In January of 2013, I wrote an article here for FAR called Embody the Sacred. In it I wrote,
“If we are to fully embrace living a magical life it is important to remember how to live in our bodies comfortably and safely. If we re-awaken all of our senses, our awareness is expanded and our perceptions clarify and develop. Without this, our magical life will not develop as it could. Our enjoyment of all that is Sacred will be impeded, as if walled in and separated from all that is possible.”
I would like to rephrase this statement just a bit to reflect where I am in my thinking now.
If we are to fully embrace living, it is important to remember how to live in our bodies comfortably and safely. If we re-awaken all of our senses, our awareness is expanded and our perceptions clarify and develop. Without this, our lives will not develop as they could. Our enjoyment of all that is Sacred will be impeded, as if walled in and separated from all that is possible.Continue reading “A Crone’s Life, an Embodied Experience by Deanne Quarrie “
They always say in writing – use a title and the first few sentences to grab attention and the reader will want to see what you have to say. By my title, you have probably ascertained that I have made reference to a couple things: Wonder Woman, Sheryl Sandberg’s “Lean In,” and traction. While lately, I have suffered from writer’s block and lack of time to work on my writing, I have also found myself in another place of suffering that has me in traction at least thrice weekly.
It is in that spirit that I reflect on my former status as the infallible wonder woman – the mom of 4, who works full time, teaches, writes, supports her family, is in the middle of writing a dissertation and who started this new year as my year to “Lean In” and really excel in my career – to the current status of fallible woman, mom of 4 trying to stay afloat in all of her obligations, dealing with difficult sibling and teenage bantering as well as (thanks to a begging daughter spouting promises of responsibility) a Siberian Husky puppy and a resident 10 year-old Boston Terrier who now demonstrates the epitome of love-hate relationships, to prioritizing projects in order to keep everyone happy while I try to heal, attend physical therapy, and manage newfound pain and limitations.
In this post, I offer my [brief] thoughts about aging and struggles when a body, probably abused through pushing too hard, but also enduring the normal wear and tear of aging, begins to betray you while trying to come to terms with to a new normal of limitation within your own being – “adapting” if you will – a skill that I believe women have come to master well.
Throughout life, we all face our shares of limitations and encounters with mortality. Lately, it seems like I have encountered one thing after another. However, as these events arise, life must inevitably move on – but, moving on does not mean ignoring what just occurred. Rather, time needs to be taken to understand and appreciate each of these things – even if things do not go our way. Continue reading “What Happens when Wonder Woman “Leans In” and Winds up in Traction? by Michele Stopera Freyhauf”
I have begun to call my mother the “Reaper,” which I understand could be to some mums sort of insulting. Images of the Reaper are typically not terribly flattering, you know, with all that sunken skin and stringy black cloth flying around. My mom looks nothing like that, by the way. In fact, she has at all stages of her life borne a striking resemblance to Elizabeth Taylor, causing many a stranger to run up to her over the years, exclaiming, “Oh my goodness, do you know who you look like?” And, let me add, often much to the consternation of those in Mom’s company, such as, well– me, for example– when I was trying to deliver my first baby and the attending nurse ignored me in order to chat with my mom about her resemblances. But, I digress here.
Mom is the Reaper because she is at that point in her life when she rather unabashedly tells it like it is, “reaps truth” as I have come to think of it. Though she may look all violet eyes and white diamonds, she is beyond mincing words.
Is this a feature of aging? I once read that the decreased estrogen and increased testosterone levels in post-menopausal women may contribute to a personality shift where women are more inclined to report on what they are thinking. This may be a factor, but I would find it likelier that many women, menopausal or not, simply get to a point when they have seen/heard/experienced/endured enough that they find little merit in putting up fronts, regardless of hormonal predisposition.
Plus, I am wildly unimpressed by some of the material out there on menopause. It seems like a lot of conflated nonsense that correlates every aspect of female sexual maturation with hormonal imbalance and impending doom. I recently read a book by an “expert” named Dr. Miriam Stoppard – great last name for a menopause specialist, right? – that actually gave medical advice alongside hints about make-up tricks, relationship management tools for your depressed mid-life spouse, and what girdles to wear to help hold up your sagging flesh.
It is interesting that “women who speak their minds” are even an object of contemporary cultural commentary at all. I mean, would there be any talk at all about males who speak their minds? Young girls who speak their minds are cast as feminists, strong-willed, scary to boys, unfeminine, and so on. Of course, the embedded androcentric assumption is that they are doing something contrary to normative female behavior. Older women who “speak their minds” are cast as rude hags and crones, spreading around their venom and disappointment, especially if they swear. This blog on post-divorce dating, kind of says it all:
Society has created this vortex of fear surrounding women aging. Yet, as I turn 30, I am only feeling awe. Awe over everything I accomplished in my twenties and awe in all the things yet to be realized in my thirties. The interesting thing is how other people are experiencing me turning thirty. Some are reminiscent of their twenties or how their experienced their thirties. Others start to bring up certain things which are apparently still lacking in my life. The biggest ones are a husband and children. They look at my eve of thirty-hood as the clock ticking away on me finding love and most definitely on my biological clock.
