goddess art – Feminism and Religion

From the Archives: Brigid, Goddess of Healing, Poetry, and Smithcraft by Judith Shaw

This was originally posted on January 31, 2013

Brigid, the Celtic Goddess of Healing, Poetry, and Smithcraft, begins her reign on Imbolic, February 2, the midpoint between winter solstice and spring equinox. On this day the ancient Celts held their Fire Festival in honor of Brigid and the growing light. In Scotland, as recently as the mid-twentieth century, houses were cleaned and the hearth fires rekindled on February 2, to welcome in Brigid. Remnants of this festival are found in America today on Groundhog Day.

Like the Cailleach, She existed in many places and was known by many names. The Irish called her Brighde; she was Bride in Scotland, Brigantia in Northern Britain, and Brigandu in France. Some called her Brid, Brig or Brighid. Later she was transformed by Christianity into Saint Bridget. Her older name was BREO SAIGHEAD. Her name has various interpretations, many relating to fire – “Power,” “Renown” “Fiery Arrow of Power ” “Bright Arrow”, “The Bright One”, “The Powerful One”, “The High One” and “The Exalted One”.

Join the Rebellion by Jessica Bowman

Like many other thousands of Americans, I watched the newest offering from the Star Wars legacy last autumn and was re-inspired to be an active part of the rebellion against oppression. Viewing the movie through my feminist lens I was cheered on by the choice of actors and actresses in lead roles and was reminded of Margaret Mead’s famous quote, “Never doubt that a small group of thoughtful, committed, citizens can change the world. Indeed, it is the only thing that ever has.”

It may be easy to compare the new president to Lord Vader because he is an easy target who encourages mockery and ridicule. However, tyranny, violence, and power trips have long been a part of world societies, for centuries. It is as evident as ever that we must continue to stand against such debilitating realities. We must stand together.

And, like millions of other people across the world, I had the privilege to participate in a Sister March to the Women’s March on Washington; shoulder to shoulder with passionate and caring people determined to make a difference. The experience generated feelings of elation, hope, and unity. I was most impressed by the kindness radiating from every person I came in contact with. Even though spaces were packed with people the overall atmosphere was conscientious, polite, and caring. Peaceful activism is critical to progress.

I also listened intently to the speeches made at the marches; especially by the women well known in popular culture. Gloria Steinem, a cornerstone of the modern feminist movement, spoke words that I believe reflect the change in values that I visualize in the form of a river current. “God may be in the details, but the Goddess is in connections. We are at one with each other, we are looking at each other, not up.” Women’s work is the creation of the web; the tapestry of connections between us all and the building of momentum in the stream bed. Continue reading “Join the Rebellion by Jessica Bowman”

Dahut, the Once and Future Goddess by Judith Shaw

judith Shaw photo Dahut Ahes, Breton goddess of Love and Sensuality is a Celtic Goddess whose origins are obscured by patriarchal tales which cast Her as wanton and depraved. By weaving together the tales as they are today with an understanding of the life-affirming nature of the old pagan ways Dahut emerges as more than a glittering goddess of beauty; She is revealed as an ancient goddess in a long line of goddesses who holds the rebirth of the old ways in Her loving arms.

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Artio, Celtic Goddess of Wild Life, Transformation and Abundance by Judith Shaw

Artio, Celtic Goddess of Wild Life, Transformation, and Abundance, is one of the more obscure goddesses in the Celtic pantheon. She is often shown with baskets of plenty and surrounded by animals. Artio is frequently depicted as a bear. Her name comes from the old Celtic word for bear, arth(e), which the Romans Latinized to artos.

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Celtic Goddesses – a Personal Journey by Judith Shaw

When I first discovered the Goddess as a young woman, I was drawn to the Goddess of prehistory. I felt Her power and importance through the statues, figurines and shrines that were uncovered, as Her names and stories have been lost to us.

Later I discovered, in the first written tablets found, the story of Inanna, the Sumerian Goddess. Her story covers all the aspects of a woman’s life – the maiden, the lover, the queen, the mother. She brought the gifts of civilization to Her people. She descended into the underworld and was reborn. As Queen of Heaven and Earth, She ruled all. I worked with images of Her for many years.

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Echoes of Mesopotamia by Molly

Echoes of Mesopotamia
small figures from ancient places
ancient times
and ancient faces
ancient words
and ancient wisdom
still flowing in my veins

Clay in my hands
clay in her hands
running on the rivers of time
spiraling in the mysteries of being
spinning in the eddies and ripples of eternity…

I have a strong emotional connection to ancient Paleolithic and Neolithic goddess sculptures. I do not find that I feel as personally connected to later goddess imagery, but very ancient figures call to something deep and powerful within me. I have a sculpture of the Goddess of Willendorf at a central point on my altar. Sometimes I hold her and wonder and muse about who carved the original. I almost feel a thread that reaches out and continues to connect us to that nearly lost past—all the culture and society and how very much we don’t know about early human history. There is such a solid power to these early figures and to me they speak of the numinous, non-personified, Great Goddess weaving her way throughout time and space. Continue reading “Echoes of Mesopotamia by Molly”

Brigid, Goddess of Healing, Poetry, and Smithcraft by Judith Shaw

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Epona, Celtic Horse Goddess by Judith Shaw

Epona, Celtic Horse Goddess was worshipped by the Gauls (the Celtic French). Her worship spread to Britain and Rome from Western Europe. Hundreds of statues and shrines dating from between the first and third centuries CE have been found in France alone.

Today we can understand Epona mainly from her images, as few stories of her have survived. She is often shown either riding a white horse side saddle or standing or sitting between two horses. Many images show her feeding mares and foals from a cornucopia or a basket of fruit.

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