Buddhist Misogyny Revisited – Part II by Barbara McHugh

Read Part I here first

Webster defines myth as “a usually traditional story of ostensibly historical events that serves to unfold part of the world view of a people or explain a practice, belief, or natural phenomenon,” and in this way myths tell us who we are. Unfortunately, they include stories, from Adam and Eve to Cinderella and Sleeping Beauty, that define women by using criteria such as gullibility, passivity, and the size of their feet.

But today women are shining light on the likes of Circe, Mary Magdalene, and Briseus, the young woman dismissed by Homer as an impediment to Achilles’s higher purposes. These stories counter the traditional narratives that restrict women, as well as men, to roles that rob them of their full humanity. In my novel, Bride of the Buddha, the Buddha’s wife embarks on a spiritual journey of her own. When her quest leads her to the Buddha’s all-male sangha, she disguises herself as a monk, eventually becoming Ananda, who in the scriptures is the Buddha’s attendant, the one who struggles with all the questions unenlightened practitioners face today.  The answers to these questions cannot be stated as propositions; they must be felt and lived. Hopefully, my version of Ananda suggests new possibilities for feeling and living these responses. If this “violates” the myth, it does not violate the Buddha’s fundamental views.

Continue reading “Buddhist Misogyny Revisited – Part II by Barbara McHugh”

Buddhist Misogyny Revisited – Part I by Barbara McHugh

Recently, I wrote a novel about the Buddha’s wife disguising herself as a man to join his religious community. When I showed the manuscript to a Buddhist friend, whose knowledge and practice I respect greatly, he expressed apprehension that it violated the basic myth of Buddhism. I assumed he meant that my storyline of gender deception strays too far from the versions of the Buddha’s life as recorded in the traditional canon, which adherents regard as the Buddha’s inviolable teachings. The last thing I wanted to do was to misrepresent these teachings.

What does it mean “to violate a myth”?  If I had portrayed the Buddha as a psycho-killer or wife-beater, I could appreciate this charge, but I had presented an enlightened Buddha whose values were in alignment with standard scripture and the mores of his day. The change I made was to tell the story from a woman’s point of view, and to do so, I modified some of the traditional legends and created new material to make my choices plausible. Predictably, my modifications came up against many of the stories’ misogynistic elements.

Continue reading “Buddhist Misogyny Revisited – Part I by Barbara McHugh”

About Bridgerton: A Different Feminist Perspective by Christine Irving


First of all, I’m grateful to Bridgerton for providing several spirited conversations between my friends and me, not to mention the POVs penned recently in these pages.  It was fun to take part in exchanges that did not highlight or veer off into either politics or the COVID-19 epidemic.

What first drew me to Bridgerton was the fun of it – the blatant over the top spoofery and satire so like the Commedia dell’arte it so brilliantly imitates.  The Commedia got away with its mockery of society because it disguised it beneath a froth of opulent, frippery, and coarse buffoonery that distracted the rich (but not the poor) from its real message about the foolishness and vanity of the ruling class.  So does Bridgerton, but in this case, the culture being satirized and unveiled is ours.  Unlike those earlier dramatists, in our age we fortunately and so far, at least in this country, still enjoy much greater leeway in making mockery.  “Huzzah!” I say. Continue reading “About Bridgerton: A Different Feminist Perspective by Christine Irving”

Bridgerton: The Next Wrong Thing in Misogynist Television


Why can’t we have nice things? Because the porn industry has infected media, that’s why.

I have read several of Julia Quinn’s fanciful romance novels. They contain entertaining and sympathetic stories about the economic and social pressures on gentlewomen of early 19th century Britain. The females are creative, courageous, intelligent, and honorable. The males are… well, they are somewhat sexist, of course, but no more sexist than most men I know. The books do a mediocre job of challenging gender roles or stereotypes (especially in their cookie cutter portrayals of male heroes), but they directly challenge overt sexism and misogyny. Quinn calls herself a feminist. Continue reading “Bridgerton: The Next Wrong Thing in Misogynist Television”

White Monkey Chronicles by Isabella Ides

A gift from author Isabella Ides: 

Hello FARsighters!!

This is more of an announcement than an article. My novel, WHITE MONKEY CHRONICLES, which has been reviewed by Elizabeth Cunningham on the FAR site, will be offered for FREE for five days, Oct 1st through Oct 5th. I would love for the women of FAR to be able to take advantage of this limited offer.

The story centers on a rogue order of nuns who are raising an undocumented, bicultural baby god on the downlow. He’s blue. A little bit Hindu, a little bit Jew, the baby is an inconvenient truth about an affair between two Gods from opposing religions, one married, one the famous bachelor God of the bible. The Cardinals of the Great Church get wind of this illegitimate baby God and so begins the hunt. Expect an appearance by the Godma to sort out this metaphysical mess. Continue reading “White Monkey Chronicles by Isabella Ides”

All the Perils of this Night: a preview by Elizabeth Cunningham

When I wrote Murder at the Rummage Sale, my agent warned: “You have to have a sequel in mind!” I was supposed to write a second domestic cozy, same setting, same characters, different victim. But what came to mind was a memory. When I was a troubled teen visiting England, my uncle gave me a map and let me go sightseeing in London on my own. It was early winter 1968, the war in Vietnam was raging. I did not want to be an American; so I faked an accent, wore an eccentric hat, and called myself Eliza Doolittle. When a man picked me up, I did not know how to break out of character. I ended up drunk in his flat. I just managed to fight off rape. The man must have figured out that I didn’t add up and could land him in trouble. He took me back to my uncle’s office. The kernel for All the Perils of this Night is: what if he hadn’t? What if, like so many others, I had been trafficked? I couldn’t shake that “what if.”  So I wrote the standalone sequel, no domestic cozy but what I would call a numinous thriller.

