Earth-based spirituality – Page 11 – Feminism and Religion

After the Crowning by Sara Wright

Emerald and lime
chartreuse lemon
burgundy
burnt umber
leafy green
breath
transformer
palms and
needles
raining light
magic bean
spirals skyward
star gazing
ferns feather
paths
pearls
at my feet
wild lilies
woodland
valley brook
scarlet
roots
hug
weeping
fruit trees
conversing
underground
pollinated
rose petals
nourish
moist earth
each tear
slips away
bowed
deep
gratitude, a
grieving moment
a thousand
bees hum
as One.
This cycle
ends even
as
another
has begun.

Mayflower Crowning by Sara Wright

I sit under the snowy crabapple as fragile flower petals drift one by one to the ground, covering my hair in white butterflies, soon to become the first mulch of the year. Our Lady is always nourishing new life…

The hum of a thousand bees is deafening – bumblebees – glorious golden rotund bodies swarming from one tree to another with so many relatives – everyone seeking sweet nectar.

The scent is beyond description – intoxicating – a poignant perfume lasting only a few days and keeping me rooted to my bench every single morning to soak in the sweetness under impossible heat. Heavily polluted air is thick and metallic but here I inhale a plethora of fragrances so intense they drown out poisoned air.

Refuge by Sara Wright

Refuge is a place I go to be with other forests. A blessed place…even when I have a dog that is dying. Two free writes from the field where Nature is Queen of May and June…

Deep Time, Big Dream by Sara Wright

I am standing on top of a mountain looking over a landscape of unspeakable wild natural beauty that stretches as far as I can see. This is the ‘long view’ the dream -maker tells me. The trees are stretching out their lush green needles to the sky as if in prayer, and they are whole. The forests, clear waters, the animals, birds, insects, and All of Nature has been returned to a State of Grace.

An Old red skinned Indian Man appears. He is a Grandfather. He is on the mountain with me but also stands below (both and). He speaks to me.

“Sit, listen, this is the Song of Life”.

A finely crafted flowing red clay seat appears below (it flows like a wave) although it is situated a few inches above the earth. Almost hovering. I also see a drum made from deerskin and red clay on the ground. There is a four directional equilateral black cross on the skin of the drum. The cross is thick and around the cross an intricate design is etched/inked into its skin also highlighted in black.

May Day by Sara Wright

To Death in Spring

‘Experts’
told me

you would
not rise

too old
they said

abandoned
purple and rose

The Circle of Giving and Receiving by Sara Wright

Yesterday my Vet and I created our version of the Indigenous Tewa Seed Ceremony, something I have not done since living in New Mexico (except to honor the Seed Moon). We didn’t plan to make an exchange of plants and seeds on earth day because neither of us believe or thought about it – (either do Indigenous peoples) – every day is earth day – so it just ‘happened’ on the day before the Seed Moon becomes full.

After giving Gary a very special heirloom scarlet runner bean sprout of mine (and seeds) along with the rest of ‘his’ plants that I had been nurturing for months, we also split up a sedum to share, one that he had given me in the hospital last fall, closing another circle of giving and receiving.

It wasn’t until after we parted that I was struck by lightning. Visceral memories surfaced as I relived the Tewa Sacred Seed Ceremonies I had attended in NM, gradually coming to the realization that we had unwittingly participated in an ancient ceremonial exchange that may have originally extended back to Neolithic times.

Mother’s Day: From Pagan Origins to Modern Celebrations by Judith Shaw

On May 12th families will gather together in the United States to celebrate another Mother’s Day. This is a good time to reflect on mothers, motherhood and why we take a day to celebrate our mothers.

“Yemayá, Mother Goddess,” oil on canvas by Judith Shaw

‘Forget Me Not’ by Sara Wright

As if I could.

Almost three days of spring flooding seems so normal now that I expect it. Hard to believe it’s only been raining like this for less than a year. A warming climate creates torrential rain, three to five feet of snow at once, wildly fluctuating temperature shifts and who knows what else. After all, this is just the beginning. The end is out of sight.

One robin awakened me this morning with a symphony and kept up his chorale for an hour. It was still raining then but robin warbled on, harbinger of spring.

Today was the day I promised myself I’d tackle the cellar, now flooded even with a sump pump that runs around the clock. Our poor patch of northern earth is just too saturated.

Embrace Fearlessly this Burning World by Sara Wright

“Attention is the rarest and purest form of generosity”.
Barry Lopez

The older I get the more I realize that being able to pay attention is the greatest gift especially in what Lopez calls ‘this burning world’.

Every day there is an opportunity to engage with some aspect of the rest of nature, no matter how despondent I might feel. Because early spring is a difficult time for me, I try to discipline myself to open nature’s door daily because it is in these timeless moments, I get caught by the ephemeral Now.

Last week before the storm that would later drop another two feet of snow at my door I decided to visit and feed the two geese thinking that they might appreciate extra food. I also had a nagging sense they might be calling me.

Poems by Annelinde Metzner

For a number of years, I’ve been staying at the St. Helena’s Island, South Carolina home of Ifetayo White, Reiki Master, teacher of doulas, and healer in many modalities. I am always deeply healed by Ifetayo’s presence, and by the island itself. This island near Beaufort is the home of the Gullah people, who have kept their land since Reconstruction according to a legal system called “Heir’s Property.”

The spirits are strong here, and I’ve tried to capture some of the essence of the island and of Ifetayo, in these poems. In the first, I describe Ifetayo’s wonderful healing room. The second features the Grandmother Tree, one of the live oaks covered with Spanish moss, so prevalent in the Low Country. The third features the Resurrection Fern, which appears brown and almost dead on the limbs of the oaks, but springs into vivid greenness after a rain.