In 2014 I wrote about the passing of my dear Pop and the painting that burst forth when I was told very clearly that Pachamama had come to accompany him on his return. It is with a very heavy heart that I now write with news of the recent passing of my dear Nanna. The anchors of our family now both gone. When I was told of her passing, I envisioned her being carried by angels; at peace and free of pain.
The last time I saw her she told me the spirits had been visiting. “I’m not scared,” she declared. This was not surprising for Nan always had a close relationship with spirit. I remember her telling me of a ghostly experience she had many years ago. It was very late one night and someone had come knocking at the door. Out of bed she got and answered it only to be greeted by her brother who had died many years before. He asked her to come with him and she told him it wasn’t time yet. Nan swore it wasn’t a dream. It had really happened. This is just one of many otherworldly encounters she told me about over the years.
Much of my childhood and early adulthood was spent at Nanna’s house so there are plenty of fond and funny memories of her. Her obsession with ghost and horror stories stands out as one of them. When we were children, she would get my sister and me to stay up late with her and watch all kinds of mystery murder shows. I remember watching The Hounds of Baskerville with her and being scared witless. The bonus however was getting to cuddle up in bed with her for the night.
Reading was one of her greatest passions, and she read everything from Shakespeare to Stephen King. I believe it was Nanna who inspired my love of history and over the years we swapped and shared numerous historical books. Her knowledge of Old Britain was astounding, and I remember many a discussion over the fate of Mary Queen of Scots – Nanna was always a bit anti-English, and we often wondered how history may have unfolded if Mary hadn’t been de-throned and exiled. In fact the last book she sent for me to read was another about her.
Stargazing was another one of her loves and is something she will be dearly remembered for. Many evenings were spent out on the deck looking to the night sky. Nan knew where all the constellations and zodiac signs were and she rarely missed an astronomical event. Whenever I have looked to the stars I have thought of Nanna, but now when I look to them, she is one of them. Shining down on us brighter than ever.
I dedicated my latest painting to Nanna. For me, painting is how I can process my thoughts and feelings and is also a way to find clarity and understanding on matters such as the nature of life and death. From the moment I made the first marks on the canvas I kept hearing “your ancestors are behind you.” I knew I was being guided by them and tried my hardest to connect in with Nanna’s spirit to see and feel who guided her home. Nanna had strong ancestral ties so it was only fitting to feel them so strongly here. The two younger women standing in front are the gatekeepers, standing at the threshold to the other side. The woman in the centre came with the message that Nanna is at peace – she is peace. She is pictured smelling the roses that were one of Nanna’s favourite flowers to grow. The firebird symbolizes transformation and the flight of her spirit that is seen to the left leaving, heading back to the cosmos from whence she came.
“Suddenly all my ancestors are behind me. Be still they say. Watch & listen. You are the result of the love of thousands.” She is at Peace, by Jassy Watson
Death is surreal and it still hasn’t quite sunk in that I will never see her again. Nanna was a strong and caring woman who loved her family deeply. Her legacy is one of love, and while the circle feels broken in the sense that she is no longer physically here, it remains unbroken for her spirit lives on forever in our hearts.
I am the daughter of Ramona Cherise Lane, the granddaughter of Ailsa Aileen Rollings and the great granddaughter of Ruth Harrison. I come from a long line of beautiful, strong and capable women stretching back to the dawn of humankind. I honor them and give thanks for all that they have taught and shown me.
Nanna taught me about my ancestors.
She taught me about the importance of storytelling.
She taught me about mystery and history.
She taught me to love books.
She showed me how to crochet and knit.
She showed me how to play cards.
She showed me spirit.
In life and death Nanna has taught me of unconditional love and acceptance.
“Death leaves a heartache no one can heal, love leaves a memory no one can steal”
(Irish Headstone)
My sister Carissa, Nanna (Ailsa) and me
Jassy Watson, who lives on the sub-tropical coast of Queensland Australia, is a Mother of four, passionate organic gardener, Intuitive/Visionary & Community Artist, Teacher, Intentional Creativity Coach and a student of Ancient History and Religion at Macquarie University, Sydney. She is the Creatress of Goddesses Garden, Studio & Gallery; a school for the Sacred Creative Arts. Jassy teaches regular painting workshops in person, nationally and internationally, and online based around themes that explore myth, history, earth connection and the Goddess. Regular creative events and presentations are also held that have included visits from international scholars, artists and musicians. Visit http://www.goddessesgardenandstudio.com to read more about her and the work she creates.
As you read this, dear FAR community, it will be my 59th birthday. I was born February 27, 1956. I have one year to go before I turn 60. For this last year I desperately wanted to dye my hair blue, purple and green and let the roots go gray.
