Academics – Page 3 – Feminism and Religion

The Door by John Erickson

Faith is something we get from each other, and sometimes in the most magical of circumstances, faith becomes embodied by the person you love the most.

I have a Ph.D. in American Religious History but I’ve never been much of a religious person. It’s been one of the conundrums of my life but nevertheless, I found religion and its role in influencing, for good and bad, the lived experiences of the LGBTQ community something worth exploring.

I’ve been struggling with writing this post ever since I graduated and officially became “Dr. John.” In preparing for my defense, the Chair of my Dissertation Committee requested that at the start of the defense, he wanted me to introduce my project, its overall scope, and most importantly why I wrote it.

Why did I write it? How does one answer why they chose to devote 8 years of their life to a single subject in search of an original idea? While some would sit and grapple with this question, I knew what the answer was all along because it always was (and always will be) about my maternal grandmother, Gladys Hritsko.

I wanted to know what made me different. Throughout my dissertation, I interviewed people who, much like myself, grew up in similar small towns, attended the same conservative church services, and heard the same damning things that I did about my sexuality being preached from the pulpit. Many of my subjects were deeply hurt by religion and it set some of them up for years of searching and painful memories and experiences that both forced them to leave their religious and faith-based communities they grew up in or, in the worst case, being kicked out by their family as a result of their religion.

Continue reading “The Door by John Erickson”

Reimagining the Classroom: Embodied Ecofeminism and the Arts Course on Hawai’i Island by Angela Yarber

“The classroom remains the most radical space of possibility in the academy.”-bell hooks

Like many academics, my “in the box” dream was to be a professor. The full-time, tenured kind. Like many queer feminist academics, I know that such dreams are rarely reality. When you’re also an artist and activist with a strong penchant for wanderlust, these dreams are simply unattainable fairytales. Never one for “in the box” living, I left the traditional academy and traditional church years ago, wandering over the garden’s walls with Lilith as my intrepid guide. I’ve told the story before. My wife and I left our jobs, sold our home, traveled full-time with our toddler, and turned the Holy Women Icons Project into a non-profit while building an off-grid tiny house on the television show Tiny House Nation in Hawai’i. It’s become old news. But since we’ve been doing this for several years now, those faraway dreams are finally starting to become reality. The academic classroom, the activist’s platform, the artist’s studio, the feminist’s megaphone, and the farmer’s orchard are fusing into one creative, life-giving, empowering space for teaching. The Holy Women Icons Project’s first academic course, “Embodied Ecofeminism and the Arts,” is actually happening. Seminarians and doctoral students from Berkeley join us in January. They’re soon followed by undergraduates from New York and seminarians from Atlanta. And I’m reaching out to more and more schools interested in creatively, subversively, and sustainably decolonizing the classroom with us for one week on the Big Island.

Continue reading “Reimagining the Classroom: Embodied Ecofeminism and the Arts Course on Hawai’i Island by Angela Yarber”

Double, double… rhymes are trouble by Katie M. Deaver

I never considered myself one of those people who gets really “into” Halloween. But, as one might expect having an eight year old, especially an eight year old who celebrates her birthday shortly before the holiday, has made me much more in tune with the excitement and preparation which surrounds Halloween.

One of the traditions that I do very much enjoy is watching Halloween movies like Hocus Pocus and Double, Double, Toil and Trouble and, new to us last year, drinking warm mulled wine after coming home from a chilly (and this year possibly snowy!) night of Trick or Treating.

In my work as a church musician Halloween is book-ended by the celebration of Reformation and All Saints Day, so it tends to be a fairly busy time for my work schedule. As a result this is often the time of year that I reconsider my self-care and centering routines in the hopes of somehow preparing myself for the coming holiday season and the end of the year. This year, as I checked in on my current practices I realized that I haven’t been reading as much poetry as I used to when I was in grad school. As a result I have been trying to get back in the habit of reading some poetry a few times each week to help center myself. As luck would have it the last few weeks have found me stumbling upon poetry with connections to the Halloween season. I want to share with you a portion of two seasonal poems that I have encountered and are sticking with me.

