In my work with the folklore and music of children’s games and circles, I’m enchanted by how many bits of magic are interwoven into everyday children’s games from many, many years ago. Our childhood closely intersects with the deep, witchy, magic world of spells, talking animals and whispering spirits.
Part 1 was posted last week, you can read it here.
I have been conversing with plants most of my life sensing the reciprocal nature of green beings and treating them as equals, so I was delighted by the bean’s behavior, although not surprised (western science has finally caught up with Indigenous knowledge as new studies indicate that plants listen/ and respond – see Gagliano, Simard). My magic bean is thriving, and every morning I make a promise to Scarlet Runner that the day will come when s/he will finally be free to climb to the stars… Relationships like this one sustain me.
Opening the door to mist ‘Mary’s Garden’ is entering another magic realm. Ferns I never planted are unfurling. Two hemlock seedling have emerald bristles on the tips of their needles, Partridgeberry is spreading, twin flowers are appearing, unknown seeds are sprouting, fungi come and go, lichens abound, some cascading from pieces of old wood. One old piece of pine bark supports the tiniest fungal trumpets. This terrarium is a source of endless enchantment and comfort on the coldest winter day.
When I first found the Goddess and Women’s Spirituality almost a decade ago, my change and growth was painful. I hosted Women’s Circles, and often, they veered a tad towards venting but with self-realization and a determination to do better.
I did. And I watched the others in the Circles do so as well.
Powerful stuff. And it made me a believer in the strength of coming together while retaining our individual will and paths.
I am a different person today for all those Circles. They changed me in ways that no amount of counseling, journaling or pharmaceuticals ever could.
I grew up north of Dallas Texas in a suburbia hell called Plano: a concrete, strip mall jungle devoid of nature and trees beyond the contrived and manicured ones. When I married an Airforce pilot and escaped to Minnesota, Mississippi, Colorado, California and then Illinois, I learned how much I needed nature.
Fast forward twenty years and on my second marriage, we moved just south of Huntsville, Alabama to a small valley community where the foothills surrounding it signal the beginning of the Appalachian mountain range.
Home. My cells sighed in relief.
Soon after moving to Alabama, my troubled second marriage ended. And I found myself, like so many other Americans, uninsured. I was able to get my blood pressure medicine online but not the Clonazepam prescription that I have always used for my anxiety. When my dad died suddenly in the 90’s, my panic attacks began, and since then my anxiety had been an always present force in my life.
The following poems were written after making a decision to move into an apartment for the winter, and then struggling to understand what went wrong. Instead of community I met with hostility, and as we know one breeds the other, and for a time I got caught by my shadow too.
Called home out of necessity and need, the longer I stayed the harder it was to leave even when 16 feet of snow crashed down from the roof blocking the entire front of my house. ‘The Peace of the Wild Things’ is in my blood and as hard as I try, I can’t seem to make an adjustment to living in a town where crows and men rule, and birdsong is absent though migration is under way.
When I moved to the mountains my children were grown and gone…
Finally I had land of ‘my’ own with a brook and mountains that was surrounded by forests. I felt protected by something I could not name. I was living on the edge of wilderness and a hunger I had been carrying for all of my adult life was finally appeased.
Although I had a vegetable and flower garden I felt a deep reluctance to cut trees and eventually lost most of my field to pines. When I finally built my log cabin, I did plant fruit trees, but every action was predicated on my need to give back to nature what she had given to me.
The older I get the more important the forest becomes to me because it is a place where I find inspiration and peace. I also play in the woods! During the month of October and what I call the “Witching Moon” that has just passed I think of all the women healers that lived alone in the forests with their animal and plant ‘familiars’. These women learned that nature instructs those who apprentice themselves to her. Animals and plants spoke to these women through intuition, sensing, feeling, or through their dreams because these women listened to them. Did these women play too? Westerners fear nature because they are so separate from her. Unable to imagine conversation (let alone play) occurring between women animals and plants, even today women who live close to nature are viewed with suspicion. I know because I am one of them.
