Feminism and Religion

I Come From a Long Line of Beautiful, Strong and Capable Women by Jassy Watson

In 2014 I wrote about the passing of my dear Pop and the painting that burst forth when I was told very clearly that Pachamama had come to accompany him on his return. It is with a very heavy heart that I now write with news of the recent passing of my dear Nanna. The anchors of our family now both gone. When I was told of her passing, I envisioned her being carried by angels; at peace and free of pain.

The last time I saw her she told me the spirits had been visiting. “I’m not scared,” she declared. This was not surprising for Nan always had a close relationship with spirit. I remember her telling me of a ghostly experience she had many years ago. It was very late one night and someone had come knocking at the door. Out of bed she got and answered it only to be greeted by her brother who had died many years before. He asked her to come with him and she told him it wasn’t time yet. Nan swore it wasn’t a dream. It had really happened. This is just one of many otherworldly encounters she told me about over the years.

Much of my childhood and early adulthood was spent at Nanna’s house so there are plenty of fond and funny memories of her. Her obsession with ghost and horror stories stands out as one of them. When we were children, she would get my sister and me to stay up late with her and watch all kinds of mystery murder shows. I remember watching The Hounds of Baskerville with her and being scared witless. The bonus however was getting to cuddle up in bed with her for the night.

Reading was one of her greatest passions, and she read everything from Shakespeare to Stephen King. I believe it was Nanna who inspired my love of history and over the years we swapped and shared numerous historical books. Her knowledge of Old Britain was astounding, and I remember many a discussion over the fate of Mary Queen of Scots – Nanna was always a bit anti-English, and we often wondered how history may have unfolded if Mary hadn’t been de-throned and exiled. In fact the last book she sent for me to read was another about her.

Stargazing was another one of her loves and is something she will be dearly remembered for. Many evenings were spent out on the deck looking to the night sky. Nan knew where all the constellations and zodiac signs were and she rarely missed an astronomical event. Whenever I have looked to the stars I have thought of Nanna, but now when I look to them, she is one of them. Shining down on us brighter than ever.

I dedicated my latest painting to Nanna. For me, painting is how I can process my thoughts and feelings and is also a way to find clarity and understanding on matters such as the nature of life and death. From the moment I made the first marks on the canvas I kept hearing “your ancestors are behind you.” I knew I was being guided by them and tried my hardest to connect in with Nanna’s spirit to see and feel who guided her home. Nanna had strong ancestral ties so it was only fitting to feel them so strongly here. The two younger women standing in front are the gatekeepers, standing at the threshold to the other side. The woman in the centre came with the message that Nanna is at peace – she is peace. She is pictured smelling the roses that were one of Nanna’s favourite flowers to grow. The firebird symbolizes transformation and the flight of her spirit that is seen to the left leaving, heading back to the cosmos from whence she came.

"Suddenly all my ancestors are behind me. Be still they say. Watch & listen. You are the result of the love of thousands." She is at Peace, by Jassy Watson — “Suddenly all my ancestors are behind me. Be still they say. Watch & listen. You are the result of the love of thousands.”
She is at Peace, by Jassy Watson

Death is surreal and it still hasn’t quite sunk in that I will never see her again. Nanna was a strong and caring woman who loved her family deeply. Her legacy is one of love, and while the circle feels broken in the sense that she is no longer physically here, it remains unbroken for her spirit lives on forever in our hearts.

I am the daughter of Ramona Cherise Lane, the granddaughter of Ailsa Aileen Rollings and the great granddaughter of Ruth Harrison. I come from a long line of beautiful, strong and capable women stretching back to the dawn of humankind. I honor them and give thanks for all that they have taught and shown me.

Nanna taught me about my ancestors.

She taught me about the importance of storytelling.

She taught me about mystery and history.

She taught me to love books.

She showed me how to crochet and knit.

She showed me how to play cards.

She showed me spirit.

In life and death Nanna has taught me of unconditional love and acceptance.