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Pro-Choice and Christian: Reconciling Faith, Politics, and Justice BOOK REVIEW by Katie M. Deaver

In 2015 Kira Schlesinger wrote piece for Ministry Matters about how her own pro-choice stance on abortion had become more complicated the more she explored the issue of abortion. The article was widely read and shared, as well as hotly debated by many. You can read this article and the many comments here. Out of the response to this article grew Schlesinger’s Pro-Choice and Christian: Reconciling Faith, Politics, and Justice.

The book does a great job of walking the fine line of being both academically engaging and an easy enough read to engage a book or Bible study group as well. Schlesinger uses the first couple of chapters to dig into the history of abortion, listing recorded examples of the process as early as 1300 BCE. From there she briefly walks the reader through the roughly 100 years (Comstock Act in 1873 until Roe v. Wade in 1973) during which abortion was illegal in the United States. Finally, she wraps up this beginning historical section with details about the generations after Roe v. Wade up to our current reality.

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“Ursula Niebuhr, Ursula Niebuhr”: Unacknowledged Co-author of Great Works of Theology? by Carol P. Christ

A few days ago while watching the movie The Wife, I kept hearing the words “Ursula Niebuhr, Ursula Niebuhr,” in my mind. I knew the reason was Ursula’s unacknowledged collaboration on the work of Reinhold Niebuhr, which I discovered while writing an earlier blog on uncredited co-authors.

I had not been particularly interested in seeing The Wife because I assumed it was the familiar story of the woman who gives up her career interests when she marries. Want to become a rabbi? Marry one. Want to become an artist? Live with him and become his muse. This is a very old story, and for me, not a very interesting one.

A few days ago plus one, I was watching reruns of Judge Judy on Youtube when the recommendation to watch Sarah Plain and Tall with Glenn Close came up on the screen. While watching it, I was directed to an interview with Glenn Close that turned out to be about her starring role in The Wife. Close told the interviewer that for her the big question was: “Why didn’t she leave him?” Continue reading ““Ursula Niebuhr, Ursula Niebuhr”: Unacknowledged Co-author of Great Works of Theology? by Carol P. Christ”

Movement of Moving and Spiritual Journey by Elisabeth Schilling

It looks like it is time again for me to pack up and drive a few hundred or more miles to a new destination, a place I will finally try to plant roots, this time offering commitment + endurance, hoping to build a life of more balance and authenticity. I assume I will need a constant reminder of gratitude, quelling the entitlement that can bubble up when I think “this should be easier.” I’m not sure when, why, or where I’ve picked up that refrain, but I see it in others and myself and wish for an alternative.

With the help of several people, I’ve secured a full-time college teaching position on a beautiful college campus of a kind of institution I am certain is doing its part to heal the world. At least that is what I feel when I serve at a community college, a place where I feel inspired and challenged by students who have a diversity of needs. I’ve been teaching in such institutions for so long, I’ve fallen in love and know, by experience, that I can help in such spaces.

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Beaches and Books by Esther Nelson

Even though I’ve traveled and lived throughout much of the world, I’ve never thought of any one place or geographic location as home. I have always felt a little envious of people who claim to have a strong, visceral connection to a particular house, garden, village, landscape, or city in a specific, geographic area.

We often use the word home to indicate a space where we feel accepted, safe, nurtured, loved, and at peace. Although I’ve never sunk deep roots anywhere I’ve lived—or even visited—I feel most grounded when standing on a sandy beach anywhere in the world, overlooking an expansive view of the ocean. Perhaps the cowboys in American folklore and legend felt “home, home on the range where the deer and the antelope play,” but I don’t. I am much more at ease with home, home on the beach where the wind swirls the water and sand.