I spend a lot of time in a 12,300 acre wood that one family has preserved for perpetuity. Recently these generous people have leased the land to the local land trust so it is getting more attention. I am not sure that this is a good thing. I note the amount of motorcycle and four wheeler use has increased dramatically on the roads that run parallel with the forest; some of the once quiet woodland paths are either echoing or saturated with sound.
A Modern Pilgrimage to the Isle of Lewis & Harris, Part 2
In the previous post of October 14th, I introduced my recent pilgrimage to meet the Goddess, honour the physical and psychological changes that have happened inside me recently. I described the different mountain ranges that resembles the bodies of sleeping women, and an ancient well dedicated to the Celtic goddess Brighde.
If I was traveling over the body of the goddess, the Callanish Standing Stones would be her navel. It seems as if energy is flowing out from there to all edges of the island. The shape of the site resembles a Celtic cross. Unusual is that the site consists of one large, central standing stone, surrounded by 13 stones, and with stone avenues to the cardinal directions. With its solar alignment, paraphrasing Jill Smith, the configuration looks like a cosmic dancer who juggles the sun from east to west. The “arms” are aligned exactly with the sunrise and sunset at this time of year.
Model of the Standing Stones as seen from above, in Callanish Visitor Centre
Callanish 1, the main stone circle, is connected to 11 other sites across the island, some circles, some solitary standing stones. Together they are called the Callanish Complex. I visited Callanish 1 many times that week, and I was lucky to spend the Autumn Equinox there.
I’ve never come across stones that were so alive and expressive. Light would bounce off differently at different times of the day, accentuating irregularities, dulling, or sharpening edges, emphasising different aspects. I saw lion and wolf heads, young maidens, hooded wanders, gargoyle and dragon-like creatures, dolphins and even a Horned Dancer… Most importantly, it felt like in each of the stone circles in the area (Callanish 1, 2, 3, 4, and 8), there was at least one stone resembling a woman’s body, and I came to think of them as the Grandmother Guardians. They had a real living presence, that became even stronger as the day-visitors disappeared.
Usually there were 2-5 people there, sometimes I found myself alone. The sunset of the Equinox, however, drew many more people. There were about twenty tourists, who were taking snapshots of this magnificent light show, leaning, or pushing against the stones, talking, and giggling. Several professional photographers tried to capture a magical moment. And there were 5-7 fellow pilgrims, whom, like me, would stay long into the night. Everyone was so focused on the sunset, was I the only one who noted the rainbow in the east?
The below images were literally taken a minute apart – rainbow to the east, sunset and silhouettes to the west.
Rainbow during the Sunset at Callanish 1, on the Autumn Equinox, September 22, 2022Sunset at Callanish 1, on the Autumn Equinox, September 22, 2022
Eventually the tourists and photographers disappeared, and the rest of us gathered at the heart of the circle, in the remains of an ancient burial mound. With African and shamanic drums, a whistle, a singing bowl, an old man tapping his walking stick to the bottom of his tin mug, and some rattles, we improvised a rhythmic invocation to the spirits of the stones. With the rain becoming heavier, I soon found myself alone with the stones. Now I could finally sing, dance, weave between the stones without disrupting anyone, lean into the stones, close my eyes, and pray.
I felt very aware of the ‘balance’ in the year, the point of equally long days and nights. I asked for guidance on balance in my own life: between work and leisure, between doing and resting, between the first and second half of my life, between gathering wood for the fire and sharing it, between birth and death, and how I can better look after my body and energy living with an invisible auto-immune condition in these fast and demanding times.
