Sara Wright

Mountain Mother by Sara Wright

When I picked berries in the mountain field that first summer, I could sense wave after wave of feeling rising up – seeping into my feet from the ground below. The sun spread blue heat over the hills, and I bathed in summer’s glow. For the first time in my life I felt visible, witnessed for who I really was and accepted: I was loved –unconditionally loved by a Mother. That She was a mountain field didn’t seem odd at all. I loved her back – fiercely. I marveled. To be in love with my goddess, the one that lived in this field, brook, young forest, the one who inhabited each of these rolling hills and mountains seemed so natural. Remarkably, She celebrated my presence not only by gifting me with a love that ran like a great underground river beneath me but because She created a palpable sense of belonging. I belonged to Her. She loved me just because I was. I couldn’t get over it. My gratitude knew no bounds. All I wanted to do was to serve her…

She was visible in so many ways – in the riot of purple and green jack in the pulpits that sprung out of the sphagnum moss behind the camp in the moist valley that often filled with water, through the solitary pink lady slipper that appeared by the bridge that crossed the brook, the tiny white swamp violets, the blue fringed gentians and pearl-white turtleheads that popped up in the meadow fed by it’s own spring in the center of the field.

I glimpsed her face in the cedar that sprung to life in the rich wooded soil that bordered the brook, she sang to me from the wild apple branches that bowed over rippling water, she blinked through each firefly night, burst into a “high” when thunder and lightening churned up the waters and the brook overflowed – White Fire crackling out of her clouds and slamming into me.

Born Again by Sara Wright

“Let me sing to you about how people turn into other things.” (Ovid)

Years ago I placed my brother’s ashes in a shallow depression that I had dug near a granite fern and moss covered boulder. The brook flowed just a few feet away and at the last minute I scattered a few filaments over the shallow waters, returning them to the sea. A week later I planted a hazel nut tree nearby. A fossilized spiral ammonite marks my brother’s grave.

Thanks to the underground highway created out of millions of tree/plant roots, the extensive net of fungal hyphae and this communal system’s miraculous ability to exchange nutrients/minerals/sugar, my brother lives on as part of this forest…The gracefully spreading hazel and all the other trees (spruce, maple, balsam, hemlock, ash) that are scattered around this hallowed woodland grove have been nourished by the bones of one I loved.

Yet only recently have I been possessed by revelation.

Dove Tales, part 2 by Sara Wright

Part 1 was posted last Tuesday. You can read it here.

That first winter after my father’s death I became obsessed with doves and finally gave in and decided to buy one. When I went to pick the dove up at the very last minute, I was drawn not to a white dove but to an African collared dove. Lily b came to live with me as a free flying house dove whose intelligence and uncanny ability to read my mind forced me to concede that something was happening that was beyond my understanding. In retrospect Lily b introduced me to interspecies communications on a concrete level which validated my life experiences with all animals wild and tame. My beloved dogs had been life-time companions, so I already knew we spoke the same language in different ways.

Lily b became a spirit/soul guide and remains one some thirty some years later*. The first sculpture I created at the edge of the sea had the head of a dove. At that time, I still separated spirit from body as most colonized people still do. Now I believe from personal experience that the two are ONE.

Dove Tales, part 1 by Sara Wright

Hundreds (it felt like thousands) of wings descended around the stone table I was sitting on at dawn. Transfixed by this sight that seemed to be occurring within as well as without I could barely comprehend the thousands of soft coos that floated through the air. Celestial music filled my ears. Was this really happening I wondered even as the birds clustered round my feet? I’d loved doves as a child, had drawn thousands of them. In Medieval paintings white doves descended upon Mary as Grace. The child believed. Doves were like no other birds the child was sure…

The buildings and churches of Assisi all had doves cooing from rooftops distracting me from outdoor lectures. I was attending a Jungian conference in Assisi Italy and every morning found me wandering the narrow streets or climbing Saint Francis’s mountain to pick wildflowers and sweet herbs. I had no idea until approaching Assisi that the golden sunflowers that stretched across the horizon almost blinding me that I would spend one week of my life in two worlds. One as a member of a professional conference, the other submerged in experiences that lifted me out of ordinary reality. The time with the doves was just one of many experiences of Mary, Saint Francis and Old Women (who approached me in the streets) that lifted me out of the life I knew.

What I felt and sensed was stronger than any rational thought, so experiential reality held me fast and even at the time these experiences were occurring I hoped this reality would never let me go.

Reflections in a Winter Forest by Sara Wright

Yesterday’s welcome sun and warm temperatures had me out the door to lay down another round of ashes before the next storm. After packing down our woodland paths with snowshoes we were off to our favorite forest. I had planned to look for liverworts but as usual nature had other plans nudging me to note which trees might be photosynthesizing around these forest edges. At any given moment there are thousands of interactions between tree bark and ki’s environment that most of us take for granted. If you pay attention to bark you may, like me, develop a deep respect for the unparalleled beauty and for the protective skin of every tree. Especially during the winter months.

We know that bark protects the tree from insects and other damage, and the thick ridged bark of older pines or hemlocks also holds moisture in ki’s fissures as well as providing creaturely homes.

