celtic goddess

From the Archives: Brigid, Goddess of Healing, Poetry, and Smithcraft by Judith Shaw

This was originally posted on January 31, 2013

Brigid, the Celtic Goddess of Healing, Poetry, and Smithcraft, begins her reign on Imbolic, February 2, the midpoint between winter solstice and spring equinox. On this day the ancient Celts held their Fire Festival in honor of Brigid and the growing light. In Scotland, as recently as the mid-twentieth century, houses were cleaned and the hearth fires rekindled on February 2, to welcome in Brigid. Remnants of this festival are found in America today on Groundhog Day.

Like the Cailleach, She existed in many places and was known by many names. The Irish called her Brighde; she was Bride in Scotland, Brigantia in Northern Britain, and Brigandu in France. Some called her Brid, Brig or Brighid. Later she was transformed by Christianity into Saint Bridget. Her older name was BREO SAIGHEAD. Her name has various interpretations, many relating to fire – “Power,” “Renown” “Fiery Arrow of Power ” “Bright Arrow”, “The Bright One”, “The Powerful One”, “The High One” and “The Exalted One”.

From the Archives: Grainne – Sun Goddess/Winter Queen by Judith Shaw

This was originally posted on June 24, 2015. You can see the original comments here.

In the ancient Celtic world the Goddess was the One who expressed Herself through the many. Grainne is such a one. She is both Winter Queen/Dark Goddess, nurturing seeds through winter, and Solar Sun Goddess, welcoming the rebirth of spring. She is Aine’s sister or another aspect of Aine. She, like Aine, was honored at the summer solstice and the first grain harvest of early August with bonfires and torchlit processions on top of her sacred hill at Leinster, Ireland. Remnants of these festivals are still found in folk ritual today.

Loss of Good Friend and Elder Claire French by Glenys Livingstone

Dr. Claire French was born in 1924, Claire Anna Maria Margaretha Wieser, “in the backwoods of Bavaria” as she has described, where “pagan beliefs and superstitions were rife” and “so was Communism amongst the factory workers who lived in her neighbourhood.” She described her mother as “a staunch Lutheran”, her father as “a freethinking artist from the Tyrolean mountains”, and her paternal grandmothers and aunts as “bigotted Catholics”. She has said that she received some of all these ideologies right from her earliest childhood, and that “to this were added the experience of fascist and national socialist authoritarianism during her school years.” In early years she was educated by nuns in Italy. For high school her education was in Germany, where the teachers were partly nazi and partly anti-nazi. She has described her education as “pluralistic in the extreme”.

During the war she was conscripted to the German paramilitary organisation for women working for Tyrolean mountain farmers and later in the military hospital. That year of paramilitary service was conditional for enrolment of women at any German University: educated women were seen as dangerous … the authorities wanted “incubators”, as Claire named it. After the war she studied modern languages and politics at the University of Austria, and in 1945 she was conscipted as interpreter to the military government first by the American and then the French Army Forces. She has said: “In 1951 she finally had enough of Europe and embarked for Australia, where she worked as a housemaid, grape picker, and interpreter and finally as a secretary at Melbourne University. There she started her studies from scratch again as a part time student, graduating in 1956. In that year (an Olympic year she noted), she married Jack French, with whom she had a daughter and two sons. Continue reading “Loss of Good Friend and Elder Claire French by Glenys Livingstone”

Tlachtga, Forgotten Celtic Goddess – by Judith Shaw

I am the Sun – bringer of the warming light of day. I am Lightning – bringer of fire to Earth. I am Tlachtga who flew through the sky together with my father Mog Ruith in our glowing wheel. I am destruction and creation. I illuminate the darkness and point to the pathway of light that resides in each of you. Over time I made my final resting place at the Hill of Tlachtga, where the great fire ritual of Samhain is practiced, reminding the folk of the promise of Sun’s return at the end of the time of darkness and dreaming.

