Goddess – Page 55 – Feminism and Religion

Imix: Primal Mother and Dawn of a New Age by Michele Stopera Freyhauf

Michele Freyhauf If you are reading this, then we survived another apocalypse. People are fixated on end-times; especially predictions, prophecies, etc. Specials on Nostradamus, the Book of Revelation, TV Evangelists looking for end signs plague television shows, movies, and writings. Countdown clocks and reminders to repent are all around us.

Original image found at http://www.dwayneedwardrourke.com/Pages/TIMEWAVE0728/page21/page21.html

What is unnerving is how we obsess about the end of the world instead of living in the world we have right now.

I would like to share a Mayan poem that I came across. It is called “Imix”- a Mayan Oracle Interpretation translated by Ariel Spilsbury and Michael Bruner and I am drawn to it due to the imagery and symbolism:

I Am Imix, Primal Mother.

Still, dark womb of the patterned potential of becoming, sacred, interstellar genesis, I Am.

Nourishing, fertile abyss, I birth you.

Benevolent, my mighty cauldron of primal waters, enveloping the living seed. Eternal is my embrace. Continue reading “Imix: Primal Mother and Dawn of a New Age by Michele Stopera Freyhauf”

Cailleach, The Queen of Winter by Judith Shaw

The Cailleach (KAL-y-ach), which literally translates as the “Veiled One” is an ancient Goddess whose origins are unknown. When the Celts arrived in Ireland and Scotland she was there. Over time Her name came to mean “old wife” or “old woman”. And yet she was thought to never grow old, an all powerful, ageless, Goddess of transformation.

In one of her stories, Cailleach, as an old hag, seeks love from the hero. If he accepts Her, She then transforms into a beautiful young woman, symbolizing the transformation occurring in the depths of winter when the seeds lay dormant in the earth. Yet alive within this dormancy is the promise of rebirth in the spring. She is the guardian of the life force, finding and nourishing the seeds, commanding the power of life and death. As the final phase of the Triple Goddess, she rules the eternal wheel of reincarnation. Cailleach personifies death and the transformative power of darkness. She leads us through death to rebirth. Continue reading “Cailleach, The Queen of Winter by Judith Shaw”

The Ferryman by Daniel Cohen

She’s changeable in Her ways. She is power, love, justice, mercy, and also rage, anger, sometimes even despair and misery, and more besides. She once said, “I am all that is, was, and ever will be”.

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Would I like a change from rowing this ferryboat? No, sir, I would not, and you folks wouldn’t like it if I did change. Why wouldn’t you like it? I was created for this job when the first human being came into existence, and I’ll continue in it till the last human dies – the way you people go on that may not be long.

Yes, many people do think they are going to go a different way, but they all take this boat in the end. What about near-death experiences? Those people may have been near Death, but they hadn’t got far enough to be anywhere near me.

Do I mind that they used to bring money for me but have stopped doing so? No, sir, I do not mind – that was just their own idea, that all ferrymen should be paid. Still, it was a nice thought, but they might have considered that there was nowhere for me to spend the money. In fact, getting rid of it used to be a bit of a bother. Continue reading “The Ferryman by Daniel Cohen”

What Was Your Childhood Religious Tradition And Do You Still Follow It? by Carol P. Christ

Recently, in an interview with the Women’s Living History Project of Claremont Graduate University, I was asked: What religious tradition did you identify with as a child and how did it impact your childhood? and: Is your tradition the same today that you had when growing up?

I was surprised that the interview questions didn’t ask anything about feminism, experiencing exclusion in patriarchal religions, or belief. My religious and political convictions, which are intertwined, have alienated me from family members. Therefore, I was suspicious of questions that seemed to have been formulated by someone for whom religion and family go together, and for whom believing or not believing (!) did not seem to be an important issue.

After expressing criticism of the questions, I agreed to work with them. My answer to the first question was that I did not have a single religious tradition as a child. I had four. Continue reading “What Was Your Childhood Religious Tradition And Do You Still Follow It? by Carol P. Christ”

Thank You, Goddess By Barbara Ardinger

Actually, it’s very hard to say what the Goddess is. She’s ineffable. She’s both abstract and concrete at the same time. She created the universe, but she also brings destruction to beings and things whose time has ended. Even as she is (perhaps) the earth embodied and is (perhaps) a sort of universal spirit of loving-kindness and is (perhaps) the powers of life, death, and rebirth, she is as global as the oxygen we must breathe to live.

I do my end-of-the-month spending tables and balance my checkbook and find that there’s enough for me to send donations to politicians and nonprofits I want to support, like the Brady Campaign to Prevent Gun Violence. I write a couple checks, put stamps on the envelopes, and as I drop them in the mailbox, I say, “Thank you, Goddess.” Everybody who lives in Long Beach knows there is no place to park in the whole city. I rent a parking space in a driveway across the street. Thank you, Goddess. I have nice little chats with strangers in adjacent seats during the intermissions of Les Miserables and Spamalot. Thank you, Goddess. I’m breathing every day, I live with two friendly cats, I earn my living doing something I enjoy doing and that’s useful to the people I do it with. Thank you, Goddess.