“Death leaves a heartache no one can heal, love leaves a memory no one can steal”

(Irish Headstone)

Jassy Watson, who lives on the sub-tropical coast of Queensland Australia, is a Mother of four, passionate organic gardener, Intuitive/Visionary & Community Artist, Teacher, Intentional Creativity Coach and a student of Ancient History and Religion at Macquarie University, Sydney. She is the Creatress of Goddesses Garden, Studio & Gallery; a school for the Sacred Creative Arts. Jassy teaches regular painting workshops in person, nationally and internationally, and online based around themes that explore myth, history, earth connection and the Goddess. Regular creative events and presentations are also held that have included visits from international scholars, artists and musicians. Visit http://www.goddessesgardenandstudio.com to read more about her and the work she creates.

Buddhas In Snowflakes, Enlightenment In A Bathtub

This year’s Tibet House Benefit Concert coincided with a snowstorm in Manhattan and though snow is not uncommon in Manhattan (especially this past season), it is particularly associated with Tibet and its high, perennially snow covered peaks. The timing of the snowstorm was thus peculiarly appropriate, leading Robert Thurman, US President of the Tibet House, to muse in his opening remarks about there being Buddhas in the snowflakes.

I was lucky enough to attend that concert thanks to my wife and some of her colleagues being invited by Thurman to attend in appreciation for work they had done on a book consisting of a collection of speeches by the Dalai Lama, My Appeal to the World. Snow had been a topic of conversation at the dinner we had before the concert not just because of the coincidence of the snowstorm and concert, but also because one person in our group had recently broken her wrist slipping on what was left from an earlier snowstorm. She was lamenting being sidelined from her yoga practice, at which point I brought up the topic of the therapeutic benefits of bathing. As is typical of dinner conversations, that quickly morphed into a discussion of other issues; soon it was time for the concert and off we went.

Several weeks later, while taking a bath after my own yoga practice, as I often do, it occurred to me that being in a bathtub was analogous to being in a snowflake–a very large and warmed up snowflake. The basis for the analogy is that ‘buddha’ is not a name but commonly interpreted to be the past participle of a verb, the primary meaning of which is to awaken. The roots of Indo-European (IE) verbs only refer to bare existence or an action and as such can ‘belong’ to any noun (person, place or thing) of any gender (female, male or neuter). Any person of any gender can be ‘awake.’ As a participle ‘buddha’ is a hybrid–part verb and part noun–and thus specifies gender (masculine), but that is an artifact of grammar, a way of speaking, that manifests its interdependence with other elements of language and how that language is used at any particular point in time.

There are a number of fascinating implications in analyzing language in this way (what used to be called ‘speculative grammar’ in Medieval times), but the single most important is that by itself language is not particularly enlightening, but rather quite dependent upon the context in which it is used. It helps explain why the tradition of rejecting textual authority in favor of direct enlightenment, the ‘moment of zen,’ became particularly prominent in Chinese, Korean and Japanese Buddhism. The grammatical differences between Sanskrit and Chinese are relatively substantial compared, for example, to those between any one IE language and another IE language. Grappling with translating and interpreting first Sanskrit and then Chinese and then Korean or Japanese, seems to have heightened the sensitivity to the limitations of language, especially with respect to spiritual beliefs and practices.

This aspect of Buddhism can be readily demonstrated to share roots in an equally ancient tradition of Greek poetic culture. It seems, however, that the guardians of the text based religious traditions emanating primarily from regions controlled directly or indirectly, at one time or another, by Roman emperors, are more than happy to let that aspect of the Western heritage go unnoticed. Instead these guardians seem to emulate the command and control tactics of Roman emperors with what can be fairly characterized as intellectual imperialism.

Because of its importance to all such traditions, Song of Songs (Songs) is a useful example to cite. Only by walling off a substantial amount of evidence is it possible to prevent Songs from being seen to be in part or whole a product of female spirituality that celebrates sexuality in a manner a Buddhist would identify as tantric. Proof that is exactly what the guardians of the text based religious traditions have been doing is not hard to find, for the fact that few women have authoritative positions within any organization associated with such traditions is an artifact of just such a wall.

Such tactics ironically expose the vulnerability of these traditions to decline and fall. One way that might happen can be discerned in what happened to Buddhism as it spread east. It was creatively interpreted in harmony with a far more ancient tradition of nature worship associated with early Taoism, a tradition that privileges individual artistic expression, such as poetry, over textual study or ritualized recitation. That tradition is comparable to the Western philosophy of nature evidenced, for example, in the poetry of the ancient mystic Greek of Sicily, Empedocles.