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Tailtiu, Celtic Earth Goddess of Endurance by Judith Shaw

Judith Shaw photo The Celts were fascinated by the number three – triple designs, images and triadic ideas. The Goddesses and Gods who related to the mysterious rather than the mundane nature of life were always worshiped in threes. Unlike the Greek triple goddesses who represent the maiden, mother and crone, the Celtic triadic deities reveal the mysterious, unexplainable aspect of nature and human existence. These triple Goddesses are doorways into the unknown and unknowable.

A Celtic Triad, painting by Judith Shaw Guardians of the Triad, painting by Judith Shaw

Tailtiu is part of one of the Celtic primary triads. This triad of Anu, Danu, and Tailtiu is one of sovereignty reminding us of the cyclical nature of reality and the mysteries of the deep heart which transforms the ordinary into bright gold. They represent three different aspects of the Tialtiu, Celtic Earth Goddess painting by Judith Shaw cycle of birth, death and rebirth. Anu is the source, Danu is the movement and Tailtiu is the endurance inherent in this cycle. Continue reading “Tailtiu, Celtic Earth Goddess of Endurance by Judith Shaw”

Elen of the Ways by Judith Shaw

Judith Shaw photo

Dawn follows darkness; shining day gives way to starry night – cycles of change and flow.

Elen of the Ways is She who guides us on these paths of change.

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Arduinna, Gaulish Goddess of Forests and Hunting by Judith Shaw

judith Shaw photo Arduinna, Gaulish Goddess of Forests and Hunting is one of the many Celtic Goddesses who is associated with a particular region or body of water. She was worshipped in the heavily forested regions of the Ardennes, located in what is current day Belgium and Luxembourg with small portions found in France and Germany. She was also associated with the Forest of Arden in England. Her name has its roots in the Gaulish word “arduo” meaning “height”.

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Canola, Celtic Goddess of Inspiration and Creativity by Judith Shaw

Canola, Celtic Goddess of Inspiration and Creativity, is another ancient Celtic Goddess whose story comes down to us in very limited form.

One day Canola had an argument with Her lover. Goddesses, being intermediaries between our physical world and the infinite Source of All, feel emotions in a similar fashion to mortal humans. So, like any mortal woman, Canola was upset by their argument.

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Rosmerta, the Great Provider – a Celtic Goddess of Abundance by Judith Shaw

As we near August 2, known to the ancient Celts as Lughnasadh or Lammas, examples of abundance are everywhere. Gardens and farms are in full bloom with some crops ready for harvest and others very near. Lambs born in spring are now reaching maturity. Days are still long and we are full of energy. It is a perfect time to remember the Celtic Goddess, Rosmerta.

Rosmerta, a goddess loved by both Celtic and Roman Gauls was known as ”The Great Provider”. She is a goddess of fertility and wealth. She was worshipped in South-western Britain, Gaul, and along the Rhone and the Rhine rivers.

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Grainne – Sun Goddess/Winter Queen by Judith Shaw

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Credhe, Celtic Goddess of Love and Spirit Contact by Judith Shaw

Credhe, also known as Creide or Cred is an Irish Faery Queen Goddess of Love and Spirit Contact. She is associated with Danu’s mountains, the Paps of Anu. These are two gently rounded high hills that were adorned by the ancients with earthen and rock mounds and cairns positioned on top to represent erect nipples. Her Sidhe was most likely located near the Paps of Anu. She is also associated with crystals, the color pink and rose oil.

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Morrigan, Celtic Goddess of Sovereignty, War and Fertility by Judith Shaw

Morrigan, Celtic Goddess of War and Death, is a dark goddess we mortals tend to approach with fear and trepidation. A great Warrior Goddess, She represents the more terrifiying aspects of female energy; sensuality, magic, prophecy, revenge, and war. She could either shapeshift into a crow or raven or be accompanied by them. In the Ulster cycle stories she also appears as a cow, a wolf and an eel. This indicates Her connection to prosperity, sovereignty and the land. Encompassing all essential divine functions, She is the Goddess of War, Sovereignty, Fertility and the Land.

