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Was Mother Kalawati a Feminist? (Part 1) by Vibha Shetiya

Vibah I recently assigned my students an article by Kathleen Erndl – “Is Shakti Empowering for Women? Reflections on Feminism and the Hindu Goddess.”[1] I’m sure, like Erndl, many have been fascinated by this question, especially within the Indian context. Does the presence of an abundance of goddesses necessarily translate to social empowerment for women? The answer is indeed complicated in that one cannot reify all goddess worshippers under one static rubric.

Having said that, however, I would like to posit that generally speaking, it would be fair to say Indian culture is a patriarchal one, and that the presence of a goddess tradition does not translate to independence for women. Firstly, the kind of goddesses worshipped by both men and women, are not necessarily the assertive, independent kind. They are often those such as Lakshmi and Saraswati who are maternal and nurturing, and important in their own right. All too often, however, these virtuous traits have been used to disempower women, to keep them in their “socially assigned places.”

There is evidence from early Hindu literature that the above goddesses may initially have been independent forces, but they soon came to be tamed as consorts of male gods; Lakshmi as Vishnu’s wife, and Saraswati as Brahma’s. Second, fierce and independent goddesses such as Kali and Durga may have a large following, but it is only in certain cases such as in Tantric theology specific to the goddess Shakti, identified with Kali, that ritual practices may do away with gender roles, that both male and female members have equal access to Kali. But the important question would be – outside of the ritual context, how do practitioners of Tantra regard women? In other words, do women have equal social – and not merely equal ritual – status? I am not an expert in Tantric discourse, but judging by various commentaries, I have reason to believe that this does not necessarily translate to gender equality in the social setting.

My quest here, however, is to provide an example of what a community with a strong, female leader may look like. I thought of this example because I have been intrigued with and fascinated by my own family experience regarding the cult of Kalawati Aai or Mother Kalawati (I do not use the term “cult” derogatorily as “a group with a powerful and controlling leader” but in the classical sense of “practices centering on an object of reverence”). My aim is to provide a picture of often conflicting ideals within the Hindu setting, to shed light on how this can play out on the ground. My information on Kalawati Aai – considered a saint by her devotees – comes from hearsay and hagiographical accounts for I never met her; she died almost forty years ago.[2]

Continue reading “Was Mother Kalawati a Feminist? (Part 1) by Vibha Shetiya”

DO RELIGIONS HAVE AN “ESSENTIAL” “CENTRAL” CORE THAT IS–OR IS NOT–SEXIST? by Carol P. Christ

Though often asked, this is the wrong question. Every statement about the “essential” or “central” teaching of any religion is based on a prior interpretation rooted in a particular standpoint. Thus, the idea that there is a “central” or “essential” core in any religion is not a matter of fact, but rather a matter of interpretation.

In discussions of religions, we often make global statements about our own and other religious traditions, such as: “Christianity is patriarchal to its core,” or alternatively, “The core teaching of Christianity is to love God with all your heart and your neighbor as yourself.” Or: “The true Islam teaches that God is love,” or alternatively, “Islam always teaches the subordination of women.”

These sorts of claims are made from time to time here on Feminism and Religion too. Every global statement that a particular religion “is” or “ is not” oppressive, calls someone to assert the opposite in the comments. I believe that statements about the “true” nature of any religion should should always be qualified. Continue reading “DO RELIGIONS HAVE AN “ESSENTIAL” “CENTRAL” CORE THAT IS–OR IS NOT–SEXIST? by Carol P. Christ”

Lighting Our Candles, We Dance into the Dark by Laura Shannon

Laura Shannon Here in the northern hemisphere, these weeks between Samhain and the winter solstice bring us into the darkest time of the year. In my dance circles, this is my favourite time for candle dances, whose gentle light guides us when we cannot clearly see, while the support of the circle gives us courage to step into the unknown.

Dancing with candles is like travelling through time. For thousands of years, dancing in the dark – at night, or deep in caves – took place by the light of the moon or the flame. The beauty of candle dancing is that the darkness is still present; we do not need to disparage it, dispel it, flee it or fight it. This marriage of light and dark comes across in this lovely photo from a recent candle dance at Findhorn. Continue reading “Lighting Our Candles, We Dance into the Dark by Laura Shannon”

The Mother of Socrates: Priestess, Pharmacist, Obstetrician by Stuart Dean

Because the dates for the life of Socrates are certain, it is safe to conclude his mother, Phaenarete, was born about 500 BCE. She seems to have lived well past menopause and thus was certainly alive to see the start of construction of the Parthenon (447 BCE) and probably its completion (432 BCE). As was traditional for many Greek mothers, after menopause she became a priestess, pharmacist and obstetrician.

