and danced the words into the sand with my feet.
let your divine innermost self
be enfolded
in the rapture
of the infinite
I felt rapturous. I felt triumphant. I had done it. Faster and faster my feet stamped the sand as I called the words into the waves. I spun in circles with my toddler chanting and laughing and offering my devotion before the sea, beneath the moon.
the mystery of the waters
the desire in human hearts…
*I used Shekhinah Mountainwater’s adaptation of the Charge, originally by Doreen Valiente, as included in the book Ariadne’s Thread.
Molly has been “gathering the women” to circle, sing, celebrate, and share since 2008. She plans and facilitates women’s circles, seasonal retreats and rituals, mother-daughter circles, family ceremonies, and red tent circles in rural Missouri and teaches online courses in Red Tent facilitation and Practical Priestessing. She is a priestess who holds MSW and M.Div degrees and recently finished her dissertation about contemporary priestessing in the U.S. Molly and her husband Mark co-create original goddess sculptures, ceremony kits, and jewelry at Brigid’s Grove. Molly is the author of Womanrunes, Earthprayer, and The Red Tent Resource Kit. She writes about thealogy, nature, practical priestessing, and the goddess at her Woodspriestess blog.
“We need rituals of memory…because a political movement, the public policy and tactics of our movement, does not come from our ideas, but from the bloody and joyful substance of our lives. We need to be conscious about what our lives have been, to grieve and to honor our strength, in order to break out of the past into the future.” –Minnie Bruce Pratt
I’ve been feeling depressed and discouraged lately after reading some really horrifying articles about incredible, unimaginable violence and brutality against women in Papua New Guinea who are accused of being witches as well as a book about human trafficking around the world (I wrote about this book in a recent post for Pagan Families). Then, I finished listening to David Hillman on Voices of the Sacred Feminine, in which he issued a strong call to action to the pagan community and to “witches” in the U.S. to do something about this violence, essentially stating that it is “your fault” and that rather than spending energy on having rituals to improve one’s love life (for example), modern witches should be taking to the streets and bringing abusers to justice. And, he asserts, the fact that they don’t, shows that they don’t really “believe”—believe in their own powers or in their own Goddess(es). Continue reading “Do Women’s Circles Actually Matter? By Molly”
It is from this dark space that we emerge—whether from our own mothers or from the more mysterious cosmic “sea” of soul—and it is to darkness that we return when we close our eyes for the final time.
I find that within Goddess circles the idea of “the dark” remains commonly associated with that which is evil, negative, bad, or unpleasant. The Dark Mother, while acknowledged and accepted, is often at the same time equated with death, destruction, challenge, trials, and obstacles. While I recognize that the concept of a dark, demonic, and destructive mother might too have a place in goddess traditions (as with Kali or Durga), I also think this is unnecessarily limiting and that the idea of the “Dark” in general is in need of re-visioning. It is not just with regard to the role or place of death within the wheel of life or the Goddess archetype that Goddess as Dark Mother and destroyer can be honored or recognized, but the Dark as a place of healing and rest can also be explored. Continue reading “Endarkenment By Molly”
I didn’t watch for her
wait for her
listen to her
or know her
and yet, when I come to this place in the woods
and I sit down
and I open my mouth
poetry comes out
and I really think
she’s been here all along.
In the woods behind my house rest a collection of nine large flat rocks. Daily, I walk down to these “priestess rocks” for some sacred time alone to pray, meditate, consider, and be. Often, while in this space, I open my mouth and poetry comes out. I’ve come to see this experience as theapoetics—experiencing the Goddess through direct “revelation,” framed in language. As Stanley Hopper originally described in the 1970’s, it is possible to “…replace theology, the rationalistic interpretation of belief, with theopoetics, finding God[dess] through poetry and fiction, which neither wither before modern science nor conflict with the complexity of what we know now to be the self.” Theapoetics might also be described, “as a means of engaging language and perception in such a way that one enters into a radical relation with the divine, the other, and the creation in which all occurs.” Continue reading “Theapoetics by Molly”