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Cerridwen, Dark Goddess of Transformation, Inspiration and Knowledge by Judith Shaw

Cerridwen, Dark Goddess of Transformation, Inspiration and Knowledge is best known as the mother of Taliesen, the greatest of all the Welsh poets. But Her story is much older and Her powers run deep.

Cerridwen (“White Sow”, or “White Crafty One”) has many other names: Dark Moon Goddess, Great Mother, White Lady of Inspiration and Death, Goddess of Nature, and Grain Goddess. She rules the realms of death, fertility, regeneration, inspiration, magic, enchantment and knowledge. Her ritual pursuit of Gwion Bach symbolizes the changing of the seasons, nature’s yearly cycle of death and rebirth.

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Medb, Celtic Sovereignty Goddess of War and Fertility

Medb, Celtic Sovereignty Goddess of Connacht, the wilderness in the Irish west, ruled war, fertility and the earth. A man became king of Connacht only by participating in a ritual of intoxication and entering into sacred marriage with Medb at Connacht’s mystical center, Tara. She had an insatiable sexual appetite, taking men as she pleased and marrying at least four, who became King of Connacht in their turn. Her first husband was probably King Conchobar of Ulster, with whom she had seven sons and later became her mortal enemy. With Aillil she had three daughters.

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Branwen, Welsh Goddess of Love and Beauty by Judith Shaw

Branwen, Goddess of Love and Beauty, daughter of Penardim and Llyr, sister of Bran the Blessed, King over all the Island of the Mighty, was loved by her people for her gentleness, compassion and beauty. As Mother of the king to come in the tradition of the Old Tribes of the British Isles, she is the embodiment of Sovereignty. She is the Center from which all life emerges. She rules over the Land, both its spirit and its manifestation. Her vision is long, seeing the whole, the greater scheme of things. Sometimes this knowledge can be too much to bear.

Branwen (“white raven”), is most likely an ancient Goddess whose sacred spot is Cadair Bronwen (Branwen’s Seat), a mountain peak in the Berwyn range of Wales. Cadair Bronwen is topped with a cairn that resembles a nipple from afar.

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Winter Solstice – When Darkness Nurtures Light by Judith Shaw

In the Northern Hemisphere Winter Solstice, usually December 21, heralds both the time of deepest darkness and the beginning of the return to light. It is a liminal day offering a transformation from darkness to light.

In the mid-latitudes in the ten days after the winter solstice the hours of sunlight increase by only a few seconds up to a minute or so. The world slows down allowing a time to relish the quiet of long nights and the inspiration of winter dreams.

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Fand – Goddess of the Sea – a Shapeshifter for Samhain by Judith Shaw

Fand is a Celtic Sea Goddess whom some scholars believe originated as a Manx sea deity (the original inhabitants of the Isle of Man). With time She became the most loved of Ireland’s fairy queens, called “Queen of the Fairies. Fand, meaning “Pearl of Beauty” or “Tear” was stunningly beautiful. Though she was married to the Celtic Irish Sea God, Manannan Mac Lir, She, like other faery queens, fell in love with and then enchanted a mortal man, linking our world with Her Otherworld. Being the Goddess/Faery Queen she was, Fand fell in love not with any common man but with Cuchulainn, the greatest Irish hero.

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Aine, Summer Goddess of Love, Light and Fertility by Judith Shaw

Aine, (pronounced AW-neh), was originally worshipped as a Sun Goddess. Like so many goddesses and gods, Aine has assumed many other roles over the years, being seen as a Moon Goddess, a Goddess of Love, a Fertility Goddess, a Healing Goddess, and a Sovereignty Goddess. Aine is also known as a Faery Queen. She is often called Aine, Goddess of Love, Light, and Fertility. Her name means “brightness, glow, joy, radiance; splendor, glory, fame” and she is associated with the abundance of summer.

