Women’s Power – Page 2 – Feminism and Religion

33 Years of Wisdom by Chaz J.

As the celestial clock turns towards Sunday, April twenty-seventh, at the luminous hour of 9:12 PM, I shall step into the sacred circle of my thirty-third year. And for a soul who once walked the hallowed halls of the church, as I did, the echoes of a profound resonance surely sound. For Jesus proclaimed his divine lineage and embarked on his earthly ministry around his thirtieth spring, only to ascend three years later, at the very age I now approach?

Thus, this year unfolds as my very own ‘Jesus year,’ a time ripe with potent transformation, reinvention, remembrance, and the blossoming of my inner wisdom. I present this wisdom, aligning it with the seven sacred wheels of energy, the chakras that map the landscape of my being. Each chakra, a vibrant note in the symphony of my soul, accompanied by a song that, for me, hums with the exquisite harmony of its balanced state. This is a profound and poetic offering of the journey I have walked and the radiant being I am becoming.

Presenting Feminine Courage by Cheryl Petersen

Madam C.J. Walker was born Sarah Breedlove in 1867, to sharecroppers who had been slaves before the American Civil War. Sarah married at age fourteen. Six years later Sarah was a widow with a daughter. For income, Sarah did laundry and cooked. In 1905, she remarried and became Madam C.J. Walker. With little more than a dollar, she began her own line of hair products for African American women and prospered humanity beyond imagination or expectation.

Nearly two decades back, I read “On Her Own Ground: The Life and Times of Madam C.J. Walker,” by A’Lelia Bundles. The author describes Walker’s journey from desperation to inspiration. The narrative impressed me with an exacting respect for the womanhood that embraces other women.

Reflections On Bone Black: Memories Of GirlHood by Zoe Carlin

Bell Hooks explores in the memoir Bone Black: Memories of Girlhood the extreme effects of race, gender, and class on her identity and self esteem as a Black woman. Each chapter of Bone Black showcases stories of Bell Hooks’ childhood experiences growing up in a racially segregated environment. Through these experiences, she shares how the mainstream beauty standard, the racism towards Black people, and the limitations imposed by class and gender have shaped her perceptions of herself and her worth. Hooks also discusses how white supremacy, the patriarchy, and societal neglect intertwine.

What particularly stood out to me is how her story and the themes mentioned connect to spirituality and are offering further ideas on resistance and empowerment. It also touches on connections with identity formation and our sense of self. For example, the memoir shared insight of how the beauty standards at the time were typically associated with being white. As a Black woman, Hooks shared how she had felt undesirable due to not being included in these standards that were set in place. She does not just reflect on the pain of being marginalized but she also delves into the complexity of being a Black woman in a masculine dominated world. Hooks had to navigate both the oppression of racist behavior by others around her and the misogyny of a patriarchal system that was determined to define her worth based on her appearance.

Journey to Freedom: Harriet Tubman Still on the Move, part 1 by Maria Dintino

Moderator’s Note: This post is brought to you by a collaboration by FAR and Nasty Women Writers written and hosted by Maria and Theresa Dintino. This post originally appeared on their website on Feb. 20,2024. It has been updated to reflect recent events. the post is subtitled: Nasty Women Writers: Breaking the Bronze Ceiling – Statues of Real Women in Public Spaces

It’s quite fitting that the 9-foot bronze statue of Harriet Tubman, named Journey to Freedom is still on the move, as was Tubman for much of her life.

Since 2020, the statue has traveled around the country. It’s currently on Hilton Head Island, South Carolina, in Historic Mitcheville Freedom Park. The monument will remain on Hilton Head through April 2025 and from there be transported to Vienna, Virginia.

Practicing Mistakes in Karate by Xochitl Alvizo

One of my earliest lessons from karate, which I am still working to integrate, is about the necessity of making mistakes. I used to apologize every time I make a mistake, “I’m sorry,” I’d immediately say to my instructor. She would smile at me and at the end of class would say, “You don’t have to apologize for making a mistake; your body is just learning to do this for the first time, so of course you’re going to make mistakes. Mistakes are part of the process.”