The relevance of the chronology for Phaenarete requires some context to appreciate. Writing had yet to be widely adopted during her life (the alphabet was not standardized until about 400 BCE). Literary evidence in particular for the practice of medicine before and during her life is scarce. Although Hippocrates was a contemporary of her son, nothing survives of medical writings from antiquity that can confidently be attributed to him. Parmenides and Empedocles (contemporaries of Phaenarete) appear to have been medical practitioners, but what survives of their poetry relates to nature philosophy in general and only in places to medical theory.

Hence, it is extraordinary that an account of Phaenarete’s medical practice survives in Plato’s dialogue, Theaetetus, 149a-150a (hereafter “PMP”). Though PMP was composed by Plato in the 300s BCE, he emphasizes it is based on a transcript of an actual conversation from the late 400s BCE. PMP records what Socrates said about his own mother. It is as authoritative a source of information about her as it is about the origins of the sine qua non of medical practice: optimizing human reproduction.

While evidence exists for women healers in many ancient cultures, the specifics PMP provides show postmenopausal mothers were especially important to early Greek medicine. Curiously, there was no word for ‘menopause’ itself, a fact that suggests it was thought of more in metaphysical than physical terms. Evidence indicates it was thought of as a type of ‘virginity’ (parthenia), the metaphysical meaning of which can be detected in its association with goddesses such as Artemis and Athena (cf. ‘Parthenon’ for her temple’s name). It marked the completion of the ‘internship’ of motherhood, the prerequisite to graduate to become a priestess of Artemis. The name of Socrates’s mother, Phaenarete, evinces that religious context: it essentially means “Revelator.” The Greek for “obstetrician,” maia, also evinces that context: it was also the name of a goddess. The status such a word then connoted is lost in translating it, as many do, as ‘midwife.’ Continue reading “The Mother of Socrates: Priestess, Pharmacist, Obstetrician by Stuart Dean”

Chlíodhna , Celtic Goddess of Beauty, the Sea and the Afterlife by Judith Shaw

Having spent the past year and a half immersed in the study of Celtic Goddesses, I am intrigued by the sharing of many of their attributes, symbols, and associations – shape-shifting, magical birds, and apple orchards in the Otherworld to name just a few. One other common thread found in so many Celtic Goddesses is the existence of many contradictory folk tales about them. Their stories, like the otherworldly mists of the Celtic countryside, which materialize suddenly, obscure reality and then melt away again, exist on the frontier of myth and reality.

Chlíodhna (pronounced Kleena), Celtic Goddess of Beauty, the Sea and the Afterlife, is such a Goddess.

Continue reading “Chlíodhna , Celtic Goddess of Beauty, the Sea and the Afterlife by Judith Shaw”

Reconstructions of the Past 5: Hafsa bint Sirin (“Women’s Withdrawal in the Literature”) by Laury Silvers

silvers-bio-pic-frblog - Version 2 As I mentioned in the last entry, the textual idealization of women’s pious withdrawal extends to secluding women from public exposure in the texts themselves. Sufi and pious women were mentioned in very early sources, then dropped almost in their entirety. They do not (re)appear until the fifth century, and then only in two biographical sources in significant numbers: Sulami’s Early Sufi Women and Ibn al-Jawzi’s Characteristics of the Pure. As is the case with all biographical literature, their accounts reveal the editorial impulses of their compilers, both of whom emphasize pious withdrawal from social engagement in many of the narratives.

It would be wonderful if someone would do a full study on these gendered editorial agendas. To date, I have only seen Rkia Cornell’s account in her introduction to Early Sufi Women and heard Aisha Geissinger’s analysis of Ibn al-Jawzi’s biographies in a paper she gave at the American Academy of Religion in 2014. Meghan Reid’s excellent work is not discussed here because she does not take up a gender analysis of the sources.

Cornell argued that Sulami chose to emphasize the spiritual vocations of these women to strengthen their spiritual authority, whereas Ibn al-Jawzi tended to portray the women as emotional thus undermining them. Geissinger argued that Ibn al-Jawzi tends to present women’s interactions with the Qur’an in ways that reinforce stereotypes of women as less knowledgeable and their piety as more experiential, domestically focused, and individual. I have suggested that some transmitters and editors were protecting some women’s reputations by distancing them from their social contexts and their female bodies.

Looking at the historical context, although many Sufis believed themselves to be in the mainstream of the developing Islamic sciences, non-Sufis (and some Sufis) did not always agree. At times they faced serious threats. Many Sufi works, including that of Sulami (d. 1021), reflect an effort to explain or justify their rituals and beliefs and emphasize their sobriety (and marginalize male or female ecstatics). Sufis may have dropped women or portrayed them in a cautious manner to protect their communities from accusations of impropriety and to control a “proper” expression of Sufi experience.