I often hear the beach calling me. Sometimes I listen and allow myself to fall under her spell and into her fluid embrace.

Continue reading “Beaches and Books by Esther Nelson”

The Finish Line by John Erickson

I see it…do you?

It’s just within reach and I’m almost there…the proverbial finish line to my Ph.D.

That’s right folks, I’m graduating.

To say that this has been an easy journey, one that many of you have read about and witnessed, would be an understatement. For many of us, that finish line is far away or getting there seems more like a hope and dream rather than a reality. Whether or not it is because of economic hardships, life in general, or the regular types of “isms” that so many of us face while trying to better ourselves via academic enrichment, the struggle is real. Continue reading “The Finish Line by John Erickson”

His Terror by Carol P. Christ

The first two parts of Susan Griffin’s Woman and Nature, “MATTER” and “SEPARATION,” are written in the authoritative voice of western philosophy and science that declares matter to be dead and the body an impediment to thought, and proceeds to separate the mind from the body. All of this, Griffin suggests, is based in the fear of death.

As Griffin notes, in this equation woman is identified with the body and her voice is silenced. Re-reading these parts of Woman and Nature for the umpteenth time for a class I am teaching felt even more painful than it had before. I was reliving parts of my own story. Continue reading “His Terror by Carol P. Christ”

This Is What Rape Culture Looks Like: Part 3 by Carol P. Christ

Warning contains images of rape in the history of art portrayed through the pornographic male gaze

According to the myth, Danae was the only child of the King of Argos who longed for a male heir. After an oracle declared that Danae would indeed bear a son, but that he would kill his grandfather, the King locked his daughter in a tower. Hearing the story, Zeus decided to breach the tower. Transforming himself into a shower of gold, he entered the tower through its roof and raped Danae. When Danae gave birth to Perseus, the King locked them both in a chest and dumped it into the sea. Zeus rescued them, and Perseus went on to behead Medusa, but that is another story.

The myth of the rape of Danae has been a popular subject for male artists from classical times up to the present. It is unclear whether, when they dreamed of “golden showers,” the artists had in mind degrading activities involving pee or whether they thought of sperm as inherently golden, perhaps as the mirror image of golden treasures stolen as the spoils of war. In any case, they were fascinated with the image of golden sperm. In their works, Danae is portrayed as beautiful and rape is normalized. The brutality of the facts–that Danae was locked in a tower by her father, that she was raped while imprisoned, and that her father tried to murder her and her infant son–are overlooked.

I was little more than a child myself when I began to study images like this in the history of art. I spent countless hours gazing at them in the museums of Europe before I was twenty. I am not sure I even knew what sperm was at the time. Nor had anyone explained to me that rape is always a violent act. Like Danae, I accepted rape: the rape of my innocence, the rape of my mind, the rape of my psyche.

#JustSayNo

Do not accept what you are taught. Do not accept that rape is beautiful. Do not accept that paintings of rape are beautiful. Do not accept rape culture. Do not let anyone tell you that Greek myths are beautiful. Do not let anyone tell you Greek myths are archetypes of the psyche. Question. Question everything.

Also see: https://feminismandreligion.com/2018/12/03/this-is-what-rape-culture-looks-like-then-and-now-by-carol-p-christ/ and https://feminismandreligion.com/2018/12/10/this-is-what-rape-culture-looks-like-in-great-art-by-carol-p-christ/.

Carol P. Christ is an internationally known feminist writer, activist, and educator living in Crete. Carol’s recent book written with Judith Plaskow, Goddess and God in the World: Conversations in Embodied Theology, is on Amazon. A Serpentine Path: Mysteries of the Goddess is on sale for $9.99 on Amazon. Carol has been leading Goddess Pilgrimage to Crete for over twenty years: join her in Crete. Carol’s photo by Michael Honneger.

Listen to Carol’sa-mazing interview with Mary Hynes on CBC’s Tapestry recorded in conjunction with her keynote address to the Parilament of World’s Religions.