The necessity of making mistakes was something I needed to learn to embrace. As with other areas of life, making mistakes in karate made me feel like a fool. I would get frustrated with myself and would feel embarrassed, and would feel like my teachers were disappointed in me too. But one of the things that has helped me embrace my mistakes is seeing how I have indeed improved in my practice. The mistakes I now make are new ones and are about higher level forms and techniques—things that used to absolutely seem impossible for me.

I Am Wicked by Chaz J.

*When I refer to Black women, I am referring specifically to descendants of African peoples that were forced to experience the dehumanization of chattel slavery in the United States. I refer to those who would build the foundation of the country, uncredited. Those whose descendants continue the legacy of fighting for liberation.

When a sister-friend invited me to see Wicked, I was hesitant. I’d never seen the show, and my attention span hadn’t even allowed me to finish The Wizard of Oz or The Wiz (the Black rendition). However, seeing the wicked witch, Elphaba, portrayed as a Black woman changed everything. It felt deeply personal; a reflection of my own life as a Black woman in predominantly white environments. As a womanist theologian, centering Black women’s experiences is central to my daily and theological framework, and this felt like a powerful synchronicity and spiritual experience aligning with my newly entered villain era!

From the Archives: “Shemot: Women’s Misbehaving and Disobeying as the Key to Liberation.”

Author’s Note: This blog was originally published five years ago to the day (12 January 2020). It rings as true then as it does today.

Shemot will be read in synagogues on 18 January 2025.

This week’s Torah portion, or parshah, is Shemot (Exodus 1:1-6:1). This parshah sets the scene for the liberation of the Israelites from slavery both by introducing main characters and elaborating on just how difficult life was for the Isrealites under Pharoah’s rule. The parshah contains many noteworthy aspects: the death of Joseph and the multiplication of the Isrealites in Egypt; the increasing wrath of the Egptians; the birth and adoption of Moses; Moses’ encounter with the Divine in the form of a burning, yet unconsumed, bush; the revelation of the divine name, G-d’s plan for Moses’ role in the liberation of the Israelites from slavery; Moses’ attempts to get out of his assigned role; and Moses’ first confrontation with Pharoah.

In addition, there are many women, who are integral to the salvation of the Israelites, in this parshah. For the most part, Jewish tradition has acknowledged their part when it comes to discussions of this parshah, especially Shifra and Puah. Yet, their role is often overshadowed by Moses’ varied miracles, the mighty power of the divine, the revelation of the Torah, the wanderings in the desert, and so on. However, the Israelites’ liberation from slavery would have looked quite different without women.

St. Brigid: Reproductive Justice and the Realms of the Miraculous by Elanur Williams

St Brigid being carried away by angels, in a painting by John
Duncan (1913)

One of my favorite saints is St. Brigid of Kildare, the patroness of poetry, learning, healing and protection. She is frequently called upon during childbirth. Brigid’s hagiographies are noteworthy for her remarkable abilities to heal and perform miracles—including her ability to make pregnancies vanish, for those who ask. In Vita Prima and Vita Brigitae (Life of Saint Brigit) published around 650 C.E. by Cogitosus, an Irish monk from Kildare, it is claimed that “Saint Brigid, by the very powerful strength of her faith, blessed a woman who had fallen [pregnant]…and the conception in the woman’s womb decreased and she restored her to health…without childbirth and its pangs.” The pregnant people in Brigid’s tales turned to Brigid to help them reclaim and restore their dignity. Consequently, their abortions served as catalysts for change. “Abortion miracles” have narrative and theological functions: they expose constructs of sexuality, chastity, purity, and sin. In addition, they test our understandings of healing—physical and spiritual—by revealing the intersectionality between medicine, pregnant people, power, and personal agency. Scholars have theorized the presence of “abortion miracles” in hagiographies, and whether they are to be read as a kind of defiance towards early Christian morality, or as a demonstration of chastity’s role and value in early medieval Irish Christianity. Some Irish penitentials view medieval abortions as malefic acts or as a kind of malevolent magic; however, according to Arica Roberts (2020), it can be argued the abortion miracles found in Irish hagiography can instead be read as “medicines of penance” and as contributing to healing.