Though I have referred to this philosophy in previous posts, I hope to discuss it in more detail in upcoming ones as it relates both to ancient traditions such as Taoism and Buddhism as well as to how spirituality might evolve in the future. Suffice it for now to say that what is essential is appreciating that experience itself is the ultimate, authoritative a priori of all spirituality. That can mean doing yoga, meditating upon snowflakes or sloshing about in a tub of water.

Eventually, though, it leads within, to what the poet Holderlin calls ‘Innigkeit,’ a state of inwardness that is itself speechless, but which is the source of poetic/artistic inspiration. That is in an essay on Empedocles, but given what was then known about him, Holderlin was largely projecting onto Empedocles his own beliefs (shared with his friend Schelling) about nature, with “all her melodies,” as the ultimate source of inspiration. Decades after that essay was written, Schelling used Innigkeit in a lecture on mythology to translate a key term from the Bhagavad Gita: yoga, a term that as used there many scholars today think betrays Buddhist influence. Several other translations were then available and it seems likely Schelling’s unprecedented choice of Innigkeit was an homage to Holderlin.

As it happens, substantial new fragments of Empedocles’s poetry were discovered in the 1990s. In 2004, after piecing together those fragments with many of the other previously discovered ones, Richard Janko suggested Empedocles should be thought of as the Greek equivalent of Buddha. Be that as it may, there is no question who Empedocles would say is in snowflakes: Aphrodite.

Stuart Dean has a B.A. (Tulane, 1976) and J.D. (Cornell, 1995) and is currently an independent researcher and writer living in New York City. Previously he worked in a variety of other capacities, including 15 years as a corporate attorney.

Gretchen at Her Spinning Wheel by Natalie Weaver

Natalie Weaver edited In my continuing music education, I was recently introduced to Schubert’s Gretchen am Spinnrade (hear, for example, Renee Flemming’s performance of this work). The song is a setting of Goethe’s poem “Gretchens Stube,” in which Gretchen, a poor but upright maiden, sits alone in her room at the wheel, thinking longingly of Faust. Gretchen spins her mind and her threads on the cusp of ruin.

Faust desires Gretchen and with the help of his demonic wingman Mephistopheles (to whom he has bartered his soul in exchange for worldly favors), Faust has laid a trap to seduce Gretchen. Faust eventually gives Gretchen a sleeping potion to administer to her mother so he can come to Gretchen at night undisturbed. Contrary to the assurances of Faust, the potion kills Gretchen’s mother, even as Gretchen is conceiving a child from the illicit union, with the voyeur-devil panting in the wings. Gretchen’s enraged soldier-brother is subsequently fatally wounded in a brawl over the sordid matter, living just long enough to tell Gretchen exactly what he thinks of her. Destitute, Gretchen drowns her illegitimate child, is imprisoned, and dies burdened with grief. In Goethe’s Faust, Gretchen is ultimately saved because she was once so stainless a figure and in her failings became so sufficiently penitential. Stripped of her name and transformed as una poenitentium, her soul re-appears in the final scene of the second act of the tragedy among the choir of angels receiving Faust in his own redemption, who, by those same angels, is himself bewilderingly whisked away from the clutches of a very confused Mephistopheles.

Leaving off for the time being the interesting and important question of men writing women’s stories, the whole of Faust, and specifically Gretchen’s song within it, engaged me in a feminist religious critique in ways I found counter-intuitive. On one level, I could not help but read Faust as a Promethean sort of hero. Here you have an accomplished scholar who is simply exhausted by the futility of his work, and especially the shortcomings of theology. He is seeking empirical knowledge from any place that it can at last be found. Minus his grandiose local stature, he kind of reminds me of myself (and lots of other academicians in theology who have glimpsed religious faith and myth in their most tiresome and dangerous social distortions). I incline to commend Faust for entertaining the background, the darkness, the animal, the bodily, the elemental, the unspeakable – for, that is also classically the “feminine,” yes? Continue reading “Gretchen at Her Spinning Wheel by Natalie Weaver”

University of Oklahoma and Female Complicity in Patriarchy by Cynthia Garrity-Bond

IMG_5296 - cat By now most, if not all, readers of FAR have read or watched the disturbing YouTube video of University of Oklahoma Sigma Alpha Epsilon (SAE) Fraternity sing their racist chant. The two male SAE members who led the “song” were swiftly expelled by President David Boren, with the National Chapter of SAE shutting down the OU chapter of SAE. Student outcry denouncing the racist behavior ranged from hurt and anger from white students to how are you surprised by black students. At the very minimum the incident was and is occasion for important race dialogue on all college campuses.

