feminist biblical interpretation

Note: This is the second in a two-part series reflecting on women in the biblical book of Daniel. For part 1, see here.

The second female character I noticed while taking a deep dive into the book of Daniel appears even more briefly. Daniel 11:6-7 includes her story: “The daughter of the king of the South will go to the king of the North to make an alliance, but she will not retain her power, and he and his power will not last. In those days she will be betrayed, together with her royal escort and her father and the one who supported her. One from her family line will arise to take her place” (NIV). It is a brief story—and not a happy one, in the end. But I think it’s worth reflecting on.

In this chapter of Daniel, an unnamed supernatural messenger gives Daniel a detailed account of a long series of violent power struggles between various kings. Empires accumulate and then are broken up (vv. 3-4). One king is strong, but his commander proves stronger and overtakes him (v. 5). Attacks are victorious, and valuables are seized and carried off (vv. 7-8). Retreats are made (v. 9). Great armies are assembled (v. 10). Kings “march out in a rage” toward battle (v. 11). Armies are carried off, and thousands are slaughtered (v. 12). You get the idea. Everything is violent. Everything is bloody. Everything is one brutal war after another, one brutal kingdom after another, one brutal ruler after another. It all starts to blur together.

“I am the Queen of Sheba and I am not impressed.” This is the first line of one of the monologues from chris wind’s book Thus Saith Eve. This book features 18 stories of biblical women, and a 19^th, Lilith, from Jewish mythology. Each monologue offers a new interpretation and gives a voice to the women that we think we know.

In this book the voices and personalities of women such as Noah’s wife, Mary of Bethany, Zipporah, and Vashti are reimagined in an exciting and empowering way. Each of the stories also features an appendix where the reader can learn more about the biblical or mythological context of the woman who is telling her story.

As in her other works, wind uses historical people, events, and understandings to build a truly wonderful source of feminist fiction. In addition to being an extremely enjoyable and thought provoking read, the monologues can also be used for audition and performance pieces. On her website wind explains that two of the monologues, “I am Eve” and “I am Mary” can be performed with specific musical selections in the background. You can find those selections linked to her website above.

Continue reading “Thus Saith Eve BOOK REVIEW by Katie M. Deaver”