After the rain departed, the clouds tore open, revealing the clearest and most brilliant night sky I’ve ever seen. The silhouettes of the stones reaching up into the night was truly magnificent. Moving, weaving, pausing, I made my way clockwise around all the 13 stones in the circle. I stood at either side of the stones, outer and inner, and took my place in between them, as if I was a moving stone myself. I reflected on centre and circumference, on axis, on direction, on the wheel of life, turning, turning, turning, turning… and felt connected to similar circles across Europe lighting up in the darkness, as a radiant hub of energy-places.
Photo Collage: Impression of Night Sky, by Eline Kieft October 1, 2022
After having completed my weaving of the circle, by which time I had enjoyed half of my ginger tea for a warm kick, I decided to return to our cottage – also an act of balance. Having a cold already, I did not quite have the proper gear to stay out in the windy and rainy night. My lovely bed was calling! On my way home I saw three deer next to the road. I stopped the car and could be with them for several moments before they wandered off.
I had been so attuned to the rhythms that I woke up well before the alarm. I laid in the comfortable darkness, until it was time to return to the stones to witness the sunrise. My mom came along this time. Again, there were several photographers ready for ‘the moment’ (no tourists at this hour!). I just HAD to dance, and chose my spot at the far western end, out of line of any cameras. A dance of ground, earth, mountain, honouring the mother and my mother, weaving the light, the turn of seasons, changing, praying, calling, giving thanks, celebrating, welcoming, and letting go. Strong, soft, vibrant, still…
Both Images of Sunrise at Callanish 1, on the Autumn Equinox, September 23, 2022
Standing against the central menhir, looking east, we finished the last of the ginger tea. So special to be able to share this together. Mother and daughter in a circle of ancient Grandmother Guardians, witnessing the sun rise on a new day. Sacred land, ongoing cycles of time, and a modern-ancient pilgrimage…
It will take many moons to fully digest and integrate the richness of this journey, but I already know this precious experience seeped deep into my bones.
May the magic of the land touch you too, wherever you are.
Mother and Daughter – this photo was in fact taken at another moment, against another stone, mid-afternoon on 22nd…
I’d love to invite you for my series of Embodied Spirituality Masterclasses that are going to start today, 21st October! Have a look if you’re interested in reconnecting body and spirit, re-anointing the body as sacred, nature as a temple, contemporary ceremony and much more… You can still join until Christmas, so don’t worry if you can’t make the first session live, it will be available in replay!
Jill Smith is a deep well of goddess lore on Lewis:
Mother of the Isles (2003)
The Callanish Dance (2000)
Bio
Eline Kieft danced from a young age, including rigorous classical and contemporary training to become a professional dancer. She then studied anthropology, deepening her fascination with worldwide similarities between indigenous traditions regarding intangible aspects of reality and other ways of knowing, including embodied epistemologies and shamanic techniques.
She completed her PhD in dance anthropology at Roehampton University, trained in depth with the Scandinavian Centre for Shamanic Studies and the School of Movement Medicine. Eline worked at the Centre for Dance Research (C-DaRE) at Coventry University for five years, where she created a Somatics Toolkit for Ethnographers, and pioneered soulful academic pedagogy. Her recent book Dancing in the Muddy Temple: A Moving Spirituality of Land and Body was well received as a unique blend of theory and practice and a medicine for our times.
She is now a full-time change-maker and facilitates deep transformation through coaching and courses both online and in person. Her approach The Way of the Wild Soul offers a set of embodied, creative, and spiritual tools to re-connect with inner strength and navigate life’s challenges with confidence.
The other day I found the most beautiful fungus on an aging white pine set against deep green moss that was almost arcing over the brook. When I looked up Dacrymyces palmatis I discovered that it’s common name was “Witches Butter.” That figures I thought – this must mean that this plant has medicinal qualities, and of course it does along with the fact that the fungus is edible.
Any time I see the word witch associated with a plant if I am not familiar with it I start digging into research inevitably coming up with the same kind of information – the plant/ tree/ fungus/slime mold is edible and has medicinal value.
The word witch as many of us know has at its root to bend or shape. Shape -shifting by non –ordinary means.
Feminism and Religion 