The level of comfort and familiarity with the lyrics sung by those on the bus horrified me. The students, both male and female, were dressed in formal attire on their way to an unspecified date function. I flipped between MSNBC and CNN commentaries as the video replayed and the subsequent fallouts unfolded. Yet what I missed was commentary on the complicit nature of acceptance by the other students on that bus; and for the purpose of this post, the young women who gleefully followed along.

I immediately reflected on the writings of Mary Daly and her seminal work, Gyn-Ecology: The MetaEthics of Radical Feminism in which Daly challenges the multiple manifestations of patriarchy’s far-reach on the lives of women as well as female complicity in patriarchy. Daly identifies the practice of Indian Suttee or female foot-binding as one of many examples of Sado-Ritual Syndrome in which she argues, “The history of the footbound women of China provides us with a vivid and accurate image of the way in which women have been coerced into ‘participating’ in the phallocratic processions. The footbound daughter was bound to repeat the same procedure of mutilation upon her own daughter, and the daughter upon her daughter” (41-42). While the literal practice of food-binding has been erased, Daly reminds us patriarchy continues with “insidious forms of mindbinding and spiritbinding in every nation of this colonized planet”(42).

The culpability of the young women (and men) and their Sin of Silence brought swift judgment from me. How I thought, could they so easily participate in something so wrong? Then the related YouTube surfaced of University of Oklahoma SAE House Mom rapping the N-word in the same unconscionable manner as the SAE fraternity’s use of the N-word. I basked in my indignation until I recalled a not-so-distant time when I remained silent in the face of what Daly might call the phallocratic mutilation of women.

The occasion was the appearance of comedian Bill Maher on the campus of Loyola Marymount University during the presidential campaign of the 2008 election. As a political pundit I expected Maher’s material to cover the upcoming election as well as the candidates, one of which was Hilary Clinton. From the start Maher used abusive verbiage associated with female genitalia as a means of contesting her politics. When speaking of the male candidates, his insults/jokes were framed around the substance of their platform and not their bodies. The distinction was not lost on me, or the roar of laughter from the predominately student body.

I recall turning to my female co-workers repeating, “This is wrong, this is not funny! We need to walk-out right now!” “What?” they responded, “Walk out on Maher, you know he’ll make a mockery of us and our bodies if we do such a thing.” They were right. I sat in complete fear trying to find the courage to match my moral outrage with the action of walking out. I recall imagining what horrible names related to the female anatomy he would hurl at me, affirming my deepest body-image sensitivities. So like so many other women when confronted with the repercussions of ugly misogyny I remained silent and in my seat, seething with shame and disappointment by my in-action.

At the time I did not have Daly’s language of female complicity in patriarchy, although this is exactly what occurred. While I self-identified as a feminist, I did not understand the repercussions and reach of a patriarchal system that so easily silences women to their own demise. The seductive nature of this complicity takes form whenever I/we remain silent to its deceptive and phallocratic ways. But speaking up is risky and dare I say, exhausting when you are the lone voice who objects to the tentacles of misogyny, especially when the pushback comes from other women. I have discovered once you leave the safety of your feminist tribe and speak out against misogyny or speak in favor of women from a feminist stance, you are open game for all kinds of insults–with many coming from other women. During these encounters I find my voice softening to a safe whisper. I know my silence can be complicity in and with patriarchy, but the alternative engagement outside of academia leaves me with battle fatigue.

While I continue to hold those on the University of Oklahoma SAE bus accountable for participating in the racist rant, I wonder how the binding of the daughters by the bound mothers facilitated the participation in the phallocratic processions.

Cynthia Garrity-Bond is a feminist theologian and social ethicist, is completing her doctorate at Claremont Graduate University in women studies in religion with a secondary focus in theology, ethics and culture. For the past six years Cynthia has been teaching in the department of theological studies at Loyola Marymount University where she completed both her BA and MA in Theology. Her research interests includes feminist sexual theology, historical theology with particular emphasis on religious movements of women, agency and resistance to ecclesial authority, embodiment, Mariology and transnational feminisms. Having recently returned from Southern Africa, Cynthia is researching the decriminalization of prostitution from a theological perspective.