However in a long conversation with my hair stylist she helped me realize that I have spent so many years dying my hair various shades of brown, dark brown and burgundy that if I bleach the hair out to white (so that I can then go blue, purple and green) the hair will fry and fall out—ah, Ok. I will live with my brown, black and burgundy hair until I am ready to go completely gray and watch it grow out (my hairdresser tells me it will take three years). Or I will decide to live with the choice I made to dye my hair since I was 35 or so and let it be and keep dying it – and have that be the choice I made. Continue reading “On Not Being A Big Hollywood Film Director, and Other Life Choices by Marie Cartier”
Before Olga Eunice Quintero Smyth died on December 4, 2014 at age 101 and 10 months, I was tempted to believe she was immortal, literally. I knew Olga for forty-five years (from age 16 to 61). For thirty-five of those years she was my mother-in-law. Our history began when I was kicked out of high school and went to work at her free-wheeling school, her utter lack of any interest in reforming me a blast of fresh air. It ended with me sitting beside her as she was dying, softly singing “Row, Row, Row Your Boat.”
Olga was named for a Russian princess her mother encountered when she was a babe in her arms en route to Trinidad from her native Venezuela. Olga took for granted her descent from Incan royalty as well. Her mother moved the family to New York when she was eleven. A few years later, she won a scholarship to Mount Holyoke College. She married a classmate’s brother, Julian Smyth, great grandson to Nathaniel Hawthorne. If that weren’t enough, Olga claimed for Julian’s line direct descent from the first century Celtic Queen Boadicea. As long as she could speak, she spun tales. “Where in Africa was she born?” one of her nurses asked me. “What kind of a dancer was she?” Continue reading “My Immortal Mother-in-Law by Elizabeth Cunningham”
First of all a Crone is a woman. She has lived most of her life already and has accumulated many life experiences and therefore, can relate to those younger than her with greater understanding. She has acquired the wisdom associated with having had those life experiences. She has reached a place in her life when she may be slowing down. She may have retired from her career. She may want to devote more time to herself, serving more as an advisor rather than as the doer. We can read the poem, Warning by Jenny Joseph to get an idea, or watch her read it here or below…
“When I am an old woman I shall wear purple
With a red hat which doesn’t go, and doesn’t suit me.
And I shall spend my pension on brandy and summer gloves
And satin sandals, and say we’ve no money for butter.
I shall sit down on the pavement when I’m tired
And gobble up samples in shops and press alarm bells
And run my stick along the public railings
And make up for the sobriety of my youth.
I shall go out in my slippers in the rain
And pick flowers in other people’s gardens
And learn to spit.
You can wear terrible shirts and grow more fat
And eat three pounds of sausages at a go
Or only bread and pickle for a week
And hoard pens and pencils and beermats and things in boxes.
But now we must have clothes that keep us dry
And pay our rent and not swear in the street
And set a good example for the children.
We must have friends to dinner and read the papers.
But maybe I ought to practice a little now?
So people who know me are not too shocked and surprised
When suddenly I am old, and start to wear purple.”
Next Saturday, November 1, is the holiday Día de Muertos, or Day of the Dead. This is a Mexican holiday that has currency now throughout the world—but especially in California. After all, in 2014 Latinos will surpass whites in California demographics. It is prevalent at this time in Southern California to see sugar skulls decorated—to even have children make decorated sugar skulls and honor the dead. The holiday provides a focal point for a centered observance and prayer dedicated to those who have died in the past year. It is connected to the other holidays at this time, particularly Halloween where as we Wiccans often say “the walls between the worlds are thin.”
Another tradition celebrated at this time is creating an altar for loved ones—or several altars or ofrendas. The altars can hold sugar skulls, photos and artifacts of the deceased, and marigolds. Marigolds are a symbol of death and are referred to as “the flower of death.” Marigold petals might mark a path from a home to a grave in a village so that the dead can find their way back for this holiday. Marigolds make arches and decorations in and around the altars/ofrendas for the scent of the marigold is purported to draw the dead back for the Day of the Dead reunion. The holiday has its roots in indigenous Mexican holidays and continues back possibly 4,000 years to Aztec rituals honoring the goddess Mictecacihuatl, the Queen of the Underworld. Continue reading “Honoring Our Dead, Holding their Stories by Marie Cartier”
My mother-in-law, quoting her mother, has often said, “a woman who tells her age will tell you anything.” I think the “anything” here she is referring to is sexual disclosure. She may be correct because I am not above or below talking about that, but that is not what I am talking about today. Today, I am talking about age, since I am on the cusp of my fortieth birthday.
Still two months out, I am surprised that this birthday registers for me as much as it does. The experience has caused me to plumb my mind in search for vanities that I had not previously noticed. In the depths as on the surface, I have observed, for example, subtle changes in my skin and muscle tone. I will catch a glimpse of my profile and see my mother or my sister, occasionally even one of my grandmothers. My feet look a little, well, bonier somehow. I had to buy glasses recently. However, when I go spelunking, it is not really these things that trouble me. I actually like myself more as an adult than I did as a child or very young woman. I developed a wonderful sense of my body’s strength when I bore and nursed children as well as a compassion for its limitations when I had surgery. I seem more suited to my own flesh these days, and sometimes I actually feel sorry for my younger self who did not know how to appreciate herself. In twilight moments, I occasionally drift backward mentally to a previous iteration just to offer her a little affirmation. It is not really the getting older that I find myself snagging upon nor (and I think I am being honest here) the loss of youth per se. What is it then? Continue reading “Mid-Life Genesis by Natalie Weaver”