Ibn al-Jawzi (d. 1201) was virulently critical of Sufis. Nevertheless, he admired those aspects of Sufism that he saw as universal to Muslim piety and included stories of those Sufis who exemplified them in his biographies. He wrote from a position of scholarly power which might explain why he included so many biographies of women in greater detail than Sulami and in a more ecstatic light. Nevertheless, since sobriety was highly valued among scholars, his portrayal did not risk giving those women any institutional authority.

The only thing I can be sure of is that no matter the respect Sulami and Ibn al-Jawzi had for the women they depicted, they were not challenging the primacy of male authority. The primary mode of transmission and guarantee of Sufi knowledge or religious piety was through men. So while they chose to acknowledge women’s piety and their spiritual authority, they did so from within well-established androcentric parameters.

In their distinct ways, both Sulami and Ibn al-Jawzi emphasized modesty and seclusion in their stories of women. Hafsa’s biographies are a case in point. Because other accounts of Hafsa’s life and work are available in a number of sources, we can see how their accounts of Hafsa end up either erasing or backgrounding her engaged scholarly life by so strongly emphasizing her seclusion and immaculate modesty.

Sulami and Ibn al-Jawzi’s Portrayal of Hafsa

Sulami’s entry on Hafsa is one of the most austere treatments in his entire book (see Cornell, 122). He mentions that Hafsa was a renunciant, scrupulous, and known for “signs” and “miracles.” Then, he relates only one story about her:

Hafsa bint Sirin used to light her lamp at night, and then would rise to worship in her prayer area. At times, the lamp would go out, but it would continue to illuminate her house until daylight.

He does not mention her highly respected knowledge of Qur’an and Hadith, her ability to reason legally from these sources, nor that male students came to study with her. I agree with Cornell that Sulami is primarily interested in calling attention to women’s spiritual vocation in these reports, portraying them as “career women of the spirit.” It is telling, though, that honoring women’s spiritual vocation seems to require removing them from their social contexts such that, for example in Hafsa’s case, there is no trace of a woman left, just a pure soul that kindles lamps.

Ibn al-Jawzi has a fuller treatment that allows Hafsa some bodily humanity and cites her intellectual and pious achievements (see Cornell, 270-74; IJ #585). But the narrative flow of the accounts ultimately portrays Hafsa as a learned woman whose interpretive choices and piety kept her at a remove from others. Ibn al-Jawzi opens his entry on Hafsa with several accounts that act as the lens through which one reads the others. One pays tribute to her as a scholar of the Qur’an and its legal interpretation; but more importantly, it assures the audience of the reliability of her opinions by pointing out her scrupulous modesty even in her old age.

ʿAsim al-Sahawal said, “We used to visit Hafsa bt. Sirin [to study with her]. She would pull her outer wrap in such and such a way and would veil her face with it. So we admonished her, ‘May God have mercy on you. God has said, ’Such elderly women as are past the prospect of marriage, there is no blame on them if they lay aside their outer garments, provided it is not a wanton display of their beauty (24:60). [ʿAsim explains], This refers to the outer wrap known as the jilbab.

She queried us then, “And.. what comes after that in the verse?”

We answered “But it is best for them to be modest (24:60)”

Then she replied “That part of the verse is what confirms the use of the outer wrap.”

The two other accounts establish her as a woman of extraordinary piety and a committed recluse.

Hisham b. Hassan said, “Hafsa used to enter her prayer area and would pray the midday, afternoon, sunset, evening, and morning prayers. She would remain there until the full light of day; then she would make a single prostration and leave. At that time, she would perform her ablution and sleep until the time for the midday prayer. Then she would return to her prayer area and perform the same routine as before.”

Mahdi b. Maymun said, “Hafsa remained in her place of worship for thirty years, not leaving it except to answer the call of nature or to get some sun.”

All of the other accounts depict her likewise. She is scholarly, standing at length in prayer, fasting, patiently bearing up under the grief she felt over the death of her beloved son, and most of all secluding herself from others.

Then Comes My Portrayal

In the following blog entries, I will share my “feminist reconstruction” of her life from the available sources. Suffice to say, I’ll be portraying her life as more socially engaged than the way she has been portrayed by Sulami and Ibn al-Jawzi.

(to be continued…)

Laury Silvers is a North American Muslim novelist, retired academic and activist. She is a visiting research fellow at the University of Toronto for the Department for the Study of Religion. Her historical mystery, The Lover: A Sufi Mystery, is available on Amazon (and Ingram for bookstores). Her non-fiction work centres on Sufism in Early Islam, as well as women’s religious authority and theological concerns in North American Islam. See her website for more on her fiction and non-fiction work.