The Inalienable Right to Life, Liberty, and the Pursuit of Happiness vs. the Right to Religious Freedom by Carol P. Christ

In his speech announcing that he signed the Religious Freedom Restoration Act, Governor Mike Pence of Indiana did not mention the issue of the so-called “right” to refuse service to gays, lesbians, and transgendered individuals as one of the reasons this bill came to his desk. However, the idea that bakers could be “coerced” into baking cakes for gay weddings, photographers “required” to photograph them, and venue owners “forced” to provide space for them was frequently mentioned in discussions of this and similar bills. Governor Pence’s evident defensiveness during his press conference, and his repeated assertion that “this is not about discrimination” made it clear that an elephant was very much in the room.

Instead of defending the alleged “right” of religious individuals to discriminate against gay, lesbians, and transgendered individuals, Governor Pence invoked the right of employers to refuse to provide contraception to women as part of employee insurance plans, mentioning the Hobby Lobby and University of Notre Dame cases. If anyone has forgotten, in the Hobby Lobby case the Supreme Court decided that employers with a deeply held conviction that birth control is wrong do not have to offer it to their employees as required by federal law if “less restrictive” ways of providing it can be found.

Governor Pence apparently thought that openly defending the so-called “right” to discriminate against women is less controversial in his state than openly defending the so-called “right” to discriminate against lesbians, gays, and transgendered individuals. In fact, these two issues are linked in the minds of the people like Governor Pence. Continue reading “The Inalienable Right to Life, Liberty, and the Pursuit of Happiness vs. the Right to Religious Freedom by Carol P. Christ”

Painting Women from Judges – Part 3: The Sacred Account of the Levite’s Pîlegeš by Melinda Bielas

Reading the story of the Levite’s pîlegeš – found in the Hebrew Bible, Judges 19:1-20:7 – is unlike any other scholastic endeavor I have undertaken.¹ The narrative is of a woman who leaves her husband’s house, only to be retrieved by her husband, gang raped on her way to his home, and dismembered upon arrival. This intense violence then escalates to the abduction and rape of more than 400 virgins and the death of many more (Judges 20-21).

The first time I encountered this narrative was while reading Phyllis Trible’s Texts of Terror as an undergrad student. While at the time I did not fully understand the textual nuances Trible points out, I did understand this story was sacred in a way I could not articulate. It was not until years later that I realized I was not truly listening to the story because I had not read it from the pîlegeš’ perspective and was yet to be affected by the horror of it.

An explanation is needed when one calls a story of violence sacred. To clarify, it is the telling of the story that makes it sacred, not the violence. In much of the world today, violence done to women is taboo.² Not only are the violent acts ignored, but the victim and her retelling of the acts are also often ignored. Perhaps this is because our society is biased towards the perpetrator. Perhaps it is because our faith communities have self-identified as loving and to acknowledge violence is to acknowledge failure. But perhaps it is mostly because violence is hard to process, especially when the violent act is committed against a loved one, and we prefer not to struggle with the presence of violence all around us. Continue reading “Painting Women from Judges – Part 3: The Sacred Account of the Levite’s Pîlegeš by Melinda Bielas”

Spring by Deanne Quarrie

We celebrate the Spring Equinox as a reflection of the birthing time of the year. We have made it through the winter’s cold and ice, experienced the warming of the Earth and the flood waters that prepared for the birth of all that is new. Seeds are germinating and beginning to sprout. We see that around us, depending on where we live. Here in Texas the red buds are in bloom and some of the trees have their fresh green leaves opening up at the tips. Just seeing these indicators, brings an internal feeling of birth. My heart expands in joy when I see my first red bud tree in bloom – the first buttercup opening to the sun!

This is the time that the Goddess makes herself known by birthing all into existence. She first creates day and night and on this day they are equal, only to rise and fall as the year changes. Then She creates the stars, the heavens, the green things upon the earth, the animals and us – all Her children. All of us glistening in Her birth waters, ready to dance in Her rhythms.

