biblical characters – Feminism and Religion

From the Archives: The Queen, the Memory-Keeper (Women in the Book of Daniel, part 1) by Liz Cooledge Jenkins

Note: This is the first in a two-part series reflecting on women in the biblical book of Daniel. This was originally posted on May 20, 2023

I recently had the chance to take a deep dive into the biblical book of Daniel. I think it’s the first time I’ve read the whole book of Daniel since I’ve started intentionally attending to the questions of feminist biblical interpretation: Where are women present? Where are women absent? What are they doing or not doing—perhaps prohibited from doing? How does this passage move its readers toward—or away from—gender equity and women’s empowerment? How does it speak to—or deny—women’s full humanity?

The absence of women in most of the book of Daniel feels glaringly obvious to me.^[1] The main characters include the Hebrew exile Daniel, Daniel’s three (male) friends, King Nebuchadnezzar, King Belshazzar, and King Darius. The angels look like men. The divinely appointed eschatological authority figure is described as being like a “son of man.” The particularly oppressive king who desecrates the temple, abolishes the ritual sacrifices, and sets up an “abomination that causes desolation”^[2] is definitely male.

Where are the women?

The Gospel of Salome by Kaethe Schwehn, Book Review by Michelle Bodle

What would happen if you were a disciple of Jesus and you had an encounter with someone who told you a different narrative than what you had heard in the past? How would you react? What would you preserve? How would you reconcile the stories you have been told and have told others as an apostle with what someone is now proclaiming?

The Gospel of Salome is a work of Biblical fiction focused on Salome, a character who we hear of being present at the crucifixion and the empty tomb in the Gospel of Mark. Some scholars have connected her with “the mother of Zebedee’s children” in the Gospel of Matthew or “his mother’s sister” (i.e. Mary’s sister) in the Gospel of John. Schwehn takes a different approach, portraying Salome as a woman who was sought out for her skills in medicine, finds herself in the presence of John Mark, one of Jesus’s disciples who has come to Alexandria.

Going back and forth between speaking to John Mark in the present and living in her memories of the past, Salome tells the apostle that she is the true mother of Jesus. However, there is another factor to consider in her proclamation – Salome’s dementia, which is threatening to steal her memories. Memories about Salome’s agreements with Mary about Jesus’s desire to learn how to heal or Mary asking Salome to not be present in Jesus’s life. Memories of being at the cross and the empty tomb.

SheSpeaks! Eve by Janet Maika’i Rudolph

Author’s Note: I have begun a project called She Speaks! Women of the Bible Have Their Say. As part of this project, I have done five films with some very dedicated actors (friends of mine) who have dubbed themselves the SheSpeaks!Ensemble. I showed 4 of the films at the recent Yerusha Symposium. Based on the comments and reception, the project is now expanding. I am looking to create longer films that include story arcs. The first one will be of Eve. Below is the script for Eve along with the link to the video.

EVE speaks:

Why hello I don’t get visitors very often! Welcome. Come, come sit under my tree, let’s share some tea. I have the most wonderful and flavorful herbs here in my garden.

Look around at my most marvelous paradise. It is all filled with magical treasure. I’ll tell you a secret, the treasure I care for spans both the heavens and the earth. You see, we are at the place where spirit, breath and matter intersect. Where the living beings of earth and the animating forces of the divine join in harmony.

It is so hard to look at your holy book. I can’t imagine why I keep getting blamed for . . .well . . . just about everything. It’s strange that your world wants to connect me with curses as I am the giver of life. In fact, did you know that my name Eve means life. I don’t understand what has become of you, my children. It is said that I brought a curse to humanity. Do you see life as a curse? Let me tell you a bit about myself. Perhaps then you will see me differently.

The Flesh and the Fruit by Vanya Leilani, PhD: Book Review by Janet Maika’i Rudolph

Subtitle: Remembering Eve and the Power of Creative Transgression

I have learned that every good story of spirit has many layers of meaning and pathways of understanding. Dr Leilani has found particularly relevant and even beautiful aspects of the biblical story of Eve. She uses Eve’s actions as a template of her own spiritual journey. Her pathway begins in obedience (listening to the voice of authority), travels through transgressive acts (eating of the fruit), and finally results in a self-knowing that had not been possible at the beginning of her journey. In this book we follow along on her quest to learn about herself with Eve as her inspiration.

This is a luscious book. Vanya Leilani’s insights are not only profound but are written with a poetic sensibility. I found myself speaking some of her passages out loud because the vibration of her words are powerful and feel so sensuous on the tongue. I wanted to take them into my body, as well as read them on the page.

The Place of All Possibility: Cultivating Creativity Through Ancient Jewish Wisdom by Rabbi Adina Allen

In her book Pentimento, author and playwright Lillian Hellman describes a phenomenon that often occurs when we return to a piece of art we once worked on after much time has passed: “Old paint on a canvas, as it ages, sometimes becomes transparent. When that happens it is possible, in some pictures, to see the original lines: a tree will show through a woman’s dress, a child makes way for a dog, a large boat is no longer on an open sea.” Hellman speaks of the way the aging paint allows for older layers to show through, offering an opportunity to see, in her words, “what was there for me once, what is there for me now.”

