One day, during a holiday at the home of Italian friends in the province of Lazio, some forty-five minutes by train from the centre of Rome, I experienced a powerful impression of the Sacred Feminine. She came to me in the Vatican of all places, centuries old male stronghold, and power centre of the Roman Catholic Church.
Even more surprisingly, her presence was more prominent in the Sistine Chapel, the Pope’s own place of prayer, where Cardinals sit in all male conclave. But there she was, shining through the restored colour on that famous ceiling through the brushstrokes of Michelangelo. I was picking up loud echoes immortalised for centuries through his art, tuning into the soul of the artist, seeing his inspiration in terms of angels speaking in colour and light. But then he was called after an Archangel whose name means Who is like God. God is creative, He created heaven and earth according to the scriptures, but now it was looking like She might have created it with him. Somehow over the years in Christianity, the real Sacred Feminine has been hidden away, negated, turned into a virginal statue with little visible life energy from earth.
Continue reading “ART AND SOUL by Iona Jenkins”
There are some books which you just want to sit with, underline, read leisurely, and let sink deeply into your soul. This is one of those books.
Iona Jenkins has led a fascinating life as a Labyrinth Keeper, artist, spiritual seeker (among many other things). In To Sing with Bards and Angels, she delves into her Celtic ancestry as a poet to captivating result. I can deeply connect with her journey as I imagine many others will as well.
This book is filled with Jenkin’s stories of the experiences she has had while walking the spirit pathway. Most notable and the major theme of her book describes her encounters with an ethereal light being she identifies as an angel. Her guide appears in moonlight and its form and words fit within her cultural beliefs as to what an angel is. I love that she notes that she views her guide in this manner because of her own expectations. Her openness in allowing for other interpretations provides a permission structure for anyone reading and/or on their own spirit journey to understand such experiences in their own way whether it be angelic, otherworldly, imaginative, dreamlike, mythic or manifest in this reality.
Continue reading “TO SING WITH BARDS AND ANGELS by Iona Jenkins, Book Review by Janet Maika’i Rudolph”