I see the creation of day and night in equal portions coming first, as a lesson for all that follows; balance, a moment of equilibrium, manifesting everything else. We attempt to have that place of balance in our lives, but know from experience it never stays exactly in the center. All we can do is hope to bring it back as we move between states. It is like the pendulum, swinging back and forth from one side to the center then to the other side, but always seeking center. Continue reading “Spring by Deanne Quarrie”

Spouse for Life & the Fight for Gay Marriage by Marie Cartier

Today, I am exploring the following question set:

What is the shifting conception of religious liberty as religious groups carve out exemptions in complying with laws on LGBTQI rights, particularly as they relate to marriage? As gay marriage becomes “normative” how does it change the structure and study of religion? How did the anti-gay rights movement in California, regarding Proposition 8, funded largely through religious organizations such as the Church of Latter Day Saints and the Catholic Knights of Columbus, have a direct impact on state decisions, and animate new conversations about the juncture of religion and politics?

Let’s start with this information:

Sociologist Brian Powell posed the question of why people were opposed to gay marriage. Do what people say match the legal arguments that justify the opposition to gay marriage? Since legal arguments are based on public policy, what public policy was shaping the legal arguments? The findings, published recently in Social Currents, show that the most common reason for gay marriage opposition was given as: “Because I don’t believe God intended them to be that way.” Running a close second was: “Well, they’re sinners.”

If public opinion drives public policy, then the motivation for banning same-sex marriage is moral disapproval. Or as stated in Powell’s findings—religious disapproval—and the belief that God is not “on the side” of the homosexuals; casting homosexuals as sinners in the faith choice of the person formulating the public policy critique. With these formulations, Powell suggested that public discourse —based on religious formulations such as “sinner” and what “God intended” are the primary agents erecting state laws that ban access to civil rights- such as marriage- for the LGBTQI population. Continue reading “Spouse for Life & the Fight for Gay Marriage by Marie Cartier”

Passover and the Exodus: A Feminist Reflection on Action, Hope, and Legacy by Michele Stopera Freyhauf

Last week, Supreme Court Justice Ruth Bader Ginsburg was in the news again, but not for reasons you would expect. She, along with Rabbi Lauren Holtzblatt, penned a feminist essay about the Exodus title “The Heroic and Visionary Women of Passover.” Finding this story was exciting, especially because I am so drawn to the Exodus story (the intrigue and curiosity of which caused me to return to school and study, as one of my main areas of focus, Hebrew Scriptures – along with Archaeology and Ancient Near Eastern History). Now women’s roles in this story are being elevated thanks to Justice Ruth Bader Ginsburg and Rabbi Holtzblatt.

Before I discuss the message and the importance this message brings, I think it is important to know an important fact about Justice Ginsburg. Ginsburg is not observant, but does embrace her Jewish identity. When her mother died, she was excluded from the mourner’s minyan because she was a woman; an event in Judaism that is meant to comfort the mourner, brings a sense of community, and is considered obligatory – a means of honoring our mother/father. This important event left an impression and sent a loud message that inspired and influenced her career path – she did not count – she had no voice – she had no authority to speak. No wonder her life and career focuses so much on women’s rights and equality.

As many of us know, the story of Exodus is focused on two things 1) Moses and 2) liberation from the bonds of servitude and enslavement; women are rarely discussed. In the essay co-authored by Ginsberg, women are described as playing a crucial role in defying the orders of Pharaoh and helping to bring light to a world in darkness. In the Exodus event, God had partners – five brave women are the first among them, according to Ginsburg and Holtzblatt. These women are: Continue reading “Passover and the Exodus: A Feminist Reflection on Action, Hope, and Legacy by Michele Stopera Freyhauf”

Mandalas and Sacred Geometry by Judith Shaw

Dawn Mandala painting by Judith Shaw — *Dawn Mandala*, ink and watercolor on paper, by Judith Shaw

Can geometry open our hearts and minds to spirit? Throughout time people around the world have thought so. Mandalas and Sacred Geometry symbols are found in many cultures both ancient and modern.

Mandala is a Sanskrit word which means “sacred circle.” In Buddhism, Hinduism and other ancient wisdom traditions of the East, the mandala has been used as a tool to facilitate contemplation and meditation. Through the process of studying and/or creating a mandala one can reach one’s center, one’s connection to Source. The circle, the first closed shape of Sacred Geometry, thus becomes a doorway to Oneness.