I feel compelled to stop to run my hands over these thick white pine trunks in gratitude and awe for their existence. I do the same thing at home in my modest sanctuary, but here the pines are older like the ones that once entirely covered the mountain behind me, all the way to the ledges…I remind myself that the waxy needles on conifers also photosynthesize on warm sunny days.

White Pine Wonder by Sara Wright

Yesterday was mild (mid 40’s in January) so Coalie and I went to our favorite forest to walk. The roads were icy, but the seeps were brimming and ringed with footprints. Over one of my favorites (because declining wood frogs still lay eggs there in the spring), an elderberry bush arced over rippling water like some sort of plant protectoress.

Seeps fascinate me because they defy freezing weather bubbling up through deep in the earth. Water seeps in the forest are small wetland areas where groundwater naturally emerges at the surface, often at the bases of slopes. They create moist spots with lush plants in season (like elderberries) and serve as important habitats for wildlife by providing clean water sources all year-round. They form from underground layers of rock that force water to flow horizontally until it surfaces. Seeps care for their animal and bird neighbors by providing clear waters at any time of year. There were so many fox and partridge tracks leading to and from these pools that I was surprised we didn’t startle one of the latter. (At home I have a pair that are feasting on the last of the crabapple berries). A couple of chickadees were chirping from nearby maples probably annoyed because we were taking our time. Coalie was nosing every blade of grass in the area.

Indigenous Peoples in Greenland May Lose Their Way of Life to a Madman by Sara Wright

The Inuit make up about 88 percent of the people in Greenland, and most speak the Inuit language with the remainder speaking Danish.

Up until the present the greatest challenge the Inuit peoples have faced besides the threats to their culture/and massive environmental collapse due to climate change has centered around uranium mining and the ubiquitous Military presence.

Now an American Madman demands that the entire country be taken over to secure homeland security against the ‘enemy’ (himself?) What is rarely mentioned is that Greenland is also so rich in resources (so useful to ‘resource’ hungry America). This lunatic threatens to make everyone that refuses to support the takeover ‘pay’.

What never seems to make it into the news is that should this takeover happen the Inuit people who have subsisted in this harsh but magnificent peace of earth (peace used deliberately) for thousands of years will be destroyed. How is it possible that no one mentions that this is yet ONE MORE Indigenous culture that will go down under the tyranny of the colonizers? I repeat this truth for emphasis because Indigenous peoples are invisible in this culture, regardless of what is said. 500 hundreds year of oppression by foreigners isn’t enough?

Broken Roots? by Sara Wright

I write to
find out
who I am
becoming
and when
I implored
Sedna
to take
me back
to the sea
I came
to know
my roots
to Place
were
broken
by age
by betrayal
by loneliness
by advocating
for a planet
animals, trees
by people
who do not listen
by people who
will not see

like Mother Pine
moaning
outside
my door
I too
moan
Unforgiving
Ice and Wind
Treachery on every path
Trees encased
in White

At the Bottom
of the Well
Water Murmured
accept
this Break

Underground
Mycorrhizal
threads remain
your Guides

Sedna
rises
meets you
on
dry land
for the second
time in
one year

Lightbringer by Sara Wright

Author’s Note: I wrote these two poems back to back and didn’t realize until afterwards that they belong together.

Storm Sky Invasion

I stand
at the window
peering
through haze
gray on gray
or is it white
a tangle of
bare branches
obscure powdered
hemlocks
lining a frozen
brook
ki
winding
her way
under
ICE
to the sea
where marble eyed
Seal stands
watch
on a stone
centering a lake
whose boundaries
remain obscure
Guardian
of Flowing
Waters
freed from
constraints
freezing
just one
her sleek
coat
I stand
at the window
peering
through haze
gray on gray
or is it white
a tangle of
bare branches
obscure powdered
hemlocks
lining a frozen
brook
ki
winding
her way
under
ICE
to the sea
where marble eyed
Seal stands
watch
on a stone
centering a lake
whose boundaries
remain obscure
Guardian
of Flowing
Waters
freed from
constraints
freezing
just one
her sleek
coat
a dream
shining
through
descent
each step
takes
us
deeper.
I thought
I saw
a fish?
One silver dagger
Twins with
swords
puncture
frigid air
one falls
to ground
water
petrified
by an
unearthly
chill
ever darkening
skies
blur
the force
of an
oncoming
storm
ICE a
threat
black and
white
crocheted
extremes
hidden
behind
masks
of the dead

Omen by Sara Wright

I was driving down the road when I noticed a dead owl. Sun glare blinded me, but I stopped to identify the bird.

It has been many years since I picked up dead owls on the road – thirty five years in all. I began this practice of bringing home the bodies of these creatures when I first moved to the mountains. Finding so many dead owls in a brief span of five years was frightening, but someone in me knew that I needed to honor these Harbingers of Night. Yet the last thing I wanted was to be identified or aligned with an owl, so my behavior rose out a body that never lies. Visions of my mother’s love of owls clouded my mind. Within months of this mountain move a Navajo Medicine woman informed me that I had Owl as a Familiar. Horrified, I resisted mightily. Yet despite what seemed like a curse, I was still compelled to sculpt owl pots out of clay for five years. The losses I endured during this time changed the course of my life.

I taught myself how to dismember owls. I burned owl remains in my woodstove as a symbol of deep respect and out of fear. I always kept feathers and wings in honor of these mysterious night beings not understanding why.