Like the painting Hellman describes, Torah, too, is a work in process. Layers and layers of interpretation have been added to it over time, according to the needs, desires, fears, and longings of those who devoted their lives to making meaning out of these sacred words. Some layers add to the beauty and power of the overall piece, strokes and shapes that bring the picture more clearly and compellingly into focus. And some accrue like varnish, making the painting hard and impenetrable. Each one of us is invited into this process of excavation, of peeling back layers of what we have been taught or what we think we know, and seeing, as Hellman writes, what is there for us now. And each of us is called to our creativity — to bring our brush back to the canvas anew, reencountering and reworking the stories, ideas, and images that lie at the very foundation of who we are and who we could be.

Miriam Speaks by Janet Maika’i Rudolph

Intro: I have been working on a project inspired by Charlene Spretnak and her book Lost Goddesses of Early Greece. I am writing biblical stories through the eyes and words of the women. The scribes who wrote down the tales of the bible, wrote mostly from men’s point of view. And they had their own which was to destroy evidence of the Goddesses. I tell Noah’s story through Naamah, his wife. Abram and Sarai’s journey to Egypt through the eyes of Sarah. Exodus in Miriam’s voice. In my telling, Miriam went to Midian with Moses and, while there, experienced the Burning Bush and worked with Moses’ wife Zipporah to protect knowledge of the Goddesses. Below is an abridged version of this section of Miriam’s tale.

I look around at your world today. You, yes you, are my descendants. My beloveds. I mourn for what you’ve lost. No, I am angry, how could things have gotten this bad? I dare you, I dare any of you to challenge my work. We did everything we could. It should not have taken this long to find our clues. But then I see the job the scribes did. It was better and more thorough than even we, who saw so much, could have imagined. I look around at this precious earth we bequeathed to you and see how damaged it is.

Jacob’s Ladder, A Feminist Perspective by Janet Maika’i Rudolph

Today, I embark on my retelling of the biblical story of Jacob, the section usually referred to Jacob’s ladder or Jacob’s pillow. The entire story-arc of Jacob is filled with mystery and a sense of shamanic-style questing. What is the goal of a shamanic quest? There are many but the foundation is to open gateways to travel amidst thresholds. It is through these passages that we can gain knowledge of ourselves, have ecstatic experiences, do healing work, divination . .

I believe this is a feminist issue because when we look at Jacob’s story more holistically, we can strip away the patriarchal assumptions inherent in the tale as it’s come down to us. For example, in my retelling, there is no male grand deity standing above, judging and dictating human actions and interactions.

Bathsheba: From Survivor of Sexual Abuse to Queen Mother by Linda Cooper Costelloe

Bathsheba by Artemisia Gentileschi, wikimedia commons, public domain

The image we have of Bathsheba is that of a scheming temptress. That’s the way she’s been portrayed in media, such as the 1951 movie, David and Bathsheba, and Leonard Cohen’s song, Hallelujah. She deliberately bathed on a rooftop in sight of King David. She caught his eye and he was helpless to withstand her charms. The Bible does not support that image of Bathsheba, however. It says that Bathsheba was used and abused by David, and God was displeased.

The Bible says that David was on his rooftop. It does not say where Bathsheba was, only that she was bathing to purify herself after her period (2 Samuel 11:2-4). She was probably in an inner courtyard. In their book, Flawed Families of the Bible. How God’s Grace Works Through Imperfect Relationships, David E. Garland and Diana R. Garland write: “The laws required ritual washing at the conclusion of her menstrual period. A woman would be highly unlikely to conduct such a cleansing from her menstrual period as a come-on. If she were in public view, she would have washed without disrobing. There is no reason even to assume that she was naked. Public nudity was not acceptable in this ancient Jewish culture but instead was considered shameful. There is no foundation for assuming she was some kind of exhibitionist.”ⁱ

The Queen, the Memory-Keeper (Women in the Book of Daniel, part 1) by Liz Cooledge Jenkins

Note: This is the first in a two-part series reflecting on women in the biblical book of Daniel.

Where are the women?

The Problem of Jehosheba: Reading One Biblical Character in Two Different Feminist Ways by Jill Hammer

Tucked away in II Kings 11 is the story of a mother-daughter feud that is personal, political, and ultimately fatal. Jehu, a charismatic military commander, is anointed by Elisha as the next king of the northern kingdom of Israel. Jehu kills the previous king of Israel, Jehoram, and also Jehoram’s mother Jezebel (yes, that Jezebel—the famous/infamous queen). As part of his violent rise to power, Jehu also kills Ahaziah, king of the southern kingdom of Judah. Ahaziah’s death should mean that Athaliah (Atalya), who is queen mother of Judah as well as the daughter of Jezebel, cedes power to a new king and a new queen mother. Instead, according to the Book of Kings, Athaliah has the rest of the king’s sons and grandsons murdered, and seizes the throne for herself.

All seems lost for the Judean line, except that Jehosheba (Yehosheva), wife of the high priest Jehoiada and sister of the murdered King Ahaziah, saves one of Ahaziah’s sons, along with the child’s wetnurse, and hides them both in the Temple. Jehosehba keeps the boy, Joash, and his nurse in the Temple until he is six years old. At that time, Jehosheba’s husband, the high priest, anoints Joash king, stages a coup, and executes Athaliah as a usurper. Jehosheba’s action saves the Davidic line. The collection of Jewish legends known as Otzar Midrashim lists Jehosheba as one of the righteous women of the Jewish people.