Does the Goddess run my life? Not the way you may be thinking. Please don’t think I think the Goddess is a big fat woman wearing a crown and sitting on a big fat throne up in the sky and sending little goddessettes and superheros and superheras down to earth to chase editing clients to me, puff my lungs full of oxygen, and carefully arrange that I sit next to nice folks at the theater or find places to park when I need them. (I have a Magic Parking Place Word for that last item.) That’s not the Goddess. She’s not the Boss of the Universe, she doesn’t live “up there,” she doesn’t dictate how I should live my life. Continue reading “Thank You, Goddess By Barbara Ardinger”

Death of a Priestess by Geraldine Charles

Dusk was falling and mist rising as I drove sadly across the Somerset Levels – a liminal place which once formed the huge marshy lake out of which the Isle of Avalon majestically rose. When I rounded a bend to see a large swan walking straight up the centre of the road in the same direction I was going, my first thought was for its safety. I expected it to take flight or veer off at any moment, but the swan continued on its path, seemingly determined to walk just where it was. The road was narrow and all I could do was respectfully follow until it widened a little, eventually managing to squeeze carefully past before starting to flash my headlamps at oncoming traffic to warn them of the swan’s unlikely presence.

Only later that evening did I remember the last time I saw such a stately walk in front of a moving vehicle – when a formally-dressed funeral director led off the hearse which carried my father from his home and on his last journey in this world. I was thunderstruck. Could the swan be marking this new loss, making me mindful and slowing me down? Continue reading “Death of a Priestess by Geraldine Charles”

Does Terpsichore Tapdance? By Barbara Ardinger

Goddesses of art and inspiration, the Muses gave their name to our museums, where they are (or should be) worshipped. I feel a special devotion to them. … The ones I really like, though, are the theatrical Muses—Euterpe, Thalia, Melpomene, and Terpsichore, plus maybe Calliope and Errato. I was a drama major (and possibly a drama queen) in college…. Today, I go to the theater as often as I can.

Although my greatest devotion is to the Great Goddess, who is said to have ten thousand names, I find myself more and more adoring the Muses:

Clio, “Fame-giver,” ruler of history and shown with an open scroll
Euterpe, “Joy-giver,” the lyric Muse who plays the flute
Thalia, famous for her comic mask and wreaths of ivy
Melpomene, wearer of the tragic mask and vine leaves
Terpsichore, “Lover of dancing,” who carried a lyre and ruled choral music as well as dance
Errato, “Awakener of desire,” ruler of erotic poetry
Polyhymnia, “Many hymns,” shown as the meditating inspirer of hymns
Urania, “Heavenly,” ruler of astronomy who carries a globe
Calliope, “Beautiful-voiced,” ruler of epic poetry who carries a tablet and a pen[1] Continue reading “Does Terpsichore Tapdance? By Barbara Ardinger”

The Mago Hedge School: Why Remember Mary Daly? By Helen Hye Sook Hwang

Prologue

By writing this, I do not intend to defend Mary Daly’s position in any dispute. A controversial figure, Mary Daly never let go of her fight with those whom she thought on the other side of her feminist war. Like anyone else in history, Mary Daly belonged to her time and culture, and I leave her unresolved issues up to her. What I write here is my fond memory of her, whose feminist thought left an indelible mark on my being as well as humanity as a whole. Daly’s contribution remains to be reassessed from the fresh eye of new generations. In the meantime, I begin to speak for my part. Without Mary Daly’s thought, I would not have been in this place where I stand right now. It has empowered me to actualize my dreams to the fullest as a wo/man who was born and raised in Korea but had come from the One Home in origin.

I first hear of the hedge school
“Have you heard of the hedge school, Hye Sook?” asked Mary. “No, I haven’t heard of it,” I answered. This conversation took place during the conference called the Feminist Hullaballoo held in Santa Fe, New Mexico in 2007. We met there and spent three days as chums. Mary was with another friend, Yvonne Johnson, so the three of us hung out together. It was a very special time for me – I felt as if I were wrapped up in the eye of the storm. (In fact, my life feels so.) At the conference, someone asked me how I came to be invited as a featured speaker. I was among such renowned feminist speakers as Sonia Johnson, Paula Gunn Allen, and Mary Daly herself. They felt like giants to me. I told her that Mary Daly invited me. Mary had asked me if I would like to go and speak at that conference. I did not have an inflated ego. I would not have been hurt if I were not chosen. But I said “Yes” without hesitation. At the time, it felt like another one of the many “outlandish” adventures that I had undertaken throughout my life. In retrospect, however, this was a very special “Yes” to the beginning of my life’s new phase. Continue reading “The Mago Hedge School: Why Remember Mary Daly? By Helen Hye Sook Hwang”

Why are We Drawn to the Black Madonna? by Judith Shaw

Once the opportunity came my way to spend two weeks with my sister in Paris, I knew I had to visit the Black Madonnas at Chartres. I had been to Chartres many years ago, before I knew about the Black Madonnas scattered throughout Europe. I felt the power of the site at that time, but had little understanding of where that power came from.

History of the Black Madonna

The indigenous goddess worship of Europe, was influenced by Phoenician traders who introduced statues of dark skinned African and Middle Eastern goddesses such as Isis, Inanna, and others to the European continent from 1550BC to about 300BCE. The worship of these goddesses continued with The Roman invasion of Gaul (France) and other parts of Europe.

Once Christianity took hold in Europe, churches were built on top of sacred pagan sites. But old ways die hard; many of these dark skinned goddesses were incorporated into the newly built Christian churches. Today there are more than 500 known Black Madonna statues and paintings throughout the world, the majority in France. Continue reading “Why are We Drawn to the Black Madonna? by Judith Shaw”

Reading Plato’s Allegory of the Cave as Matricide and Theacide by Carol P. Christ

When I read Plato’s allegory of the cave as an undergraduate, I was told it had something to do with the idea that the “form” of a table is more “real” than the table itself. I must confess that I had no idea what this could possibly mean.

As a graduate student, I struggled with philosophical and theological ideas rooted in Platonism. Rosemary Radford Ruether named the flawed worldview created by a “classical dualism” that separates mind from body, spirit from the world, rationality from emotion, and male from female. Her ground-breaking essay “Mother Earth and the Megamachine” clarified the difficulties I was having.