Traditional Hindu mandalas follow a strict form. Every mandala is created following the precise design of that form. One sees a further development of other Sacred Geometries within these traditional forms. First there is the squaring of the circle also known as “The Marriage of Heaven and Earth”, with the circle representing Heaven and the square representing Earth.

In the Hindu tradition, each design within this “Marriage of Heaven and Earth” is called a yantra mandala and functions as a symbol which reveals cosmic truths. Thus yantra mandalas become sacred geometric symbols of a particular Hindu deity.

One of the most famous yantra mandalas is the Shri Yantra, a symbol of Tripurasundari, a supreme Hindu Tantric Goddess. It depicts a series of precisely interlocking triangles, half pointing downward and half pointing upward. It forms a state of perfect balance and harmony and represents the union of the female and male principles. Also known as the Yantra of Creation or the Cosmic Yantra it is the most honored of all the Hindu yantras. The Shri Yantra becomes a door which can lead to the experience of Oneness.

Another goddess whose divine truths are revealed through the mandala is Lakshmi, Hindu Goddess of fortune, light, luck, and beauty. Meditating on the Lakshmi Yantra encourages spiritual progress and helps to overcome internal blocks.

Christianity has also used the mandala to represent Divine Oneness and to teach the wisdom of its tradition. The magnificent rose windows of the Gothic cathedrals are luminous examples of western mandalas. Complex sacred geometries were used in the architectural designs of the buildings themselves and of the rose windows.

The rose windows are a western representation of our human aspiration towards wholeness and balance. The rose windows operate on various levels; spiritual, emotional and intellectual. The instructional aspect of the rose windows is clearly seen by the subject matter – biblical stories, lives of the saints, astrological calendars, and morality stories to name a few.

In much the same way that the Hindu yantras symbolize the aspects of a particular deity, the rose windows typically show Christ or the Virgin or some other combination in the central rosette of the window. The gates at the cardinal points of the yantras depict the many paths available to reach the divine. In a similar fashion, the saints shown in the petals of a rose window can be seen as paths to Christ.

More than likely, mandalas were reintroduced into western thought through the Carl Jung’s pioneering work on the unconscious. Jung wrote: “I sketched every morning in a notebook a small circular drawing,…which seemed to correspond to my inner situation at the time….Only gradually did I discover what the mandala really is:…the Self, the wholeness of the personality, which if all goes well is harmonious.”

Lotus Mandala 1 , painting by Judith Shaw — Lotus Mandala 1, oil on canvas, by Judith Shaw

Continuing in this tradition, artists and spiritual practitioners today have been exploring a more free-form style of the mandala. Within the basic foundation of the “squaring of the circle”, the artist then creates a personal, spontaneous design based on the concepts of balance, wholeness and oneness.

A quick google search reveals a multitude of mandala workshops being offered all around the world. Exploration of the mandala through these workshops offers a connection to your true self, an experience of sacred love, an opportunity to improve your life with intention, a deepening of your connection to nature, healing of emotional, mental, or physical pain, and a chance to be truly in the moment.

The mandala is a form that I have used in my own art since before I discovered the existence of Sacred Geometry. Even when not directly exploring the mandala, I find that often I want to draw a circle around the main image in my painting – seeking that experience of wholeness in the process of painting.

In future posts I will explore other elements of Sacred Geometry, all of which grow out of the mandala, the sacred circle.

Sources: http://charlesgilchrist.com/SGEO/AboutMan.html,
http://www.isibrno.cz/~gott/mandalas.htm,
http://www.whats-your-sign.com/yantra-mandala.html,
http://dragon_azure.tripod.com/UoA/Med-Arch-Rose-Window.html,
http://www.sacredsymbolhealingart.com/SacredSymbolhealingArt.com/Mandala_Facilitators.html

Judith’s deck of Celtic Goddess Oracle Cards is available now. You can order your deck on Judith’s website. Experience the wisdom of the Celtic Goddesses!

Judith Shaw, a graduate of the San Francisco Art Institute, has been interested in myth, culture and mystical studies all her life. Not long after graduating from SFAI, while living in Greece, Judith began exploring the Goddess in her artwork. She continues to be inspired by the Divine Feminine in all of Her manifestations. Originally from New Orleans, Judith now makes her home in New Mexico where she paints and teaches part-time. She is currently hard at work on a deck of Goddess cards. Her work, which expresses her belief in the interconnectedness of all life, can be seen on her website.