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Creiddylad, Welsh Goddess of Flowers and Love by Judith Shaw

May Day/Beltane (Calan Mai to the ancient Celts) is almost here and our hearts turn to thoughts of love, flowers and the bounty of our Mother Earth. Both Beltane and Halloween/Samhain (Calan Gaeaf) were liminal or threshold days, considered to be outside of normal time. These sacred, mystic days were more important than the solstices in the Celtic world view.

Creiddylad, Welsh Goddess of Flowers and Love, is celebrated at this time. (Her name is pronounced cree-THIL-ahd) She is the eternal May Queen, always seeking peace and stability. She remains eternally constant in the face of all change. She is the promise of love, golden glowing moon-flowing love, enduring through all hardship and despair. Creiddylad also shows us the necessity of self-love. Only by truly loving ourselves can we love another.

Creiddylad is mentioned only briefly in The Mabinogion but her symbolism reveals that she is surely an ancient and important Goddess, whose original stories have been lost to the mists of time.

Creiddylad, the daughter of Lludd Silver-hand, was promised in marriage to her heart’s desire, Gwythyr ap Greidawl. But before the marriage could be consummated she was abducted by Gwyn ap Nudd, who possessed many dark aspects akin to the Lord of the Underworld.

Gwythyr gathered together his warriors and set out to rescue his love, Creiddylad, from Gwyn. A fierce battle ensued, during which Gwyn, who emerged as the victor, committed horrendous acts of brutality and butchery.

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Rhiannon, Goddess of Birds and Horses by Judith Shaw

Rhiannon, Goddess of Birds and Horses, is also know as the Queen of Fairies. She is a Sovereignty Goddess who the king must wed to legitimate his rule. A Goddess of Transformation, she uses her powers for love of others or self. She shines in our hearts as an example of true love and beauty. She appears in both the first and third branches of the Medieval Welsh stories, The Mabinogion, a narrative which grew out of the ancient myths of the Celtic Gods and Goddesses.

Rhiannon is associated with Epona, the Gaulish Horse Goddess. They are probably both derived from the ancient Celtic Goddess, Rigatona, whose name means “Great Queen”. Unfortunately, Rigatona’s stories and meaning are lost to us today.

Things sacred to Rhiannon are the moon, horses, horseshoes, songbirds, gates, the wind, and the number 7.

In the Mabinogion Rhiannon first appears to Pwyll, King of the new tribes of Dyved, as a beautiful dream vision, riding a glowing white horse. Her hair shining in the sun, her birds twittering in circles around her head, She seems to be clothed by golden light. Thus begins her journey to attain the man of her desires. She possesses deep magic and can manifest her dreams and desires both for herself and for the good of all.

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Arianrhod, Celtic Star Goddess

Arianrhod, Celtic Welsh Star Goddess of Reincarnation, is known as “Silver Wheel”, “Silver Circle”, “High Fruitful Mother”, “Star Goddess”, and Sky Goddess. She is considered by many to be a Moon Goddess. She is a primal figure of feminine power, a Celestial Mother Goddess who through her role as Goddess of Reincarnation, rules fertility and childbirth.

Arianrhod, the most powerful child of the great Mother Goddess, Don, was very beautiful, with extremely pale skin. She was a virgin goddess in the ancient meaning of the word virgin – a woman who is complete unto herself; a woman who needs no protection from a man. She enjoyed herself sexually, with a distinct preference for mermen.

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Brigid, Goddess of Healing, Poetry, and Smithcraft by Judith Shaw

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Epona, Celtic Horse Goddess by Judith Shaw

Epona, Celtic Horse Goddess was worshipped by the Gauls (the Celtic French). Her worship spread to Britain and Rome from Western Europe. Hundreds of statues and shrines dating from between the first and third centuries CE have been found in France alone.

Today we can understand Epona mainly from her images, as few stories of her have survived. She is often shown either riding a white horse side saddle or standing or sitting between two horses. Many images show her feeding mares and foals from a cornucopia or a basket of fruit.

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