In July, in honor of Mary Magdalen’s feast day, I usually post about Maeve, my Celtic Mary Magdalen. This year Maeve urged me to select an excerpt from the new novel. In the scene below Anne, teenaged Katherine’s mother, is searching for her vanished daughter in London’s red light district. A prostitute agrees to speak with her if Anne will pay for her time. Continue reading “All the Perils of this Night: a preview by Elizabeth Cunningham”

Practical Lessons in Kindness from the Grasshopper and the Ant by Barbara Ardinger

(With apologies to Jean de La Fontaine for significant changes to his fable)

Note: I first posted this story in 2016 and posted it again in 2019. As the pandemic drags on and the huge orange Tyrannosaurus Rex in the White House has not only endangered the lives of everyone in the land but also models and encourages all the awful “isms” that we need more than ever to leave behind, I’ve decided this story might make someone’s day a bit cheerier. Yes, we need lessons in kindness more than ever before. I bet you agree with me!

“Curses on that grasshopper!” exclaimed the ever-busy Madame Fourmi. “All he ever does is play. He’ll be sorry when winter comes.”

And so it went. Every day, Mme. Fourmi spent the morning scrubbing her front steps. And Monsieur Cigale?

“Partaaaaayyyyy!” Every day, he sped by on his skateboard. “Hey, Auntie Ant, stop cleaning the concrete and come and play with us. We’re gonna start a band!” Continue reading “Practical Lessons in Kindness from the Grasshopper and the Ant by Barbara Ardinger”

Unorthodox: How Looking for “Truth” Misses the Point by Ivy Helman.


ivy tree huggingA few weeks ago a Slovak journalist reached out to me about the new Netflix four-part series entitled Unorthodox.  In the email, the journalist wrote that they had read about my work as a Jewish feminist and wanted some insight into the new series.  Their main question was: how accurate is the portrayal of the Satmar community?

I was slightly surprised.  The journalist wasn’t looking for my opinion on Esty as a young Jewish woman who takes control over her life and works tirelessly to quite literally have her voice heard.  Rather, the questions were: is the Satmar community really like that; do they not use the internet or have smart phones; is quality education so lacking; is marriage arranged; would a woman really be that clueless about her own body; is sex like that; and, do they really have no privacy?  

Fast forward.  I did the interview.  I figured that if I could offer the article’s Slovak and Czech readers a better understanding of Jewish life, my efforts were worth it.  I tried to focus the interview toward those  goals and my feminist take on the story.  The piece was published, and somewhat proud of my efforts, I posted a link to the article on my Facebook page.  Continue reading “Unorthodox: How Looking for “Truth” Misses the Point by Ivy Helman.”

Going With the Wind by Barbara Ardinger

The wind changed during the night. Even as they slept, the Witch and the Ladies of the Magic Mirror felt it and stirred in their beds. Kahlil the raven, who was sitting on the roof, felt it, too, and as he looked down the highway, he spotted the travelers. “What’re those folks doing on the road?”

The travelers were walking along the highway built only a few years ago by the people of the country towns who had fled from El Presidente’s capital city. They were coming toward the Witch’s house, too many for the raven to easily count: women, men, and children dressed in dark clothing that was stylish a hundred years ago.

The sun began to rise. The travelers came closer. The Witch and the Ladies got up, got dressed, and stood on the porch to wait for them. At the direction of the stout woman who was leading them, smaller groups broke off and turned toward other houses in the small town. The stout woman led her people to the Witch’s front porch. The wind changed again—and look! The travelers were no longer wearing dignified attire. Cloth caps instead of bowler hats on the men’s heads, headscarves on the women, scraps wrapped around the children. “They’re laborers,” said one of the Ladies. “Migrants.” Another Lady nodded. “And they obviously need our help. They need to be fed.” “They need jobs,” said the Witch. “How can we help them?” Continue reading “Going With the Wind by Barbara Ardinger”

Staying Un-Frozen by Sara Frykenberg

It is February 14th, Valentines Day. So, today I want to explore my daughter’s love affair with Frozen; a story that I did not like, but that I learned to love by watching it through her eyes. A story which through her eyes, has taught me a lot about how to stay and be un-frozen.

I did not understand the phenomenon that was Disney’s Frozen in 2013. I did not like film’s premier song Let it Go, which you could hear e-v-e-r-y-w-h-e-r-e. The film wasn’t even about Elsa; the queen with magical powers who sings this song while reveling in the new-found freedom of her isolation. It’s about Elsa’s sister, Anna, and her quest to find Elsa. So really, I thought, the song was misleading. I also didn’t like the ‘loveable Olaf;’ and while switching up the “true love’s kiss” narrative was a positive change for Disney (Anna saves herself and Elsa with her love, instead of that of a man), I just didn’t get the widespread appeal. Continue reading “Staying Un-Frozen by Sara Frykenberg”