MORE WAR=MORE REFUGEES: OBAMA IN AFGHANISTAN by Carol P. Christ

President Barack Obama recently decided NOT to withdraw all troops from Afghanistan before his term of office ends in 2016, as he had earlier promised to do. California Congresswoman Barbara Lee—the only member of Congress to vote against the Afghanistan war 14 years ago in 2001—issued a statement against this open checkbook for an endless war, and introduced measures to stop it from continuing.

In contrast, Democratic front-runners Hillary Clinton (not surprisingly) and Bernie Sanders (to my surprise and disappointment) supported the President. The press has treated the announcement of on-going war as a non-issue. A voice crying in the wilderness, John Nichols of the Nation magazine stated that Barbara Lee has the “clearest vision” on the Afghan War, noting that on this and other national defense issues, “Lee keeps being proved right.” Continue reading “MORE WAR=MORE REFUGEES: OBAMA IN AFGHANISTAN by Carol P. Christ”

Epic Drama and Epic Confusion, Courtesy of Bollywood by Vibha Shetiya

Viba I love Bollywood. The colors, the over-the-top drama, the singing and dancing, the suspension of reality for three hours…I see how it can provide a break from the challenges of everyday life for over 700 million Indians living below the poverty line (and then some). But Bollywood movies also have a frightening side to them. On one hand they transport the viewer to la-la land; on the other, this very fantasy world has the power to set social norms. And yes, it becomes confusing – no kissing, no nudity, yet vulgarity is on full display when camera angles capture the fully dressed heroine’s chest heaving to pulsating music, while she is soaked to the skin in pouring rain, dressed in white, mind you. Sometimes there is no need for the rains. Katrina Kaif’s Chikni Chameli “item” number will attest to this.

But let us move away from the “purely entertaining” angle and return to the idea that Bollywood not only reinforces cultural stereotypes but also has the potential to influence behavior that governs everyday attitudes.

I recently (re)watched Dilwale Dulhaniya Le Jayenge (And the Truelove Will Carry Away the Bride) with an American friend. DDLJ (1995) as it is fondly called is one of India’s all-time beloved movies. So much so that soon after taking office in 2014, the Indian Prime Minister, Narendra Modi declared it a show-case of Indian tradition. I can see how it touches a patriotic chord: the story centers on an Indian family living in Britain, but still “Indian at heart.” Well, the father decides that his daughters born and raised in London are Indian at heart. Of course things go terribly wrong when the older girl, Simran, falls in love with someone dad doesn’t approve of. Raj is Indian, but not a bona fide one in that he has adapted to “the shameless and derelict ways of Westerners.” The family packs their bags and moves back to India where Simran is to be immediately married off to the father’s jigri dost’s (dear friend’s) son, Kuljit. Now as one can imagine, when the film in question is a Bollywood one, this is not drama enough. There’s plenty more to come. But I’ll leave it to you to decide how much drama is drama enough… Continue reading “Epic Drama and Epic Confusion, Courtesy of Bollywood by Vibha Shetiya”

Do You Believe in Magic? by Deanne Quarrie

I went online to dictionary.com and pulled three definitions for the word “magic.”

The art of producing illusions as entertainment by the use of sleight of hand, deceptive devices, etc., conjuring.

To pull a rabbit out of a hat by magic.

The art of producing a desired effect or result through the use of incantation or various other techniques that presumably assure human control of supernatural agencies or the forces of nature.

Any extraordinary or mystical influence, charm, power, etc.

The magic in a great name; the magic of music; the magic of spring.

The first definition is the one that most people think of when the word is used. The second is what people think storybook witches and wizards do and the third, a great way of using the word when talking about marvelous things in life.

I am going to toss out definition number one because, while valid, it just isn’t the kind of magic I want to discuss. Continue reading “Do You Believe in Magic? by Deanne Quarrie”

Inanna’s Autumn Gift: Fearless Spirituality by Carolyn Lee Boyd

Carolyn Lee Boyd Fall, the time of the Day of the Dead and All Souls Day, is a perfect season for us to contemplate “fearless spirituality” as we face our most essential fear, that of death. Though humans have celebrated these days for millennia, fear with a religious veneer pervades our culture, whether in hate towards women and the LGBTQ community, lies that demonize followers of other religions, terror of eternal punishment and spiritual unworthiness, and more.

When I seek guidance for cultivating spiritual fearlessness, I look to ancient Sumer’s Inanna and her willing descent into death. Her story cycle begins in fear of the Sky and Air gods and her desire to destroy her huluppu-tree, Earth’s first life. Gilgamesh hacks it apart to rid it of a serpent, a bird, and Lilith. The tree’s remains are made into Inanna’s throne and bed. In the next story she takes all the divine powers of her father, Enki, the God of Wisdom, and then joyfully celebrates her body and sexuality in her marriage to Dumuzi. Continue reading “Inanna’s Autumn Gift: Fearless Spirituality by Carolyn Lee Boyd”